Showing posts sorted by relevance for query color me home. Sort by date Show all posts
Showing posts sorted by relevance for query color me home. Sort by date Show all posts

March 16, 2017

New Age/World Review: Darlene Koldenhoven-Color Me Home

Release Date: April 21, 2017
Label: TimeArt Recordings

The list of credits for Darlene Koldenhoven on her upcoming release Color Me Home is mind boggling. She is credited with Producer, vocalist, pianist, composer, lyricist, vocal and instrumental arranger, keyboardist and solos, programmer and engineer, Native drums & shaker, album notes and a coloring book.

Yes, that is not a typo, a coloring book. A very interesting and fact filled booklet comes with the CD and many pictures that can be colored in. This package is quite unique. I have seen a lot things over my 19 years of reviewing music but this is something special and a pleasant surprise. The pictures in the book are very intricate and personally I would not attempt to color them in fear of ruining their beauty. I am sure there are people out there that will feel entirely different.

I understand there are adult coloring books now selling like hotcakes now because people use it as an exercise in relaxation. So, you take that and add the music of Ms. Koldenhoven and you have a potent combination of serenity and spirituality all in one package. The artist grew up encouraged in an environment to color while listening to music. So, everyone that purchases this CD has an opportunity to color Darlene home, hence the inviting title.

I must say that I thought there was not much uniqueness left in the music industry but this recording and packaging puts that thought to rest.
Along with all the talents that Darlene brings to the table she had 16 guest artists along for the journey. I will not go through the roll call in case I forget someone so I will leave it to you readers to do your research if you feel compelled to do so. Let’s just say the people involved are prominent musicians in the new age community.

Darlene’s voice is that of an angel and it is operatic at some points. Her range is phenomenal. And the music? It is incredibly beautiful … filled with textures, colors and all sorts of atmospheres that make your mind wander into dreamland. The combination of vocals and instrumentation is superbly placed within each track. It takes true artistry and natural talent to create such a diversified recording and so many worldly new age flavors. I particularly appreciated the native drums and sounds that made me feel one with humanity and mother earth. It always has that effect on me and it feels warm and real. Who wouldn’t want to listen to music that makes you feel that way?

I can say with certainty so early in the year, that Color Me Home should be up for a Grammy. With all things considered and the work and craft that went into this music, I certainly think it deserves all the consideration for awards of recognition. You be the judge and let me know what you think after you stream the player and watch the video provided for your preview.

5/5 Stars

Keith “MuzikMan” Hannaleck
March 16, 2017
Founder of:

Review Provided By New Age Music Reviews

Tracks:

01. First Light
02. The Pleasure of the Mourning Dove
03. Kalahari Calls
04. Song of the Swans
05. Eternal Love's Song
06. Indian Summer
07. Embracing This Moment
08. Ode to Our Orb
09. Until
10. Open Skies
11. Color Me Home 



April 2, 2018

New Age World Review: Darlene Koldenhoven-Chromatones

Release Date: June 1, 2018
Label:TimeArt Recordings

It is a pleasure once again to have the opportunity to cover the musical journeys of Ms. Darlene Koldenhoven. It was nearly a year ago that I was introduced to her fascinating Color Me Home CD.

Now Chromatones has arrived. I figured it would be hard to top the previous release, however after 3 tracks I got the feeling that she has set the bar even higher. The new age and world elements come together in an explosion of sound and bright colors, painting your consciousness into the music effortlessly.

There are a number of important contributors from the New Age community that help to make this a great listen. Steve Shepherd (engineer, mixer, sound effects), Joanne Lazzaro (flute, alto flute, piccolo), Jeff Oster (flugelhorn), Al Jewer (English Horn), Tom Scott (clarinet), Wouter Kellerman (flute, bass flute), and there are many more. This is like having an all-star musical team to back her on this recording. And of course, the shining star of the show, Darlene, who not only composes, produces, arranges and engineers the tracks, she provides piano, keyboards, synths, and the Native drums and shaker.

