New Age Review: 2002-Hummingbird

Release Date: June 11, 2021

Label: myndstream

Website

https://myndstream.fanlink.to/Hummingbird-2002 

 

A little over a year ago I covered the 2002 album Celtic Fairy Dream. Now at the beginning of June Hummingbird will be released. There are no coincidences in life and I have always loved to watch birds. And hummingbirds are fascinating little creatures. Friends of mine have a feeder for them and I was thinking about getting one. This was a mere two weeks ago. So now I am sitting here listening to an album dedicated to those very birds. 

2002 is a wonderful family group and immensely talented. They are the mother, father, and daughter team of Randy Copus (guitars, bass, keyboards, vocals), Pamela Copus (flutes, Celtic harp, keyboards, vocals), and Sarah Copus (Celtic harp, vocals). They are totally in sync and their productions bear out that synchronicity time after time on Hummingbird.

”Gathering the Clouds” is a good example of the great music this family can create, engineer, and then produce. The orchestrations and wordless vocals on the track are gorgeous. It swept me away into their cloud of sounds and I just floated away with them. What more could a hardworking, anxiety-ridden, stressed individual ask for at the end of the day? Yes, I can fit that profile some days. I tend to be highly self-motivated, focused, and push too hard at times. This takes a tremendous amount of energy and I need a space to call my own to step outside that realm. Even knowing this, at times I have a hard time leaving my conscious mind behind for a reprieve.

I do need to climb the “Sacred Mountain” for relief. But don’t we all? This track featured some nice ambient keyboard layers and flute. The underlying orchestrations are always the key to this music. They give the tracks a meaningful foundation to build on and you cannot help but feel some elation and the profoundness of this music. This is new-age music at its very best. All the right combinations come into play to set your mind and spirit at ease amidst all of the elevating sounds and textures that create all the colors and visions in your mind’s eye.

Everything about Hummingbird speaks to the sacredness of life and nature and our interdependence and connection. Each track takes you to a different place and it’s all about the beauty and pureness of nature and all its bounty. The music expresses that fully in a very distinct way. On “Through the Rainbow” you can hear the gentle fluttering of the hummingbird’s wings through the sounds of the instruments and the lovely inviting acoustic guitar lines.

These are some examples of the many facets and talents of the Copus family and how many sounds three people can put together. At times it sounds like a choir accompanied by an orchestra. The clean and crisp recordings having some fine production values and this team utilizes all of their talents to great advantage to make Hummingbird one of the best new age releases of 2021. I would count on it receiving a lot of praise and some awards for its efforts and contributions to humanity. This is musical meditation for a new age and universal healing for the world. Welcome to Galactic Playground Music.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
June 11, 2021
 

Tracks:

01. Rainbow Cove (5:39)  
02. Walela (4:12)  
03. Gathering the Clouds (5:04)  
04. Sunlight in Rain (4:20)  
05. Sacred Mountain (4:46)  
06. Through the Rainbow (5:02)  
07. Courting the Moon (5:37)  
08. Jasmine Rain (4:09)  
09. Wind Dancer (5:19)  
10. First Day of Spring (4:57)
 

New Age Acoustic Review: Ryan Michael Richards-More Than Time

Release Date: February 20, 2021

Label: Independent

Website

 

Ryan Michael Richards started playing guitar at 14 and was influenced by artists on Will Ackerman’s Windham Hill label like Ackerman himself and Alex De Grassi. The acoustic guitar performances of the EP More Than Time, echo those influences in a most profound and appealing way.

I enjoyed all of that Windham Music myself back in the early 90s so have some familiarity with the artists he references on his bio and in his approach and style. For this listen that is a door I willing walked through without any hesitation. Not to say I knew exactly what to expect but had some idea.

The five tracks on the EP are beautifully presented with Ryan Michael’s precision acoustic guitar playing.

“Moving Forward” starts off the proceedings with a warm introduction to the acoustic bliss you are going to experience from beginning to end. A little over 3 minutes gets the atmosphere set with some very nice and infectious notes. The sound of one man playing acoustic guitar and sounding like two is an amazing thing to hear. I most certainly appreciated his abilities straight away and anticipated more of the same.

“At Your Leisure” continues with the relaxing ambiance and the exquisite addition of Premik Russell Tubbs (Lyricon) and Michael Manring (Bass). The additional instrumentation is added layers of serenity that are easily created by the joining of all three instruments. Ryan’s guitar permeates the track and invites the other sounds to intermingle with his acoustic guitar like it was simply meant to be. In case anyone was wondering, the Lyricon is an electronic wind instrument that sounds similar to a flute. The track is the longest on the EP clocking in at 5:18. It was my favorite track.

