Showing posts with label Independent Music Reviews. Show all posts
Showing posts with label Independent Music Reviews. Show all posts

Contemporary Instrumental Review: Hans Christian and Thomas Barquee-Meloydia

Release Date: August 1, 2024

Label: Allemande Music

Website

The musical team of Hans Christian and Thomas Barquee have released Meloydia.

 

Hans Christian's versatile skills on the cello, lap steel guitar, Sitara, psaltery, fretless bass, keyboards, and programming, combined with Thomas Barquee's mastery of piano and keyboards, promise a musical journey that is both diverse and expressive with emotion.

 

There is no track under five minutes so that you will get a panoramic and absorbing musical experience. As mentioned in the publicity notes, there's room to breathe in Meloydia, and the music speaks equally well during soft background listening and a focused listening session.

 

"The Gift" begins the recording. The track is very peaceful and precise. The instrumentation is excellent in portraying a gift for a listener, whatever that may be. It is reflective and sweet to engage the soul. The gift is the music itself, as its calming effect sets a tone you may anticipate throughout the rest of the listen. However, that is not the case.

 

"The Promise" is the most extended piece on the album at 8:22. The piano and keys enter the mix, playing off each other, and that pairing is beautiful. The cello comes in nicely to add another soothing layer of instrumentation. The pace picks up at about the halfway point, as the keys lead the way with an orchestration followed by a rhythmic piano. It goes from calming to cinematic with more energy. It circles back to the cello, and the orchestration returns to accentuate the piece. The entire composition sounds perfect for a scene in a movie.

 

"Persistence of Time" follows the energy of the previous track. A more upbeat introduction sets the atmosphere, then quickly changes to a more defined approach. The music moves like a person taking steps towards something with a purpose or how a river may flow before and after a hard rain. And even though there is that variation, its ambiance is quite lovely.

 

"Opalescence" begins with the Sitara, which sounds very Middle Eastern. The bass and percussion add an excellent rhythmic sense to the piece. It all sounds very world-new age and cinematic at the same time. It summons images of a faraway land, like a vast desert of silence in a never-before-visited territory. It creates a sense of wonder and the unknown.

 

"Your Heart Remains," based on the title, could make you feel that it would be a very reflective composition. It begins as such and then changes a bit with more colorful instrumentation added to get your attention and focus so you can hear what may happen next. The lap steel makes its presence known, adding a flavor you had not experienced up to this point. The longing you feel with that sound, a country bluesy effect, pulls at your heartstrings as the artists intended.

 

"That One Thing" starts with the piano leading off, and the cello comes along to create a layer that cries out like the cello always does. Once again, the lap steel gives the piece a feeling far off the horizon. As the cello cries out, the lap steel answers with sadness. The track picks up the pace as an acoustic guitar starts strumming, like a horse galloping to keep up. I like the lap steel addition even more in this track as it is more poignant. As the track gets about three-quarters of the way through, the cello returns and all the other instruments intermingle for a combined sound, which makes it one of the highlights of the listen so far. Excellent!

 

As the title indicates, "Do We Remember" would need to be more cerebral. A combination of instruments joins in with some orchestrations from programming that add another layer of atmosphere. Once again, the Sitara gives the composition more color and flavor because it stands out with its unique tone and is placed well in the piece. I enjoyed this music's shifting sounds and paces, which kept my interest going from beginning to end.

 

"An Echo's Soul" is a title that sounds profound and meaningful. It comes in at precisely five minutes to close out the recording. The subdued mood and color give you time to focus on the sounds and frequencies, so it would be apparent to hear your soul echo feelings and translate them into something lucid. It will be meaningful for those who can use music to relax totally or meditate. Either way, it is very effective as the bass and keys are beautiful and soft, like a billowing cloud passing by on a clear blue sky. It takes you away and removes you from one train of thought to another.

 

This recording is called Meloydia for a reason, and once you listen, you will understand why.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 20, 2024

Tracks:

1. The Gift (7:45) 

2. The Promise (8:22) 

3. Persistence of Time (6:13)

4. Opalescence (6:15) 

5. Your Heart Remains (5:20) 

6. That One Thing (6:40)

7. Do We Remember (5:43) 

8. An Echo’s Soul (5:00


Contemporary Instrumental Review & Interview: Ed Bazel-The London Sessions New Perspectives from Studio 2

Release Date: March 18, 2024

Label: DiscMakers

Website

Nearly two years ago (October 2022), Ed Bazel released The London Sessions-Reflections From Studio 2. Which I had the opportunity to enjoy and review. Ed returned in March this year with The London Sessions New Perspectives from Studio 2 at Abbey Road. It features nine original tracks and two covers.