The first track that really moved me was “Red Savannah.”  Its complexities and textures are like an intricately woven patchwork quilt.  The selection of instruments and the mix of them makes for an outstanding listen from the very first note to the last. 

“Native Bloom” with its earthy tones, rhythms and select instruments like the Native Flute make you feel like you stepped into a time capsule back to the time when our first Americans inhabited the land. It’s a strong yet beautiful reminder of how important these gifted people were and how their influence and heritage shaped our nation. I would advise putting your headphones or earbuds in and sitting back and letting the music form the thoughts and images in your mind’s eye. It is so healing to hear this music and it is presented exceptionally well.

There is so much to offer on Chromatones and I only scratched the surface of what is in store if you get this music (you can pre-order it April 25th). I think Darlene Koldenhoven has hit a high watermark with this recording. As I said about Color Me Home, I think this will be in the running for a Grammy. This is music for the heart, soul, and mind of any listener. 

For my ears, this kind of music and the quality of the production serves many areas in the world of media including soundtracks for nature specials, movies or sound bites for commercials, or for the most important audience, for those looking for solace and healing.

5/5 Stars

Keith “MuzikMan” Hannaleck
April 2, 2018

Founder of:

Review Provided By New Age Music Reviews


Tracks: 
01.Golden Dawn
02. Morning Dew
03. Red Savannah
04. Swans on the Seine
05. Terra
06. Native Bloom
07. Vibrant Worlds
08.Chromatones
09. Prism
10. Painted In Time
11. Waltzing in Planetary Time

June 16, 2017

New Age Instrumental Review: Peter Calandra-The Road Home

Release Date: July 1. 2017
Label: PCM

If you have a proclivity for instrumental music of the new age flavor, I have just heard a recording you will love. 

Peter Calandra is ready to unveil The Road Home. It will be released just before the July 4th Holiday. There aren’t a lot of fireworks going off on this album, it is more like a compilation of tracks meant for those of us that require an outlet to release tensions. An interval from all the thoughts, responsibilities and pressures of daily life.

The peace that Peter brings you is mainly through the keyboards however there are other instruments that successfully populate the compositions. Peter is a multi-hued professional adding percussion, acoustic guitars, synthesizers and melodica.  The melodica gives the music a distinct European color and atmosphere. On “The Cat’s Eye” it creates a picturesque scene like you are floating down a river in Vienna. You can see the scene developing in your mind’s eye as the music plays.

Great music has the power to deliver thoughts, colors, emotions or a scene from an ongoing movie that comes to life inside your head. The style and pace are different in each track; the artist controls the flow beautifully and he uses the synthesizers to his advantage. He creates layers of textures that are soft yet impactful and at times sound like a mini orchestra pushing the music to higher levels.

The moods are ever changing on The Road Home and Peter is driving it all home with his musical expressions. I appreciated the variety offered in this listening experience. It is the mixture of instruments and varying degrees of intensity that made it so interesting for my ears.

Peter Calandra has my respect and he continues to impress me with each successive release. Let his music be The Road Home to a place that only you know and find peace in.  It worked well for me so give it a listen and let it sweep you away for a while, day or night.

4/5 Stars

Keith “MuzikMan” Hannaleck
June 16, 2017

Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. The New Dawn (feat. Joy Askew)
02. Mi Amore
03. Morning Dove
04. The Road Home
05. Night into Day
06. The Cat's Eye
07. Points in the Sky
08. Nocturnal Moods
09. At First Sight
10. Distant Dreams



December 9, 2014

New Age Instrumental Review: Kathryn Kaye-Patterns of Sun and Shade

Release Date: January 1, 2015
Label: Independent

Kathryn Kaye is a composer, organist and pianist. She has been classically trained but draws from her experiences in jazz, folk music from the Appalachian Mountains where she grew up and crafts music both simple and evocative. Each piece is created with feeling and always leaves me longing for more. The album was recorded at Imaginary Road Studios and was recorded and mastered by Tom Eaton. Contributing artists include Gus Sebring (French horn), Jeff Haynes (percussion), Tony Levin (Chapman stick), Tom Eaton (percussion, accordion, bass), Eugene Friesen (cello), Jill Haley (English horn), Will Ackerman (percussion), Charlie Bisharat (violin) and of course the talented fingers of Kathryn Kaye (piano).