Charlie Bisharat (violin) and Jill Haley (English Horn) join Ryan on “May I Have This Dance.” The title is very insightful into the question being asked of a prospective dance partner. I think what brings that element out more than ever is Charlie’s violin. It sounds elegant and with the appropriate addition of Jill’s English Horn, the track takes on a very majestic aspect, like watching the King and Queen dancing in the ballroom to start the coronation of the new prince in the castle.

“Friday At Five” is quite different than all the other tracks. It has a distinctly different rhythm to it, as all the others do, however, this one caught my ear as a different style of picking than what I heard previously. It is very purposeful and succinct but once you hear it, it definitely feels like a step away from the flow you heard prior.

“Timeless” which is the second-longest track at 4:01, closes out the EP. Premik returns to play but this time a lovely “quiet storm” saxophone gives the track a nice acoustic new age jazz feel. This I absolutely love and have appreciated for many years now. The interface of the genres, Ryan’s beautiful playing, and Premik’s lovely sax make this one a real gem and superb way to close out the album.

Although More Than Time is a brief excursion of acoustic ear candy, it is enough to satisfy any musical palette. It was done well by all involved including the unbeatable production team of Will Ackerman and Tom Eaton.

So, grab your favorite comfy chair, pop in the CD “At Your Leisure” and enjoy every second offered on More Than Time. I know I did.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
June 2, 2021

Tracks:

1. Moving Forward
2. At Your Leisure
3. May I Have This Dance
4. Friday At Five
5. Timeless 

Acoustic Contemporary Instrumental - New Age Review: Shambhu-Heart Awakening

Release Date: May 31, 2021

Label: Independent

Website

 

The Heart Awakening EP features 5 full-bodied tracks of instrumental acoustic guitar.

*I have provided an insightful look into each track directly from the artist. This is a nice addition to have available while streaming and deciding to support the artist by purchasing the CD.

Like many musical recording artists, this is a time for reflection and healing if you are fortunate enough to still be here and healthy at the moment. The scourge of the pandemic took its toll on all of us in one form or another. Of course, we do not think that kind of event inspires talented people like Shambhu to make great music, it is a stepping-off point. The driving force behind this is the need to hear healing sounds. In the five tracks on this EP, there will be a Heart Awakening.

The variety on display is engaging and very enjoyable from my perspective. I do appreciate fine musicianship on display showing all the facets and colors that can be brought forth through the various instruments. The main instrument is Shambhu’s inviting acoustic guitar playing. He is a standout player with a lot of talent and he spreads the wealth of that blessing in all five tracks.

The title track opens things up with a nice slow entrance down the path of relaxation and enjoyment. Every track is a tasteful treat of aural escape, to another mindset or space in time if you will. Then for a complete change of direction “Infinite Eyes” takes on a worldly feel inspired with an Indian flavored melody.

For yet another twist, “Preparing for Flight” is a jazz-new age journey that brings your spirits high so get ready for takeoff. The combination of those two genres always works so well, as witnessed yet again in this quiet storm meets the new age foundation at the musical crossroads. “Little B’s Poem” is acoustic beauty personified with piano and poignant guitar lines punctuated with a mellow jazz inference.

“Song For You” is similar in jazz tones, however, the acoustic guitar is more contemporary and then the saxophone gives it that all in jazz ambiance. It lights the inner spirit and keeps that fire burning from start to finish. It is tastefully done and could easily be a crossover to different genres and enjoyed by all.

The Heart Awakening EP will be a welcome addition to your collection this year and your mind, body, and spirit will thank you.

*ABOUT THE SONGS FROM THE ARTIST:
Heart Awakening - Slow, Reflective, Hopeful, and Heartfelt. Features Shambhu's shining and radiant guitar like a devotional prayer.

Infinite Eyes - Upbeat, enchanting Indian-inspired melody with a gorgeous piano / guitar dreamscape that touches the heart. Features Geoffrey Menin, a pianist and friend from college days. And Matteo Palmer, an inventive, young guitarist and composer who invited me to play on his last album, “The Minstrel’s Return.”
Preparing for Flight - Laid back Brazilian / Jazz / New Age groove with an easy melody and tasty horns. A post Pandemic song for the road ahead. The song had its first life as the theme song for a JVC Jazz Festival nationalradio commercial. Features a wonderful flute solo by Premik Russell Tubbs and tasty marimba, percussion, flutes and horns.