 

Daybreak” is a beautiful opening track. It imagines a clear, crisp morning with the sun rising over a mountain peak. The piano is melodic and soothing, instantly letting the visions come to you.

 

As we all travel “Onward” in our lives, there are many things for which we can be grateful. One thing is musicians like Ed Bazel. The melody progresses as the track carries you to your next door to open or a pathway to follow—3:11 minutes of musical perfection.

 

“All Of My Life” immediately suggests something more poignant yet infinite. Our lives are meaningful in many ways, and Ed expresses them on the track. I did feel some sadness and reflection in the track as it gave me time to pause and look back at my life. The beauty flows and continues from one track to another.

 

“The Long And Winding Road” was instantly recognizable to any Beatles fan or music lover, for that matter. It is done well with a violin singing along with the piano. The words are going through my mind as I listen. Like many people, I know the words to nearly every Beatles song. It just happens that way if you have been listening to them since you were five years old!

 

“A Joyful Life” is a perfect follow-up to a Beatles cover because of the feeling one gets listening to their music (for those who cannot relate, start listening to them, and you will understand). In just under three minutes, the piano does sound happy and positive, so the message is well received. It is simple, direct, and brief enough to enjoy and get the associated feelings of joy.

 

“A Beautiful Life” follows the same lines as its predecessor. Being joyful can be beautiful. Ed’s talent for the keys interprets the meaning of the titles very well. It runs a bit longer at 4:36; however, the violin adds the necessary ambiance that the piano seems to integrate into the piece seamlessly.

 

“Happy Go Lightly” maintains the atmosphere and good feelings of the two previous tracks. The melody is upbeat and seemingly smiling at you through the chord progressions. Feeling that way with a song is something magical and powerful that one solo piano can create.

 

“Blue Skies” is another track placed perfectly in sequence with the others before it. I recognize that meaning and purpose are significant in a recording like this. Once again, you get a gorgeous, uplifting melody that puts a smile on your heart and soul. Ed’s playing is fluid and perfect.

 

“A Rainy Day” changes the mood, as all music has the power to do. In every life, rain comes, but another sunny day with blue skies is around the corner, as you witnessed in three consecutive tracks. It is not a letdown but a reality check that life happens, and we move on. The mood is somber yet beautiful because of the exquisite piano playing. Your hope becomes a reality like the silver lining in a dark cloud.

 

“Beautiful Tonight” brings the beauty and spirit of these compositions back to the forefront of your consciousness. The track is one the most beautiful (they all are), and the soothing melodies on the recording are so clear and defined that they project all the emotions implied in the title.

 

“Imagine” is one of John Lennon’s most prolific songs ever recorded. Ed did a great job of making it all real again without the words, but if you are familiar with the song, the words will come quickly. The track was such a prolific statement that it still holds today and must be believable for all humanity. We need it now more than ever. Thank you, Ed, for bringing this great song back into our awareness, and hopefully, this will become a reality. And the world will live as one…

 

The London Sessions New Perspectives from Studio 2 is a complete triumph for everyone involved. The music is gorgeous, and the musicianship and production are superb. If you enjoy instrumental piano music, this is one performance you should not miss!

Keith “MuzikMan” Hannaleck-NAMR Founder

July 5, 2024

Tracks:

01. Daybreak 02:38

02. Onward 02:09

03. All Of My Life 03:11

04. The Long And Winding Road 03:17

05. A Joyful Life 02:57

06. A Beautiful Life 04:36

07. Happy Go Lightly 02:11

08. Blue Skies 02:47

09. A Rainy Day 03:55

10. Beautiful Tonight 03:05

11. Imagine 04:21



Electronic-Ambient-New Age-World Review: Michael Whalen-Our April Tigers

Release Date: April 21, 2023

Label: Sprout/MWM

Website

Emmy Award Winning composed, and internationally renowned recording artist Michael Whalen had an idea about creating a group of composers and players to collaborate on a new instrumental recording that would defy style or genre. He wanted to pick people who had careers in soundtrack global ambient alternative and beyond that, including Bassist Michael Manring, guitarist Michael Brook, trumpeter Jeff Oster, percussionist/remixer Karsh Kale with Whalen starting the tracks collaborated on seven songs with the musicians doing their engineering in their studios in New York City, India, San Francisco, and Los Angeles. So, Our April Tigers was born. (Information from artist press release)

 

Even though I am classifying it as Electronic-Ambient-New Age-World, and it is a refreshing combination of those genres, I think Michael Whalen and his collaborators succeeded in creating something so original and different. Still, it does make it difficult to point to one genre expressly. For my listening pleasure, that makes it inviting and unique. 