In her newest album, Patterns of Sun and Shade, Kathryn again pulls her imagery from nature and paints an audible picture of landscapes adrift in light and shadow. This album has a lighter feel than her first three, and has a lot of imagery of leaves, forests and trees. Just the kind of place I love to be…

“Elk Creek in the Fall” is the second track on the album and features Gus Sebring (French horn), Jeff Haynes (percussion), Tony Levin (Chapman stick), Tom Eaton (percussion), Kathryn Kaye (piano) and Eugene Friesen (cello). Effervescent, this piece is a tapestry wound together to seamlessly create a vision of backwoods Kentucky and the glorious forests that grace the land. Sweeping piano sequences are paired with the cello, horn, percussive elements and the Chapman evoking a lush composition of harmony and light.

“Willow Waltz” is a tender piece that urges me to close my eyes and walk through the lit path into the forest, surrounded by the majesty of color and the changing seasons. No matter the day, the crisp scent of autumn burns down the back of your throat and the smoky ghost of burning leaves fills the air. It is a time of change. The willow trees are a bountiful and grace filled oasis inside the woods. They bend and sweep, whilst other trees reach for the sky, determined to shed their seasonal colors in a riot of burnt orange and flame yellow. The willows dance under the sky and your fingers intertwine with the long and sinewy branches. Pieces and artists heard on this track include Kathryn Kaye (piano), Jill Haley (English horn), Tony Levin (Chapman stick) and the legendary Will Ackerman on percussion.

“Patterns of Sun and Shade” is the title track to the album. When you look into the trees and squint your eyes, what do you see? Little patterns of light and dark-the shady places and the kiss of sunshine beaming through the leaves. That is the essence of this piece. Light peeks through finely veined leaves illustrated by the skillful playing of Gus Sebring (French horn), Jill Haley (English horn), Tom Eaton (bass) and Kathryn Kaye (piano). 

Since the first time I heard Kathryn Kaye’s work, I fell in love with her vision of nature via sound and substance. Well placed fingers on the keyboard, combined with a love of the natural world and her home in the woods of Kentucky show just like the dappled light through a bevy of leaves. The fellow artists she chooses are her branches and the tree is firmly planted in the ground. This album was soothing and hasn’t stopped playing since I received it and won’t be any time soon. 

5/5 Stars

Key Tracks: Elk Creek in the Fall, Patterns of Sun and Shade, Willow Waltz

Tracks: 
01. Julia's Eyes
02. Elk Creek in the Fall (feat. Gus Sebring, Jeff Haynes, Tony Levin, Tom Eaton & Eugene Friesen)
03. The Hills That Lead Me Home (feat. Jill Haley, Gus Sebring & Tony Levin)
04. Something Like a Dream
05. Festival of Leaves (feat. Tony Levin, Gus Sebring, Jill Haley & Jeff Haynes)
06. Willow Waltz (feat. Will Ackerman, Tony Levin & Jill Haley)
07. Adrift in Fading Light (feat. Charlie Bisharat, Tony Levin & Jeff Haynes)
08. Mom and Pop's Waltz
09. Tiny Sliver of a Moon (feat. Charlie Bisharat & Tom Eaton)
10. Patterns of Sun and Shade (feat. Gus Sebring, Tom Eaton & Jill Haley)
11. Distances

 
DanaWright, Sr. Staff Writer

December 9, 2014

Review Provided By New Age Music Reviews



November 7, 2024

New Age Contemporary Instrumental Review: Doug Hammer-November

Release Date: November 1, 2024

Label: Independent

Website

Main Link

Official Trailer

When I saw November, the first person I was reminded of was the late great George Winston. I couldn't help but remember all those excellent piano solo albums on Windham Hill named after the seasons.