Little B’s Poem - A cover of a song by Bobby Hutcherson written for his son, Barry, three years old at the time. "The melodic line reminds me of how he used to play," said Bobby. Features a lush arrangement by Shambhu and a gorgeous piano performance by Frank Martin.

Preparing for Flight - Laid back Brazilian / Jazz / New Age groove with an easy melody and tasty horns. A post Pandemic song for the road ahead. The song had its first life as the theme song for a JVC Jazz Festival nationalradio commercial. Features a wonderful flute solo by Premik Russell Tubbs and tasty marimba, percussion, flutes and horns.

Song for You - A magical saxophone and guitar duet that beams with warmth and light. Celebrates all listeners and features saxophone virtuoso Premik Russell Tubbs, who I first met when we were a mere 20 years old. A love of soulful music has sustained a long and productive friendship and that warmth is indeed reflected.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
May 29, 2021
 

Tracks:

1. Heart Awakening
2. Infinite Eyes
3. Preparing for Flight
4. Little B’s Poem
5. Song for You

Contemporary Instrumental Review: Masako-Wanderlust

Release Date: June 11, 2021 (on artist site)

Label: Independent

Website

 

Wanderlust will be my fourth recording covering Masako’s music. When the announcement comes through for such an artist you feel instant gratification and anticipation. For my listening experience, this initiates comfort and knowing. Not so much knowing what to expect but to know that what I will hear I will be completely immersed in.

While I enjoyed all of Masako’s releases to this point, I believe Wanderlust exhibits an exceptional advance in maturity. I say this because each track is brilliant and quite different. She has mastered the art of diversity and utilizes the other instruments in the mix to her advantage.

The one track that caught my ear as different than anything she has ever done was “Forestology.” It is like a cool breeze, a lovely mixture of ambient, contemporary, jazz, and electronic. It sounded like something I may have heard on another album from a jazz innovator like Ponty, Corea, or one of those luminaries. I loved it of course, and feel now the sky is the limit for this artist.

Then there is the cello and horns in gorgeous and poignant tracks like “Shades of Memory.” Speaking of “Diversity,” as I mentioned earlier, I did not realize it was a track until it came up. It is quite simple and direct with just Masako and her piano. I think the message here is different than the one I was conveying. I believe what she is saying with the track is that the world is a diverse place of many cultures, religions, and backgrounds. With the beauty and soft invitation of her piano, she extends a worldly handshake to all listeners. Reaching out with music is very powerful and words can be a strong statement in the track title alone. This is all accomplished in a little over three minutes.

To coincide with that thought process, “Year of Love,” perhaps speaks to the virus that invaded our lives last year. The love of each other and the healing powers of music are a very effective combination. My inner being acknowledges music as such, as I am sure it does with many listeners. The music speaks to you in many ways. The connection we have with it is universal and spiritual. This track evokes the tides of the ocean and the sounds pull you out to the sea of sound and sweep you away for some time of relief. Over six minutes of excellent musicianship and emotion is tied into this track. It is a masterful instrumental and one of the best on the album.

Wanderlust is an amazing achievement for a solo piano artist. Masako continues to push the musical envelope with each successive release. As a very particular and hard-to-impress listener, I found it an absolute joy to experience from start to finish.
 
Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
May 22, 2021

 

Tracks:

01. Lily of the Valley (2:10)
02. Ocean and You (7:18)
03. Wintering Birds (4:56)
04. Forestology (5:13)
05. Wanderlust (4:54)
06. Lake Willoughby (3:34)
07. Shades of Memory (5:02)
08. Diversity (3:12)
09. Year of Love (6:04)
10. Aquifer (4:34)
11. Wisdom of The Heart (4:45)
 

New Age – Ambient Instrumental Review: Deborah Martin and Jill Haley-The Silence of Grace

Release Date: April 23, 2021

Label: Spotted Peccary

Website

 

Deborah Martin and Jill Haley have combined their efforts on the Spotted Peccary label and released an atmospheric recording titled The Silence of Grace. While Deborah is a long-standing member of the label this is Jill’s first time working with that team. The collaboration brings the sonic pleasures of an immersive and relaxing audio journey.

Jill Haley’s tools are the English horn, Oboe, Yamaha Motif, and percussion. Deborah Martin provides instrumentation with the Yamaha Motif; Roland V-synth GT; Roland Integra; Spectrasonics Omnisphere; Taos Drums, and percussion.

