New Age Music Reviews

Instrumental World-Jazz-Fusion Review: Ron Korb-World Café

Release Date: August 8, 2018
Label: Humbledragon
Website

Flutist Ron Korb released World Café last month. This is his twentieth proper release. That is quite a catalog of recordings for any career. This is my first time hearing his music and I was anticipating some great sounds just by looking at the title. To give you the right looking glass before listening, I would prepare yourself for some excellent world-jazz-fusion.

World encompasses a broad range in relation to anything however for music it means something very special. You know you are in for some ear candy when that word is part of the genre. In this case, you will hear Latin-infused instrumentation led by Ron’s magnificent flute playing.

My musical taste buds were meant for any kind of Latin music, this was not an acquired taste, I have always enjoyed this type of music. I love the rhythms and particularly the percussion that lays down that hotbed of sound. Larry Crowe is the main percussionist throughout with the exception of the superb “Carnival” and “Hilario” where Papiosco adds his congas and timbale to the mix. Bill Evans, the long-time collaborator of Ron, is steady throughout the entire album on the keys. Having the right chemistry between players is always so important for a successful recording session, it becomes very clear that is the case here.

If you are appreciative of the flute you will feel you have struck gold on World Café. I have always appreciated the flute in rock or jazz recordings. One of the factors that I greatly appreciate about this album is that the artist actually travels to the lands that are the subject matter of his music. All the music was written and composed by Ron, everything is the real deal with this man.

The CD comes encased in a quality hardbound book style with each page containing pictures, anecdotes and a list of the contributing musicians. This is not just a listening experience, it is all-encompassing. Through the CD booklet pages and the music, you get to feel the atmosphere of where he is and imagine the colors, sounds and smells wafting through the air. World Café is everything that it says it is and a little bit more for the astute listener. It is without a doubt my pick for best fusion album of 2018 and the bar is set very high to challenge it.

Keith “MuzikMan” Hannaleck

September 4, 2018

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Tracks:
01. Bailar Conmigo (Dance with Me)
02. Sans Regret
03. Cordoba
04. Hilario
05. Island Life
06. Argentina
07. Take My Hand
08. Patagonia
09. Sans Regret Reprise
10. New Orleans
11. Carnival
12. Sans Regret Finale

Instrumental Ambient/New Age/Classical Review: Barbara Hills-The Flowers Suite

Release Date: August 1, 2018

Label: House in the Wood Productions

Website

Barbara Hills likes to refer to her music as “painting sound.” Interesting enough is the fact that she does paint, and flowers are her specialty. One of the examples is the cover of her latest release The Flowers Suite. What you find out after hearing her music is how these two things can go hand in hand.

I also have referred many times over the years to music as taking a blank canvas a filling it with colors, feelings, atmospheres, and life. In the same thought process, any listener can then do the same while and paint their own canvas in their mind. I always have been able to create some kind of running story or images listening to moving instrumental music. With The Flowers Suite I found that ability to do so quite easily, it was a natural transition. She also takes sounds of nature and her surroundings and blends it with her music to get a wonderful result.

What I appreciated the most about The Flowers Suite was how eclectic it was. All twelve tracks have their own personality, a different painting if you will from the multi-talented artist. The most moving songs for me were “Sweet William,” it captured my imagination and stirred my spirit, then “Hedgerow Walk” really got my attention. The “Hedgerow Walk” is an entertaining 16 minutes of progressive ambient instrumental music. Granted 16 minutes is a long run for any track however if it is done properly it can mesmerize the listener. In the case of this particular a musical stretching of thoughts and forms, it most certainly sounded like music being painted into your consciousness. I think the end result is quite amazing. It is a great example of an artist using all of the talents and instrumentations at her disposal to create something special and memorable for the instrumental music fan.

If you happen to fancy ambient music with some changing scenery this will be a real pleasure. It is all done with a new age flair and a solid foundation of classical to hold it all together. It is an omnibus of sounds and colors conjoining to make a beautiful painting.

The Flowers Suite is a triumph of sound and art for Barbara Hills. I am certain that any instrumental music fan can find appreciation somewhere amongst the bounty of sounds that this talented lady provides. I think this recording could serve as soundtrack music for the film industry or for an individual searching to create their own soundtrack or painting in the mind's eye. I highly recommend giving this album a thorough listen as there is so much just waiting for you to discover!