 

Doug Hammer is one of my favorite piano players, and I always look forward to his recordings, so that is my tribute to him.

 

The album starts with the title track, "November." Coincidentally, we just finished our Indian Summer here in New England, so getting in the mindset for the oncoming Winter for the next month is what we do. It's time to put away all the summer lawn decorations and lights, batten down the hatches, get some bags of salt, and turn off the water for the hoses. All that needs to be ready.

 

The song is straightforward and gentle, like how the leaves quietly fall to the ground in splendor and color as the trees prepare for hibernation. The second longest track on the album, at 4:29, sets the atmosphere for the rest of the story.

 

"Colder" is perfect in sequence for the meaning of the previous track and the different things I alluded to. It's my favorite time of year, and I don't mind the Winter so much when it's mild, like the last one. A bit of sadness is attached to this feeling every year, seeing the Summer fade away for good for this year. The piano playing reflects my feelings about that "cold" wave coming in. Doug's contemporary approach to new age instrumental compositions is absorbing and always relates so well to the track title.

 

"The Setting Sun" is again in sequence with the previous track, as it does from beginning to end on this recording. It doesn't just cool down like the Summer; it gets colder in the subsequent months, heading into old man Winter. Winter can be harsh, but somehow, the way the piano compositions come across gives you a sense of peace and tranquility not generally associated with this time of year, yet here we have it.  

 

"Glimmer of Light" is the last hope on the horizon as the morning breaks, and you can see the frost on the grass. The mood and vibe are uplifting as the piano takes its solo flight like a bird cruising through the air just because it can. The pace picks up, and the melody is strong and impactful.

 

"Dancing Leaves," as I mentioned previously, falling off the trees, seem to dance from side to side until they meet the ground before dissolving into the earth again. In other instances, you can be driving by a pile of them on the side of the road, and in the wake of the wind from your vehicle, it makes the pile a whirling dervish of color. The piano notes feel like a ride in the fall, emulating all those feelings and pictures in your mind. And if you have not experienced it yet, you can envision it in this song.

 

"Bare Trees" is the logical progression of everything you heard before they reached this place of change. We all know the rebirth and the green buds will start popping in the spring, and that is something to anticipate with joy and wonder every year. It's about enjoying and appreciating the transformations nature and its miracles offer. The piano is purposeful, and the notes are placed well for the reflective thought process of what just passed and what is to come next; it's perfect.

 

"A Cold Wind Blows" finally comes as the trees and wildlife are ready to face and survive. Doug's piano has a holiday flavor with Christmas approaching. Will the wind be blowing in those beautiful white flakes to decorate the barren trees and make the evergreens even more beautiful? This song is as powerful as Mother Nature and sounds classical, with that hint of holiday spirit weaving through it.

 

"First Snowfall" begins now, and the change is set for the next 4 months. Snow can fall gently and dance in the light wind or blow viciously, creating whiteouts and treacherous conditions. I think what is captured in the notes coming from Doug's fingers is a little of both scenarios to think of, one to enjoy and appreciate and one to beware and prepare.

 

"So Bright" is our life here on earth, but appreciating everything in it can sometimes be challenging, always seeing the positive or silver lining in the clouds. The music is bright, like the sun's rays, warm and welcoming. Like some of the other tracks, there is an underlying bass tone that gives it that power of persuasion, and you say to yourself, I get it; there is brightness every day. Whether it's obvious or you need to find it, it's always there.

 

I mentioned "Indian Summer" early on. Once again, the piano has this innate energy and color bursting from it, like the palette of colors all around us in the mountains and all the trees. It is a warm and happy track. We all feel it here in New England, and that time comes in one short week, usually in late September or early to mid-October, as it did most recently.

