Showing posts with label Instrumental Music Reviews. Show all posts
Showing posts with label Instrumental Music Reviews. Show all posts

Contemporary Instrumental Review: Doug Hammer-Swim to America, Vol. 2 (une rétrospective Stephan Eicher au piano)

Release Date: September 22, 2023

Label: Independent

Website

Swim to America, Vol. 2 (une rétrospective Stephan Eicher au piano) is Doug Hammer's second installment of a three-part series from the original music of Stephan Eicher. I found the first volume enjoyable and anticipate feeling the same regarding this release. Vol. 3 is expected to be released next year.

 

"Confettis" starts the proceedings in a very bright and upbeat manner. The arrangement is fast-moving and simply a delight for the senses, setting up the listener for a complete journey through the piano's keys.

 

"Pas d'ami (comme toi)" begins in a more subdued way, then proceeds to pick up the pace. Doug's brilliance on the keys shines bright as he picks up the melody and delivers the bass with one hand and the lead with the other. Doug's talented fingers bring both parts of the song to your ears. I like the skill and variety of his compositions. 

 

"Combien de temps" is another excellent example of how solo piano can hold your attention by sounding utterly different than the previous track. There are never any similarities that I can hear. There are a few parts where Doug shows his talents with that rapid rolling of the keys, which sounds fantastic.

 

What continually gets my attention consistently is the flow and clarity of every track. Also, the artwork on the cover cleverly shows the artist getting caught in the rising surf. This is the metaphor related to the title. And interestingly, I find myself swimming in the music; my entire person is surrounded and consumed by the rhythm and beauty. 

 

As things move further into the tracks, like on "Wider Da," I heard the sentiment and sadness in the music. I can listen to a story being played inside my mind and how it's affecting my feelings. It is simpler than previous tracks, however, very purposeful, thus the space in the music to reflect. As I have often said, I found the beauty in the sadness.

 

"Rien n'est si bon" is a gorgeous composition based on classical (as all this music is) with a convergence of contemporary with the pace of a slow walk in the park while you breathe in the cool air as the sun sets beyond in the mountains. It is dramatic yet picturesque.

 

All those tracks offer a mental escape from reality and continue to the end. There is nothing wrong with taking the time to let the music remove you from your current state or mindset, if you will. The music you will hear is unique because it is simply piano and with no need for lyrics. The passion with which they are presented and played will have you going back for another listen to revisit all the emotions and mostly good feelings you can experience. 

 

Thirteen tracks, all stand-alone stories, are played perfectly. After covering Doug Hammer's music for so many years now, it is no surprise how much I appreciate this wonderful music and must come to expect a certain level of excellence. For my ears, this is what I needed to hear.

Keith “MuzikMan” Hannaleck-NAMR Founder

September 8, 2023

Tracks:

01. Confettis 3:45

02. Pas d’ami (comme toi) 3:06

03. Combien de temps 3:24

04. Rivière 3:40

05. Wider Da 3:08

06. Rien n'est si bon 3:40

07. Clear My Throat 4:25

08. Je n’attendrai pas 2:16

09. Monsieur - Je ne sais pas trop 3:07

10. Rêverie 4:23

11. Où Sont Les Clés ? 4:04

12. Du 2:34

13. Wie Einem Der Gewissheit Hat 2:21


Instrumental Review: Gerhard Daum-Songs Without Words

Release Date: April 26, 2019
Label: Tonework Records

The last time I heard the sweet sounds of Gerhard Daum’s guitar was in 2017 on Rural Renewal with his guitar and string ensemble. At the end of last month, he released Songs Without Words. The title says it all right? Well, not quite.

Gerhard’s guitar playing is outstanding and that did not come as a revelation considering his last effort was a 5-star outing. I decided to just call it instrumental in regards to genre. He covers some ground so making it all inclusive was the best route to take.

You will hear some biting rock and blues licks along with some electrified cinematic jazz moments (‘Told You So”). “Gentleman’s Way” really caught my ear, its upbeat and consistent rhythms and timings made it an instant favorite. “Gold Rush” was another ear catcher, it sounds like a made for TV soundtrack or commercial, actually anything cinematic that needed some added color or depth, then this track would add those elements to it and make it all complete.  “Timeless” was superb as well, another one for the highlight reel. One even better for the film industry would be “Walking On Clouds,” with its orchestrated layers and excellent reverberating jazz-inflected guitar notes.

To be perfectly honest, what is there on Songs Without Words not to like? I loved the entire album. Although I am partial to guitar-based instrumentals, I do require a high standard of listening pleasures and strong production values with everything I hear. This recording gets an A+ in every category and is an absolute joy to listen to.