 

Working remotely and separated by many miles is common today in putting together a recording, so it is nothing new, so what is going to make this release stand out? Michael started by creating melodic snippets that went from one musician to another, each adding their parts. Listening to it now makes it more unique and quite impressive. Creating the music would be easier if everyone were in a face-to-face studio (although I don’t think it is ever easy). The talent of each artist comes shining through on every track. Michael is the keyboard wizard and music master; every other partner is masterful with their respective instruments.

 

Never was that more apparent than on tracks like “Morning Bell.” Michael Manring’s hypnotic bass and Jeff Oster’s trumpet provide the textures and colors that mix beautifully with Michael’s array of keys. It sings instrumentally and pulls you in with ease, like meditation music. Many types of ambient instrumental music do serve that purpose, and Michael has been one of the more eclectic musicians with each release. As a person fortunate to provide coverage of his music, I wonder what he will come up with subsequently and anticipate an entirely new adventure each time. I am happy to say that he never disappoints.

 

Diversity is the key to the excitement of each next track. After “Morning Bell,” then “Visceral Organ” comes on. It sounds like it could be an entirely different album. It is a funk fest with a colorful atmosphere with the wonder of every second pouring out of it. That is one of the best examples of complete transitions going from one track to another. You better strap yourself in because that is the modus operandi of the release. Don’t expect a steady flow of the same thing; because of that, expect to feel a smile develop from the inside out.

 

Our April Tigers is indeed Michael Whalen and his significant contributors. As spring is happening and the flowers blooming are right around the corner for those in the Northeast, this music will fully bloom, inspiring listeners, and musicians worldwide.

 

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

March  21, 2023

Tracks:
1. Over Water 5:27
2. Disappear 5:09
3. Morning Bell 4:43
4. Visceral Organ 4:29
5. So Fragile 3:59
6. Hope Haunts 4:54
7. Temporality 4:17


New Age Ambient Instrumental Review: Stephen Peppos-Celestial

Release Date: February 20, 2023

Label: Independent

Website

Celestial
will be the fifth release from Stephen Peppos that I have enjoyed listening to. His new-age ambient journeys are the musical chicken soup for the soul we all need.

There are eighteen tracks on Celestial. You get the complete treatment of the new age ambiance he so expertly produces album after album.

Ce·les·tial-Positioned in or relating to the sky or outer space as observed in astronomy: "a celestial body"

That is the primary term and title of this album. And beautifully illustrated on the cover art with a giant bright moon behind a tree. It was likely the stone age when the moon was that close to the earth, and what a sight that must have been!

I had always had a fascination with astronomy going back to when I was a little boy. That interest has never waned. It has become stronger over the years. I always look to the stars to feel a sense of wonderment about what kind of life could be millions and billions of miles away. It makes you feel small in the big picture of the universe.

Music makes a person feel whole, and at times the sounds put you into a trance-like state or in the space of meditation. Whatever your choice, instrumental music filled with synths, color, the tinkling of bells, etc., presented on Celestial, will allow you to move on to a different level of freedom and existence. For my tastes, that is very important to find that release point where the thoughts of the day melt away, and the focus is on the music alone.

If you are looking for calm, serenity, and the magic healing powers of music, it's time to take a trip on the "Celestial Highway." That is how this recording starts with that track, and it is a beautiful introduction to what you will hear and experience along the way. Track by track, you can take the journey with Stephen and listen to (what I call) experiential music. You, the listener, decide how the door opens and closes on this recording.

There are stars and galaxies so far away that we will never discover them, even with the most powerful telescope. Here is your chance to create your universe with the sounds to soothe and penetrate your being. Your mind and body become one with the music, and you can discover new worlds within your mind's eye and realize you could not go during a typical day without the help of this music. That is the point of music such as this, to step away from the norm and experience something out of the ordinary, relax, and recharge those batteries for another day.

Celestial gave me pause to reflect. All the layers of ambient keyboards reminded me of some of my favorite artists, such as Jean-Michel Jarre, Tangerine Dream, and similar groups. 