 

"Radiance" is a lovely spiritual word. Doug is in a nonstop groove of momentum and high energy, one track after another. Once he gets through the softer, slower-paced tracks and hits his stride, he keeps that motion up, and this track is an example of those happy, talented fingers at work. He radiates joy and love, which you can feel in the music. A new age track of elegance and beauty with classical influences.  Another superb track!

 

"Thanksgiving" is an excellent day for us in the U.S., celebrated by millions in many ways and traditions. It is the predecessor to Christmas. These two holidays are beautiful times to be thankful for everything you have today and spend time with family and friends.

 

"Frozen Ground" is the appropriate end for this journey through two seasons that shape our lives here in New England. I spent 8 years in California in the 80s; this time of year was never the same until I returned home. This is where I was born and where I will die, just like my parents before me. The frozen ground indicates the death of many things that will be reborn once it thaws, and the sun's warmth sprouts the first grass blades. I feel sad now; the music helped me realize the definitive end of the fall and this recording.

 

Doug's piano continues to ring true to the heart and spirit, and his music hits home uniquely for me (and I hope it will for you). The piano is like an orchestra and sounds as such when the right person is playing it.

 

I am grateful for all the feelings I went through listening to Doug Hammer's album November. It was easy for me to relate to all of this because of my location; however, if I were still in California now, I would still feel the same. Once you grow up here, you never forget. Thanks for all the fantastic music and memories, Doug.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

October 24, 2024

Tracks:

01. November 4:29

02. Colder 4:06

03. The Setting Sun 4:38

04. Glimmer of Light 3:06

05. Dancing Leaves 3:15

06. Bare Trees 3:19

07. A Cold Wind Blows 2:27

08. First Snowfall 3:28

09. So Bright 3:23

10. Indian Summer 3:00

11. Radiance 4:08

12. Thanksgiving 3:47

13. Frozen Ground 3:38


April 5, 2018

Instrumental New Age-Chill-Classical Review: Richard Dillon-Terra Incognito-The Space Between Us

Release Date: February 14, 2018
Label: Independent

Before settling in and taking in Terra Incognito-The Space Between Us, I thought about the three albums I had the pleasure of covering last year.  I got to know Richard through Ring Around The Moon, Irish Mist and The Land of Nod Lullabies for the Listless. There is a saying…familiarity breeds contempt, in this that could not be further from the truth. Having a comfort zone before I started made it even easier for me to get into my mindset for listening.

Although I do have that zone with Richard’s music, I certainly never know what to expect from him one album to the next. The only realistic expectation I have is that his music will be a great experience from start to finish.

Terra Incognito is unfamiliar territory, a new path or journey one is experiencing. A similar term, Terra Incognita, is in reference to territories that have not be mapped. To put it in layman’s terms, this is the unknown. Like Captain Kirk and his crew aboard the starship enterprise, we embark upon a journey with wonder and excitement, with no prior knowledge of what will come our way.

Terra Incognito-The Space Between Us is everything that I just discussed. Such diversity presented so well deserves a hearty salute and tip of the cap. Richard manages to record 24 tracks and some redux’s with an energy and grace that comes flowing through the music like a steady running stream. 

The colors are changing all the time on this recording. From track to track you just do not know what is coming next. It is like having Christmas at your own private music shop and Richard is the sole proprietor. The reason this recording is so eclectic is that it takes past recordings and weaves them together to encompass orchestration and licensing going back to 1984 all the way to present day.

It is music for movies, documentaries, commercials, just about anything you can imagine. Instrumental music is much more flexible when it comes to using it for various media purposes. I really appreciated the ground covered musically and the titles range from “In Search of Chocolate” to “Leonardo’s Flying Machine.” There is no connection whatsoever with those two tracks but yet they find a home here in this collection.