Keith “MuzikMan” Hannaleck

August 30, 2018

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Tracks:
01. Love-In-A-Mist
02. Among Lilies
03. Through Iris Halls
04. The First Snowdrop
05. When Cherry Blossoms Fall
06. On Hawkweed Bank
07. Sweet William
08. Forget-Me-Nots
09. Creeping Buttercup
10. Where Heather Grows
11. Hedgerow Walk
12. Canyons Of The Black Tulip

Instrumental Ambient/Electronic/New Age Review: Stephanie Sante-Clear Light

Release Date: July 20, 2018
Label:Sante Music
Website

According to Stephanie Sante’s website her newest offering, Clear Light is as follows:

Clear Light, a tribute to the beauty, mystery and power of earth’s oceans, from ancient times to the present. The music ranges from buoyant, jubilant and energetic to softer, gentler, floating pieces. Clear Light takes the listener on an underwater journey of exploration and fascination.

After hearing the first few tracks of this album it was sounding more ambient and electronica than new age. It is more like Jean-Michel Jarre than say Kitaro for instance. Here is a point is well taken, music such as this borders on being new age or very close to it. I think if I were to put any kind of label on it I would choose ambient/new age instrumental. The ambient for its obvious textures and layers of synths and keyboards, and the new age in slices that line up with the image on the cover of the album, the title, and the relaxing elements that would allow a listener to sink into a chair a float away inside their mind or meditate. I think that is a fair enough assessment of what I heard on Clear Light.

I am not saying all this in a negative context at all, it is quite the opposite. I love music like this and the two artists I mentioned are favorites of mine along with others such as the work Bowie and Eno did on Low. When I was younger and first heard that I thought Bowie had gone off the deep end. Now I absolutely love it and can see the genius in what the man created. Music that is explorative and reaching out to find different realms of consciousness, can be found on Clear Light. It becomes an extension of that beginning process every listener goes through. For me now it through the ears of a more mature and advanced listener, not to mention a more spiritual and wise man (which took me many years to arrive at and many mistakes and obstacles).

It truly is amazing how music triggers so many emotions, thoughts, and good feelings. It stimulates every part of me, my brain, body, soul, and breathing. It is only music with different tones, colors, and rhythms that can make that happen. If there is repetitiveness in the background for rhythm and many other things coming in to keep it interesting and attention-getting, then I am good to go. Stephanie does an excellent job of keeping it all fresh and interesting. I think it can be difficult to do that as a solo artist working with various synths, computer-generated sounds, and keyboards.

Clear Light carries on the tradition of thoughtful and creative music as it the busyness of the day melts away. All of those thoughts and tasks of the day just flow away, then are replaced by joy, warmth, love, and clarity. Stephanie takes you there with her music. In 9 tracks of an enchanted journey through time, space and nature, you are delivered to another world, perfect for those of you seeking simple solace or an opportunity to meditate.

Keith “MuzikMan” Hannaleck

August 29, 2018

Founder of:

New Age Music Reviews

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Tracks:
1. Clear Light
2. Deep Impression
3. Salacia's Dream
4. Jade Resonance
5. Melt Like Snow
6. The Color Of Coral
7. Fractured Echoes
8. Moonlit Starfish
9. Mariana

Acoustic Instrumental Review: Ryan Judd-An Open Sky

Release Date: September 7, 2018

Label: Two Owls Music

Website

Ryan Judd is a board-certified music therapist with a master's degree in music therapy and psychology. He works with children with special needs and found it was his calling once the opportunity was put in front of him. Bless people like Ryan, where would we be without out these saints to help us?

He also happens to be a very good guitar player. His music led him to his education and his final destination. His service is called The Rhythm Tree, which is very appropriate for his chosen field. An Open Sky introduces his music that helps his clients.

With the exquisite cello playing of Kristen Miller to accompany him, the album offers 10 tracks of acoustic bliss. I wonder if the Two Owls (Music) are referring to the two folks making all the music on this album?

If the instruments are played well and the arrangements are right for the particular instruments it can work very well. In this case, it certainly turns out that way as this duo combine to create some heavenly sounds. The whole idea behind this is that music is healing - yes, it is! I think with this fairly new profession of music therapy, that has come into focus more prominently. I remember watching a story about Glen Campbell when he was in the earlier stages of Alzheimer's and how he could remember all the words to his songs but anything else was a struggle. That is the power of music. Before he died he recorded an amazing album called Ghost on the Canvas. That story and that music have made such an impression on me, I will never forget it. It totally changed my way of thinking when it comes to music, the healing kind.