As all artisans were appreciated thousands of years ago, they are still today. People like Stephen Peppos are an intrinsic part of our lives and help to enhance our world. So, please sit back, listen, and let the chaos of our planet and perhaps your day, disappear with music from Celestial.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
March 16, 2023

Tracks:
01. Celestial Highway
02. Night Sky Revealed
03. The Sun Sphere
04. Ambrosia
05. Celestial Interlude part 1
06. Look To The Quivering Sky
07. Celestial Longing
08. Fields Of Stars
09. The 4th Dimension
10. Celestial Interlude part 2
11. Heavenlies
12. Celestial Joy
13. Wonder
14. Beautiful Cry to the Universe
15. Celestial Interlude part 3
16. Celestial Dawning
17. Celestial Traveller
18. Celestial Dance

Contemporary Instrumental New Age Review: Various Artist - Fall Flight (myndstream)

Release Date: November 19, 2021

Label:  ‎myndstream

Website

With the change of seasons and Fall ushered in, the myndstream label features six tracks from various artists. The compilation is appropriately titled Fall Flight.

“Autumn” with Roger Kellaway and his piano is the perfect gateway to a new season arriving and starting this compilation. His nimble fingers bring us to the change of season gently with a greeting only an acoustic piano can create—a perfect way to begin your audio journey.

 “The Golden Hour” features the acoustic guitar of Karlijn Langendijk. This one is with acoustic guitar taking a singular approach. While building the track with different strokes of the strings, it shines the light on the purity and clarity an acoustic guitar can have. The track is an example of the absolute beauty portrayed on a musical canvas.

“Insects” is from the well-known artistry of one Mr. Larrry Fast and Synergy. He has played with many great musicians during his long and successful tenor and created a bevy of solo material. Keeping with the legendary progressive sound he is known for, the music is powerful and cinematic, changing the entire mood of your listen. Perhaps the boldness and directness which contrast the previous tracks show us how the changing of seasons can be abrupt and rapid, especially for those living a more petite reality as an insect. Think of the winds blowing and the leaves creating their little cyclones on the ground and in the roads as the insects scramble to preserve their very existence.

“End of One Thing” from David Baron brings you synth sounds. The various layers are more progressive with a distinct universal and futuristic tone. It is ambient and ever-changing, showing how eclectic the synthesizer can be within one track.

“Favor from the Wind” features the acoustic guitar of Janet Noguera is another sublime track. The music creates a path to enlightenment through the vibrating strings of a guitar. The composition is acoustic divinity coming from the fingers of this talented woman. She brings you peace and joy from her soul.

“An Old Fairy Tale” by Bernward Koch features gentle piano and textures that invite you to partake in the new season ever so gently. The piano whispers like the wind that blows the leaves off the trees as they prepare for the winter. I found it to be an excellent way to close the curtain on this fantastic group of tracks while comparing and contrasting with everything that I heard preceding it.

Fall Flight
is right on time to take you through the next season with many different colors, textures, and moods, which is what every new season us about, particularly with the changing colors of the leaves. It all falls into place nicely with a good flow and constant change, which the four seasons always bring with each passing year.


Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
November 19, 2021

 Tracks:
1.Autumn – Roger Kellaway
2. The Golden Hour – Karlijn Langendijk
3. Insects – Larry Fast/Synergy
4. End of One Thing – David Baron
5. Favor from the Wind – Janet Noguera
6. An Old Fairy Tale – Bernward Koch
   

Experimental Instrumental-Ambient-Acoustic Review: Constance Hauman-The Quarantine Trilogy - The Third Wave

Release Date: October 20, 2020

Label: Isotopia Records

Website

A world-renowned classical singer, Constance Hauman, can shift gears at an alarming pace and entertain music listeners from the opera, funk, soul, pop, and rock audiences. Diversity and talent are the operative words here.


With The Quarantine Trilogy - The Third Wave the album is a series of improvisations that originated with her on piano and drummer and longtime collaborator Ross Pederson on midi drums and synth.

This is another instrumental venture into the ambient and atmospheric sounds that have helped so many of us deal with the restrictions and unrest of the pandemic this year. I have heard several that have assisted in calming and healing from my listening perspective.

Piano and synths are the main instruments that take you on this ride through the ether or possibly the unknowing parts of your brain, memories, or something that has been locked away inside that needs release. There is something to be said regarding not just the overall power music holds but the certain instruments that are being used to grab that source of energy and convert it into sounds.