Terra Incognito-The Space Between Us unites us as listeners and human beings even though it is unchartered territory, our similarities and the world around us is what makes us one planet and one people. It is like taking a “Light of Peace” to heal us and help us to grow in many ways. The universal healer and language of music once again can be the answer.


5/5 Stars

Keith “MuzikMan” Hannaleck
April 5, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:

01. Whalesong (Redux)
02. Green Flash (Redux)
03. The Space Between
04. Dust Devil
05. Ice Dancer (Redux)
06. Color Me
07. In Search of Chocolate
08. Leonardo's Flying Machine
09. Beside Still Waters (Redux)
10. Papillon (Redux)
11. Lead Kindly Night
12. It's All Right (Redux)
13. Cars
14. Voyager
15. Into the Mines
16. He Leadeth Me Beside Still Waters (Redux)
17. A Different Time a Different Place (Redux)
18. Light of Peace (Redux)
19. Goodbye for Now
20. Sea of Forgetfulness
21. Ha Long Bay
22. Missing You
23. January Moon (Redux)
24. I Could Care Less



July 18, 2025

Contemporary New Age Instrumental Review: Masako-Dreaming Northern

Release Date:  July 31, 2025

Label: Independent

Website

Dreaming Northern is Masako's ninth proper recording. Once again, the team of Will Ackerman and Tom Eaton, renowned for their expertise in instrumental new age and contemporary instrumental music, was part of the process. Their contribution ensures that the recording is top-notch, creating an environment at Imaginary Road Studios in Vermont that will enable instrumental music artists to thrive.

Like Masako, I find solace in the North. The distinct seasons, the absence of relentless heat, and the region's unique beauty resonate with me on a personal level.

 

"Mamabear Dreams" begins things. The piano sings its song. And it is warm, and a feeling of joy comes across through the keys. The rhythm and tempo are just right. As her fingers glide across the keys, I feel closer to nature as I look at the beautiful artwork on the album cover.

 

"One by One" starts slower and more methodically than the previous track, as if it has another purpose to convey through the music. The keys echo and reverberate as layers of synth are added for texture. Taking each task one by one or multitasking are two different things. This is what the artist wanted to communicate through her music.

 

"Our Bluebird Day" made me think of birds, of course, and how I love to watch them. I get songs about birds in these instrumental albums, and get the feeling that there are a lot of people who feel the same as I do. It starts with a slower pace, then picks up as you imagine the bluebird taking flight. It is the longest track at 5:37 and gorgeous. The cello is added for accompaniment, and then a flute.  After losing our 16-year-old toy poodle just a few days ago, it doesn't take much to trigger my sadness. And I was feeling it with this song. Music is the universal healer, so I will continue to listen as the emotional pain of loss can be overwhelming.

 

"But It is Life" makes me think about how life unfolds, encompassing joy, sadness, heartbreak, elation, and all kinds of feelings and phases that one can experience during life. I feel it all and will continue to do so; it means I am alive. There is a beautiful acoustic guitar that complements the piano, and the blend is sublime. Then, more elements come into play, the flugelhorn rings out in its elegance and gracefulness. The way everything comes together in this sounds so beautiful, with some hints of jazz around the edges and wedged in between. It's a blend of instrumental new age and jazz, all rolled into one package—the quiet storm.

 

"Love Beyond" is a title that made me think more about how much I loved my little friend and how much I miss him, the waves of sadness I cannot control. My love goes beyond any explanation for him. The unconditional love he had for me. Even in pain and dying, he found it in himself to lick my hand to say once again I love you. This is quite beautiful, with the piano, acoustic guitar, and flugelhorn coming together to evoke such a sense.

 

Instrumental music is a personal experience, and it doesn't get any closer to home than that.


"Stairs in the Sky" starts with a nicely paced piano, and the cello arrives with its longing call. The cello has a definite sadness about it; however, this time it sounded more optimistic and uplifting, carrying you up those stars in the sky. It sounded like their own little concerto as the keys played off the resonance of the cello's strings. Thoughts of the natural beauty all around us, which we can enjoy and appreciate, came to mind.