All of those thoughts and feelings quickly coalesce for me when I hear music like I heard on An Open Sky. I think in this timeframe, the one that all of this was recorded, the artist opened his heart and soul to create this beautiful music. It does not take long for me to realize that after I understand why the music was made and for what purpose. I do not need that as an influence to hear and write about music, however, knowing more about how it came to be, made the listening experience that much more powerful. It is a tool to heal those that need help in any way, not necessarily for those that have special needs, anyone that needs some sort of healing can benefit from music like this.

Thanks to more and more people like Ryan Judd and recordings like An Open Sky I have evolved as a listener and spiritually. I am amazed at the power music holds for any listener. There is a lot of thought and effort that goes into making music so important to so many people. So, I say with all of my heart and soul, thank you, Ryan, for what you do for people and helping to make me a better person by listening to your music and reading your story.

Keith “MuzikMan” Hannaleck

August 25, 2018

Founder of:

New Age Music Reviews

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Tracks:
01. Looking Back
02. The Embrace
03. An Open Sky
04. Heartstrings
05. Weightless
06. Autumn Light
07. Spanish Sunrise
08. Her Beauty Shines Through
09. Under the Willow Tree
10. Winter Harbor

New Age Instrumental Review: Alan Matthews-The Ineffable

Release Date: October 9, 2017

Label: Independent

Website

Ineffable is a word that means too great or extreme to be expressed or described in words. In my world I have not heard it used, in fact, this is the first time I have ever heard of this word. I am not ashamed to admit it and I always have an open door to learning every day.

This is the name that describes the music of musician Alan Matthews, whose first release came out last October, The Ineffable. I have to say, after reading his bio, that he is one of the more interesting and complex characters I have had the pleasure to cover in a music review.

As Will Ackerman so astutely makes us aware of in the CD liner notes, “Alan Matthews lives in a very cerebral world as a physician.” His transformation as a musician enters him into an entirely different realm.

It is important to note that Alan was influenced by his father who was also a doctor and jazz enthusiast and a player as well. As I have always said, you are a product of your environment. And lucky for us that he was influenced by his father as now we can enjoy his inspired and beautiful music all interpreted from the ivory keys. I acknowledge him for having the ability to separate himself from his daily work and stepping into a completely different world and fitting in so nicely.

So, we have music that is so powerful and meaningful to this man that it cannot be described in words. I can appreciate a thought like that and with all sincerity, can think of feeling that way many times throughout my life.

Alan Matthews plays his instrument with great skill and rhythm. I always find it amazing how an individual can have a feeling or thought process, play out a tune then name it, and sometimes very appropriately. I think that in and of itself is a tremendous gift to have along with being able to present music with form and substance without uttering a word.

The Ineffable is an incredibly successful and impactful debut for an artist that has now made himself available on a world level. I am certain that this is just the beginning of many amazing recordings that Alan Matthews is going to produce in the coming years. Right out of the gate he has a great start with this release. The bar is now set high but I have a feeling that will not phase him and he will just get behind the piano and let it go and let it flow, just like he did on the eleven tracks on this album.

Keith “MuzikMan” Hannaleck

August 22, 2018

Founder of:

New Age Music Reviews

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Tracks:
01. Moiras Song
02. No Words Remain
03. The Resigned
04. The Conversation
05. The Second Goodbye
06. Strange to Me
07. Wistful
08. The Empty House
09. What She Knows
10. You Don’t Know What Day It Is
11. Moiras Song Reprise

New Age/World Instrumental Review: Marcia Watson Bendo-Woodland Moons

Release Date: August 17th, 2018

Label: Independent

Website

I love it when I am able to read about an artist and all their amazing accomplishments. It gets everything into proper perspective before listening. Then writing about what I heard becomes more meaningful.

Marcia Watson Bendo is a multi-talented artist that is accomplished in many disciplines including the violin and a large selection of Native American Flutes. Picking up a woodwind changed her life and her music.

Woodland Moons is her tribute to that instrument. In her own words, the artist explains what her music stands for….

“I strive to artistically create music that resonates with people by expressing an emotion, an image, a story, or reviving a memory.”