Constance and Ross are gifted partners. They present different types of listening within each track. Every track has the room to grow and move around. That approach works very well. For instance, “The Quarantine Trilogy 3rd Wave": I. Solar Eclipse Symphony,” clocking in at 13:49, offers solo acoustic piano and some synths come in to add to the layers and colors of the music. This long stretch of improvisation takes you into successive changes as it builds and builds. At times this kind of progression reminded me of legendary performers such as Vangelis. The track takes you to a crescendo of sounds then back down to earth for a safe landing however you still have that feeling of floating on a soft cloud through the ambient and acoustic mixture of sound, especially with the way the song closes.

Then to switch things up you move on to starting things off with some very futuristic and space sounds. “The Quarantine Trilogy "3rd Wave": II. The Last Century,” gets you back in flight, back to that mindfulness state to leave your earthly surroundings behind, unattached and free. What a beautiful thing how music can change your entire frame of reference. The synths get thicker and more pronounced as the track progresses through all its changes. Along the way, the acoustic piano of Constance holds firm and serves as an equal response to the synths. The mixture is brilliant and I also appreciated the pauses where there was just the solitude of that acoustic piano, which are brief but recognized for their poignancy and beauty. Things get even more interesting at around the nine-minute mark and take an entirely different direction. It reminded me of the way progressive jazz and fusion can be within one song. When you have more than 13 minutes to stretch out musically a lot can be accomplished. In one track it goes from cool spacey ambient sounds to more pensive interludes bordering on cacophony. That part of the track may surprise you and the way it abruptly ends with the sound of a scratchy radio frequency that you would hear going between stations. I thought the entire thing was innovative, risky, and satisfying.

The trilogy closes out with “The Quarantine Trilogy "3rd Wave": III. Solemn Feels Good Right Now.” The continuation of that progressive nature gets things off to an interesting start. The synths sound like they are holding down the rhythms being created by the synth drums and at times oddly timed piano notes. It is a challenging listen for any audience, albeit interesting, filled with the color and embodiment of testing the boundaries of keyboards and their extraordinary reach when combined acoustically and electronically. By the time that track ended the only way I could put a name on this music was to dub it Experimental instrumental-ambient-electronica-acoustic. Then again, why does it need a tag or label? It is music both unique and complicated yet very entertaining.

The Quarantine Trilogy - The Third Wave
is a superb diverse instrumental album that will awaken your senses and make you think. The thought process will be different for each listener and I believe pleasant and rewarding at the same time. I am not surprised that I enjoyed this group of tracks. I do hope to hear more in the future from Constance Hauman and Ross Pederson
.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
November 27, 2020


Track List:

1. The Quarantine Trilogy "3rd Wave": I. Solar Eclipse Symphony 13:49
2. The Quarantine Trilogy "3rd Wave": II. The Last Century-13:03
3. The Quarantine Trilogy "3rd Wave": III. Solemn Feels Good Right Now 12:53


New Age World Instrumental: Mikuskovics Baum-Timeless

Release Date: December 21, .2018
Label: Independent

Mikuskovics Baum has a new release titled Timeless. It is significant that the date of release is the beginning of the Winter Solstice.

I think it is imperative that I took a snippet of information from the artist website so you can understand a bit more about them and their music.

Bernhard Mikuskovics & Georg Baum present sensitive and intimate but yet passionate and wild early European and Indo-European songs, dances and tunes as well as timeless improvisations in a contemporary outfit using vocals, overtone singing, jodeling, harp, guitar, Jew’s harp, bowed psaltery, ocarina, ethnic flutes & instruments.

That is a fair introduction to these two talented gentlemen. There are seven tracks and none under 6 minutes in length. The first track comes in at a substantial 11:36. The harp is a slice of heaven, the sounds that it makes are mesmerizing and quite appealing. When the other instruments are mixed in, or should I say the plethora of sounds, it creates amazing results. I think it is fair to say that the title of this artistry is appropriate. The music you will enjoy hearing is simply put, Timeless.

Timeless is the perfect blend of ancient traditions and new technologies for sound. Taking worldly instruments and using the recording studio’s wizardry is a marriage that works very well. I have had the pleasure of hearing these types of recordings many times now. The combination of new age and world fits like a glove or your favorite pair of jeans, the ones with the worn-out knees so you see nothing but white thread. Now that is pure comfort.  That is the key element here, feeling comfortable with the music. The sounds of so many wondrous instruments make it an easy transition. It is a magic door to open into musical nirvana. You then begin to envision your own personal heaven with the music.