 

"My Old Abbey" begins with a measured tempo, which to me evokes a thoughtfulness that resonates throughout the music. The endearing melody offers insight into a fondness of the heart related to something of significance to the artist. Towards the end, the tempo shifts to higher places then back down to close it out.

 

"Shape of the Clouds" has you looking above again in wonder at the magnificence of Mother Earth and all her splendor. The piano is soft and invites you to lie down in the grass like you did when you were a child, to see what you could see in the clouds in all the different shapes and sizes. It was a magical time being a child doing those simple things, and it brought me back. Now I wonder why I stopped doing those things that got me such joy.

 

"October Children" is one I can relate to, having lived in the Northeast. As the temperature starts to drop, the leaves reach their peak in color, then begin to turn brown, preparing to fall to the ground, awaiting the snow to cover them once again. The piano and cello combine to form a beautiful composition that touched my heart and soul as the sound of children playing came in and out. Some wordless vocals fit their way in to make it all more real and happening right in the moment I was listening. The piano sounds so rhythmic and wonderful.

 

"Dancing in the Snow" is a perfect segue as my thought of leaves getting covered by the snow in the previous track. The transition of nature taking its course is depicted in the piano's keys. As the keys dance, you can picture yourself or another person dancing amongst the flakes with the joy of freedom of movement all around. Celebrating the seasons is vital to us Northerners, and we can find the beauty and gifts in every season. This was a gentle reminder.

 

"Between the Two Trees" continues the reverence we have for nature. The piano's resonance and pure beauty shine in this track. Taking it slow to appreciate what is right in front of you, that's what I hear in this music, whether it's between two trees or a simple walk down the street and back. There is always something to enjoy and take in.

 

"Agiochook" pulls you out of nature into something ethereal. Then a synth sounds more atmospheric and wandering as your thoughts follow it, with other elements coming in, such as movements or a whooshing sound. The word Agiochook means "The Place of the Great Spirit" for Native Americans. The difference in this track compared to all the others was significant and had to be due to the message being conveyed through the music.

 

Dreaming Northern brought me to many different times and places in my life. And most recently, because of the loss, I was often moved to tears while listening to this music. I keep asking myself why this feels so painful, but I know it was just because I loved that little dog so much, I cannot imagine life without him. I had to share this and how I related to this music at this point in my journey. While the music was so beautiful, it felt like a conduit to my soul, and having that kind of connection and release was a powerful experience.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

July 18, 2025

Tracks:

01. Mamabear Dreams (03:36)

02. One by One (04:10)

03. Our Bluebird Day (05:37)

04. But It is Life (05:02)

05. Love Beyond (04:00)

06. Stairs in the Sky (04:50)

07. My Old Abbey (03:59)

08. Shape of the Clouds (03:04)

09. October Children (04:10)

10. Dancing in the Snow (04:12)

11. Between the Two Trees (02:03)

12. Agiochook (04:51)


August 9, 2017

Instrumental New Age Review: Holland Phillips-Under A Second Moon

Release Date: August 25, 2017
Label: Ageless Records

Around the same time last year, I got some music in from Holland Phillips. I had the pleasure of hearing and reviewing his Circles of 8 recording.

It is now 2017 and Under A Second Moon is getting set to arrive on our doorsteps.  Where Holland began his first journey he now continues, well in fact he never stopped. He just kept creating and recording. Again, he decided to concentrate on harmonics and vibrations. The results are superlative once again!

The production values are top notch and the use of keyboards and synths are brilliantly utilized by this creative maestro. Holland is not only a musician but an author as well. This is an outlet, a place where anyone can escape to. If its fantasy or real, or just a space in time to occupy for you to recharge your batteries, it is available through this music.

Each track seemingly blends into the next, gently beckoning your soul to participate in this atmosphere of sounds, textures and wonderlands of the mind. And most importantly it belongs to you the listener. Here is your chance to create your own little slice of heaven through music.