What we have as an end result here is the melding of the natural sounds of the horn, Oboe, drums, and the electronic ambiance of the synths and computer-generated sounds. This creates a symphony of audio delights to match with natural surroundings that each track title is asking you to picture in your mind. With the artist, it first emerges from the inside, deep in their souls, travels to their heart, then their intellects and then talent translates it all through their instruments. I think I have validated that process through many interviews with artists from several genres. Although I must say this mindset is more prevalent and impactful when speaking of new age artists and what their intent is when recording the music and reaching out to the world inviting them to listen.

What you will receive in these many blessings of aural transmissions are nothing less than four minutes and over seven minutes with the longest track. These are not short jaunts for a listen, the tracks presented here have a higher purpose and they give you time to absorb each one to use as a tool for healing, relaxing, or whatever you wish at the moment. In the end, the result that is desired most certainly can be reached with all these wonderful sounds, colors, and textures being painted into your being.  

One track that really can serve as a testament to my own feelings and appreciation is “The Stillness of Forest Bathing.” My first thought was picturing myself in a stream with cool clean water bathing then I quickly reverted to the subject matter of the forest itself. All of the flora and fauna bathe silently in the morning dew and the rising sun. Besides the event of rain, which is not silent, this is how the living unit of the forest continues to flourish and provide all kinds of resources living in the trees, below it, and in the ground. They are all interlinked in a complex system that works with a flow and force that is not unlike their human counterparts that are interdependent upon so many factors to survive. The music blends so well with Jill’s gorgeous horn and Oboe and the adding of the soundscapes from Deborah gives it the final link, the last essence of completion that each track needs from the beginning to completion. This again can be compared to an ecosystem functioning on an interlinked system that helps each segment to not only survive but grow and provide resources for other living creatures. That to me says it all and it shows you how the artist has taken all of those complexities and related to their music and beliefs and transferred it to a significant auditory contribution for us sentient beings to absorb and enjoy.

“From Fire Into Water” was a very interesting tune as well. I loved the way the sound starts emulating a didgeridoo, then as it fluctuates like transmissions from the cosmos. The track takes different roads as percussion is added and some beautifully layered synths and horn arrive that feels changing and uplifting, like leaving the ground to go explore another part of your world for a time. You will find a lot of those experiences in this music and I highly recommend a complete listen before any sampling to put any tracks on your playlist.

There is so much to enjoy and ultimately appreciate on The Silence of Grace.  It is a precious work of complete art that I found a spiritual connection to that could not be denied.  

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
May 11, 2021

 

Track List:
01. The The Silence of Grace
02. Indian Heaven
03. Verdant Sanctuary
04. The Stillness of Forest Bathing
05. Fountains
06. Earth Stone Water Sky
07. From Fire Into Water
08. Water Flows of Clouds and Thunder

LearningToDive release angelic new single 'Promenade'

 

Taking its cue from the heady days of 80s New Wave and Art Pop, LearningToDive’s new single, Promenade is packed with dreamy synths and strings and focuses on LTD’s serious thoughts on society, the planet and life. Quite distinct from his usual upbeat, retro, lo-fi focused tones, Promenade explores alternative themes using darker more complex layers, blending genres of post-punk, 80’s-pop and new- wave. A return to the craft of creating songs which are as richly orchestral and emotional as they are technologically advanced and synthetic, this is final single release before their forthcoming debut album and is accompanied by a stunning video shot in Hyde Park and Kensington Palace Gardens

“Promenade tells the story of two people who live in London and work close to Hyde Park. They often see each other from afar while walking in the park and naturally feel drawn to each other. They start going on their lunch time walks together and eventually see each other more regularly, only to find the relationship is doomed. Promenade explores the age-old problem of two people that love each other but cannot be together. Although in unsatisfied relationships, our protagonists cannot lie to their partners and their guilt weighs on their relationship, causing it to fall apart. The song is a sad reflection on the truth, that as humans we can love more than one person at once, but in most relationships, you can really only be with one and choices have to be made”.

A love letter to the dazzlingly inventive 1980’s musical scene, LearningToDive’s debut album, Norwegian Pop, is packed with the very best of the sounds of the 1980s genres of post-punk, synth-pop, New Wave and the New Romantic movement. One of a series of projects from musician, producer, vocalist and composer, Bravo Bonez, it explores personal, political and societal ideas, addressing themes of hope,betrayal, danger and age, whilst retaining a musical edge which crosses the decades to sound as vibrant and vital as ever.