From where I sit, that wraps it all up in a nice package and puts a bow on it. This type of music has a magical and mystical essence that cannot be compared to any other genre that is within my realm. I know there is a lot to choose from in the globally connected world we live in, so the choices are made by personal tastes and or a drive for exploration. Back when I was a young teenager I would buy albums out of curiosity. I have not lost that part of my decision-making process I just refined it over the years a bit. In any instance, I would not hesitate to listen to music like what Woodland Moons has to offer. The feeling of discovering something new and stimulating consumed me with this album.

“Berry Moon” for instance, takes the flute and builds all the other instruments around it. The flute playing still stands out however the other music just enhances the entire track. The instrumentations and orchestrations are beautifully done and arranged. This track, in particular, illustrates the pliability of one instrument wrapping itself around everything else to create a bigger sound that reaches the listener. As I always say, it comes across differently for each individual yet it remains universal with no borders. That is the beauty and perfection of music and the one element that will never change. I am very grateful for that.

Even though each song is about a different moon, it most certainly works because of the thought process the artist goes through. We do have many moons that we see in our sky, however, looking at the varying degrees presented here gives it an entirely new flavor. This interpretation is related to nature and our precious mother earth and all it has to offer us. Also, this may serve as a reminder of how we need to take care of our planet and appreciate how it sustains all life.

Woodland Moons is twelve tracks of musical bliss that will serve every listener well. I highly recommend it for relaxing, meditation and for getting a spiritual connection. You can get a greater respect for your inner voice and purpose. If you listen enough, you will honor that inner voice and thank the music for bringing you to that realization.

Keith “MuzikMan” Hannaleck

August 13, 2018

Founder of:

New Age Music Reviews

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Tracks:
01. Fallen Leaves Moon
02. Planting Moon
03. Strawberry Moon
04. Midsummer Moon
05. Forest Moon
06. Yellow Leaves Moon
07. Big Bear Moon
08. Snow Moon
09. Crane Moon
10. Maple Sugar Moon
11. Little Bear Moon
12. Berry Moon

New Age/Ambient/Electronica Review: David Arkenstone-Colors of the Ambient Sky

Release Date: July 13, 2018

Label: Dream Palace Publishing / BMI

Website

David Arkenstone is about to make the summer brighter with a new release in July titled Colors of the Ambient Sky. He is the author of an astounding 65 recordings!

David is primarily a keyboardist, plays the guitar, mandolin, flute, cello, percussion, and many other instruments. He utilizes all the tools of the music trade, including the computer to provide orchestrations that provide beauty and texture. On this album it is all David, there are no guest musicians. You soon realize what an amazing accomplishment this album is once you hear it for the first time.

If you look closely at the CD cover it is like lying on the ground looking up at the treetops and star-filled skies. The music fits well with the album cover. It takes you to a higher place of consciousness like the one beyond the treetops. What you hear is music that could easily be used for soundtrack or other media deliveries, but more importantly it gives you an outlet for relaxation. As the artist suggests, it is like dreaming with your eyes open.

I have been hearing much more of this type of ambient music lately and have thoroughly enjoyed it. As a matter of fact, it has prompted me to seek out other similar artists. Tracks like “Blue Lightning” reminded me of one of my favorite Tangerine Dream albums titled Le Parc. Colors of the Ambient Sky has pleasing spacey and relaxing ambient sounds with the hints of technology swirling around it. For me, there is just enough of all of that Colors of the Ambient Sky to keep me interested and quite satisfied.

I would expect Colors of the Ambient Sky to be one of the more popular releases of 2018 in the ambient and new age genres. I really appreciated the overall consistency and textures of the music from track to track. I was envisioning an artist painting with many different colors and taking the time to put them in the right place on the canvas to create another masterpiece. I felt like it was ear candy that was transformed in my mind’s eye into colors and images. For my musical tastes, this is the kind of experience I truly enjoy. I do not go into a listening experience with anticipation, it would ruin the birth of new thoughts and feelings it could possibly create. That is a good policy for any listener actually.

As the closing track “Ascension” brings the curtain to a close, you realize just how positive and uplifting a musical journey can bring. Your skies will be colored with a broad musical brush that will touch you in so many ways. That is all any listener could ask for.

Keith “MuzikMan” Hannaleck

August 11, 2018

Founder of:

New Age Music Reviews

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Tracks:
01. Parallel World
02. Red Sun
03. Starlight Starbright
04. Darkness Descending
05. Rainbow Galaxy
06. Blue Lightning
07. Lonely Satellite
08. Visitors

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