I believe Holland is an excellent composer, a multi-talented artist that can paint a picture visually with either words in a book or through his fingers into the instruments he uses.
I found Under A Second Moon to be a very pleasant listening experience and just as enjoyable as last year’s offering.  This a coloring book for the soul, the music are your crayons and you are the book. The title track was the one song that cemented the concept and meaning of this project for me, it colored my heart and mind. Adding the saxophone (Paul Christensen) was the finishing touch. And this was at the midpoint of the recording and I was already thinking that it could not get much better. That track was hard to top however the consistency and quality of the music held up as the stories weaved their spell throughout each succeeding track.

Each track was a different shade or color, a variation of moods that danced with the music. It all made me feel invigorated, joyous and glad to be alive. I do not always feel that way so once again the magic of music casts its spell and it won me over again. Interesting enough “Long Way Home,” reminded me of early progressive rock or even band’s like Tangerine Dream and Kraftwerk. I would really like to hear more of that style on the next album.

Thanks again for the trip far away from stress and worry Holland, your creative genius soothes my soul and wets my appetite for your next project.

4/5 Stars

Keith “MuzikMan” Hannaleck
August 9, 2017
Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. Out of the Frying Pan
02. Taking the Road Not Taken
03. A Moment in Time
04. Possibly Maybe
05. Under a Second Moon
06. Love Comes Gently
07. Long Way Home
08. Deepening Skies
09. Looking Back
10. It Comes to This       
11. Fairytale Nights 

 

September 19, 2016

Instrumental New Age/Classical Review: Kevin Kern-When I Remember

Release Date: September 9, 2016
Label: Kevin Kern Music
People that are given obstacles in life either give in and give up to them or use that as motivation to push forward and become successful in spite of it. Kevin Kern took the positive path and used music as his voice of expression. Kevin has poor eyesight but judging by what this album titled When I Remember sounds like, that is not a disability.

The artist is influenced by Mozart, Chopin and Bach, all the great composers. He gained his tools by learning pieces by these legendary musicians when he was young. This is what and when he remembers as the title suggests (at least that is my interpretation). The tracks mirror that foundation in the most elegant and beautiful way.

I have heard countless standalone piano recordings this year and there is something about the simplicity and peacefulness it can bring to a listener that has intrigued me and given me the desire to accept it with an open heart and mind.

One track seamlessly flows into the next offering a road to renewal. The ivory keys deliver a touch of heaven to your senses. For my listening experience it is a threefold process…sound, color and spirit. All three elements combine to ease my mind and soul and give me the comfort I seek at the end of each day.

Because of the way each song connected to the next with different variations in tempo and approach I found it very difficult to pull out a few tracks that really stood out. This is not to downplay the recording but it is quite the opposite, it is actually complimenting the artist on his consistency and approach from start to finish.

It is music like this that always seems to come to me at the right time day or night, it is a gift from the gifted. Kevin Kern is an enlightened spirit with the gift of music inside and he offers an audience his translation through his talented fingers and energy. 

When I Remember is musical perfection that heals and offers so much if one can focus long enough to stop and listen. I think that practice of stopping and listening could really be helpful in everyone’s daily life in these tumultuous times we live in. Thank god for musicians transporting the universal language of love and joy through music and that is exactly what Mr. Kern does on this recording.

4/5 Stars
 
Key Tracks: ALL

Tracks:

 01. We Should Waltz
02. Once Upon a Time
03. Say You Love Me
04. Chance Encounter
05. Dreaming of Home
06. When I Remember
07. Rise and Shine
08. By My Side
09. Off to the Races (For Grampa Norm)
10. Chopin’s Touch
11. A Walk in the Sun
12. A Lonely Heart



Keith “MuzikMan” Hannaleck
September 19, 2016
Founder of:

Review Provided By New Age Music Reviews