Facebook: https://www.facebook.com/learningtodive/ 

Instagram: https://www.instagram.com/learningtodive/?hl=en 

Website: http://learning2dive.com/

Soundcloud: https://soundcloud.com/user-718196749

Spotify: https://open.spotify.com/artist/63TsRGNIoI5mNK2s4BDjuP?si=5TytUWvuRWGtuQ5ToCK0PA

Youtube: https://www.youtube.com/channel/UCf4AaCSYnX748ZBHmqFrzpg

Ambient-New Age Instrumental Review: Keith Richie-Ambient Highways

Release Date: April 13, 2021

Label: Independent

Website

Keith Richie’s Ambient Highways was 5 years in the making. 

Sometimes life can get in the way of things we want to do or accomplish. And then it takes intestinal fortitude and a supportive family to help you reach the end of the line to complete what you set out to do. Check all the boxes for Keith.

Now I begin my travel down the colorful Ambient Highways. The eye-catching artwork, provided by Keith’s wife and the colors of 180-gram LPs (purple white marbleized, and translucent blue), and the album sleeves with its dystopian view, bring many things to mind. Everything syncs up beautifully into one clear package of instrumental ambient music with a new age feel and color.

The engines start and you are rolling down the highway with “Neutrino.” The steady pulses provide the focus and you are seamlessly engaged, as the light keyboards are echoing through the cosmos. “V Feeling” provides ambient layers down this new highway with the cosmos as a backdrop. As I listen and I look at this cover art I am thinking how quickly everything is moving on the highway, at light speed, and how life can be that fast, then we are once again stardust. Side one closes with “Xenogenesis,” offering some nice keys to relax and draw you into the mix of orchestrations and rhythms that create an ambient bubble in time.

Side B brings you the title track as the “Ambient Highways” are now an extension of you as the music moves you. This fantastic voyage and the softness of the synth ushers you into all the layers of sound. The “Weeping Angels” are now calling with synths sounding like a harp playing at the gates of heaven. This is a prolific track title with the music to emulate what the words say beautifully with purpose. “Faiths Song (Ptilopteri Waltz)” closes out the purple and white marbleized spinning disc with a dance of divinity and color pulsating with love.

Now as the beauty of the translucent blue disc spins on your turntable, the chilling “Arctic Shores” get some warmth from sounds that Keith is creating on side C. You feel the chill turn into something new and refreshing as the waves hit the shoreline, the cold is gone and the water is inviting again. “Dew From The Morning Star” takes shape as the music drips it inviting sounds on the grass and leaves on the trees. The only thing missing is the sound of happy birds chirping. The piano is engaging, bringing about these visions in your mind’s eye. Then the storytelling track, and Keith’s musical bio, “Keeping The Dream Alive” begins. This is personal and a victory for the artist and all the people he loves. It is all at once cinematic, emotional, and bursting with many colors of joy. It is the perfect closer for this side of music.

Side D finishes in epic form with some very exciting and powerful music. “Neptune’s Awakening” puts the ocean on notice and all of your senses, as you envision this God emerging from the depths. The music is anticipatory and exciting like an important scene in a movie. “Distant Visions” is a continuation of this turn of events and musical direction. I enjoyed how much the music changed and continued to get my attention from beginning to end. You can feel the energy and strength of the music making its way through your heart and soul. The curtain closes on “Ultima Thule.” This is the Latin variation of the Greek meaning of “furthest of the far places” or a reference to people located beyond the borders of the known world. Look into the cosmos they may be waiting for you on the edge of time or perhaps the beginning or end of the universe? The sounds echo through the mists of time and the constant ticking of life's clock is present, as the beauty of every molecule that makes up this vast universe is represented and captured within the music.

Ambient Highways is a musical story that you will not forget. The fact that Keith composed, performed, and engineered this entire recording, is a credit to his immense talent and vision that we can all appreciate in his music. This one is a keeper for the ages in the world of ambient instrumental music with a taste of new-age essence tucked within every track. Ashes to ashes, dust to dust, into the ground we return and our spirits ascend to return where we began. Music, heaven, and the cosmos can be found traveling along the Ambient Highways.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
May 6, 2021
 

Tracks:

Side A:
1. Neutrino
2. V Feeling
3. Xenogenesis

Side B:
1. Ambient Highways
2. Weeping Angels
3. Faith's Song (Ptilopteri Waltz)

Side C:
1. Arctic Shores
2. Dew from the Mourning Star
3. Keeping the Dream Alive

Side D:
1. Neptune's Awakening
2. Distant Visions
3. Ultima Thule