Admittedly there are some instruments listed in the tracks that I have never heard of. That does not phase me, I just endeavor to learn more about what is being presented. The Sruti Box, for instance, uses bellows to create the drone you will hear and the KouXian is a general Chinese term for any variety of jaw harp. So, you not only hear the traditional Jew’s Harp you get different variations and configurations of that type of instrument. I find all this fascinating. There is so much more inside the music than meets the ears (and inner eye). There are cultures, traditions, and endless information that you can be exposed to, all you need is a little curiosity. When one listens to this recording and does some research, not only does it enlighten you, you become well informed with a new-found appreciation of what went into this music and how it was created.

Timeless is beauty, serenity, earthy tones, colors, the sounds and sights of many different peoples of the world coming together, it is like tapping into a global spiritual vein of gold. This is one of the more unique and interesting albums I have heard all year and a wonderful way to close out 2018 and head into the Holidays and bring in the new year. 

I look forward to 2019 with the anticipation of many more journeys offered by so many talented individuals like Mikuskovics and Baum. This is one recording you cannot miss out on if you enjoy instrumental world music with a variety of instruments. 

Keith “MuzikMan” Hannaleck
December 20, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:
 1. Timeless Zenith (B. Mikuskovics / G. Baum)
Bernhard Mikuskovics: Parmupill, Mojave Flute, Native American Flute, Sruti Box, Georg
Baum: Harp

2. Intuition Element (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Celtic Harp, Bernhard Mikuskovics: Sound Bowl, Mexican Log Drum,
Overtone Harp, Overtone Singing, KouXian, Sruti Box, Native American Flute

3. Mirror Ideal (G. Baum)
Georg Baum: Harp, Bernhard Mikuskovics: Dvojacka, Quenacho, Fujara, Jew´s Harp

4. Emotion Trance (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Bernhard Mikuskovics: Sruti Box, Native American Flute, Khomus,
Horn Pipe, Ocarina

5. Life Land (B. Mikuskovics)
Bernhard Mikuskovics: Sound Bowl, Overtone Singing, Sruti Box, Fujara, Quenacho,
Dvojacka, Georg Baum: Harp

6. Endless Ozean (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Bernhard Mikuskovics: Native American Flute.

7. Same Source See (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Bernhard Mikuskovics: Khomus, Quenacho, Mojave Flute, Sruti Box,
Parmupil

Instrumental New Age/Ambient Review: Michael Whalen-Kiss The Quiet

Release Date: February 2, 2018
Label: Spout

Kiss The Quiet is one of the best titles I have ever seen for an instrumental new age album. The title most certainly lives up to its name as well.
Michael Whalen is the architect of this recording. He uses ambient piano, synthesizers and electronics for a superb blend of atmospheric qualities and moods.


 
Kiss The Quiet softly encourages you to listen and when you do it is all over, you are hooked. This is great music for meditation, focusing or just relaxing and emptying your mind. It is rhythmic and soulful, and not soulful in a musical sense but coming from deep down in the soul of the artist. This music emerges to touch you in many ways.



I think people that have the gift and talent to create music like this are blessed. They are willing to share their blessing with us, the listeners, so we can heal, realign the chakras and feel whole once again. That is how I honestly feel about this music.



It kisses your soul, with a touch of heaven added it has the ability to remove you from a physical body and lead you into another type of existence. I feel this way even without meditation, I enter a different realm and let my innermost thoughts arrive and translate it for you here in my reviews. That is a blessing I receive each time I have the opportunity to share my thoughts on music. You can call it the ether where thoughts come and go and are either processed or reflected upon.



You can Kiss The Quiet and feel something different as you let the music envelope your heart and soul. You will be moved by this experience and it is one you will want to feel more than once, I can guarantee it. For this listener after taking in music like this for several years, I have come to know myself very well. It can work for any listener if you just calm the ongoing thoughts and let the music take over.



Keith “MuzikMan” Hannaleck
January 24, 2018



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Review Provided By New Age Music Reviews

4/5 Stars

Keith “MuzikMan” Hannaleck
January 24, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
01. Kiss The Quiet
02. Heart So Full of Joy
03. Full Moon Dance
04. Almost Touching Heaven
05. The Prayer Box
06. No More Secrets
07. Window To the Soul
08. My Obsequious Tear
09. Hush The Night
10. Ever Closer Ever Nearer Ever Sooner