I am sure Songs Without Words will easily find a home with the contemporary instrumental, jazz and easy listening stations streaming all over the globe. It has that durable crossover appeal because Gerhard goes from strength to strength so seamlessly, mixing all the genres. Every additional instrument to the guitar is just the proverbial icing on the cake. There are many great moments to enjoy on this album night or day, it all fits just like a glove to complete your day with a smile in your heart.

Keith “MuzikMan” Hannaleck
May 10, 2019

Founder of:

Review Provided By MuzikMan.net

Tracks: 
01. Berlin Song
02. Talking Softly
03. Gentlemen's Way
04. All That Matters
05. Gold Rush
06. Timeless
07. Holding the Dream
08. Going My Way
09. Told You So
10. Walking on Clouds
11. The Early Passion

12. My Foolish Heart
 

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018
Label: Anaya Music

Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.

Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.

Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest
ensembles in Prague, including the Czech Philharmonic.

I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting musical imprint left on your being.

If instrumental classical music with a definitive new age influence is something you desire, then your ship has come in. You just need to get ready to sail away with it. The combination of all the fine orchestra musicians with electronic sounds and synthesizers blended for textures, colors and moods is excellent. It is all very soothing and natural in relation to stimulus I respond to (and hopefully the perspective listeners). Whether it is emotional or aural senses, this music can and will move you in some way. 

Anaya is like a female Yanni of sorts.  I can imagine this woman on stage surrounded by an orchestra and several keyboards to present her musical talents. Based on the information I have gleaned, Anaya is a very spiritually driven individual that desires to bring love and positive vibrations through her music. By all accounts she has been a great success. I certainly have felt blessed to have the opportunity to hear this music before it is released and then give some input as to what my experiences have been.

This project is a great success in my assessment in regards to quality, emotion and focus. I found all three of those qualities abundant on this release. So, Anaya Music gets an A+ (or 5/5 stars) for this excellent effort. It is pleasure to be a part of the growth and continual expressions of musical artists year after year. I look at it as another gift from a very talented individual.

5/5 Stars

Keith “MuzikMan” Hannaleck
January 20, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:
1. Laman Song
2. Breath
3. Gate
4. Over the Clouds
5. Because of you
6. Aonki Mov I
7. Aonki Mov II
8. Exstase II
9. Just for you
10. A Path to the Infinite 

New Age/Contemporary Instrumental Review: Terry Lee Nichols and Rebekah Eden-We Have Only Come To Dream

Release Date: January 1, 2018
Label: Soundscape Productions

We Have Only Come To Dream is a stunning release from Terry Lee Nichols and Rebekah Eden. The collaboration is literally a match made in heaven. Once you hear this recording you will think you just arrived at the pearly gates. The premise of the album is not about the heavens above but how we have come to treasure the land below.

This cinematic journey is a tribute to our National Parks in the U.S. and the early explorers of the Americas. The music contained here is the most colorful and moving journey one listener could experience in one sitting. The orchestration, sounds of nature like water in stream, birds singing and horses and wagons moving along a trail, are all part of this presentation. You even hear the sounds of the piano from an early Western saloon and a patron asking for a “stiff one.” 

The poetry of Phillip Spevak is included in the informative and entertaining CD booklet. This gives the music more life and a feeling of the times that are emulated in each song. This is all top of the line instrumental music just perfect for the big screen. I can think of some of the Western films I watched with my father as a child and the music that would accompany it. Those sweet carefree memories were relived in this music. My love of nature and the need to protect it also was enhanced by listening.

We Have Only Come To Dream is the complete package - history, a storyline, and the most lush and gorgeous music you could possibly imagine. From the opener “Phantasmagorical Voyage,” which is so powerful and picturesque, to the relaxing tempo changing curtain closer “Canyon Sunset,” this a very impressive release.  

We Have Only Come To Dream is destined to receive awards this year for the music and production values that are A+ from start to finish. And what a way to kick off the new year for Terry and Rebekah, they could not have been more concise and impactful than this amazing group of tracks. I would expect this recording to be considered into the Library of Congress or the Smithsonian Institute at some point, and hopefully as soon as possible as it deserves inclusion into one of our American Institutions.

If there is one album to make sure you get this year it is We Have Only Come To Dream. Anyone that enjoys instrumental music that immerses you in a soundscape and the atmospheres of days long past, this is the recording to listen to!

5/5 Stars

Keith “MuzikMan” Hannaleck
January 10, 2018

Founder of:

Review Provided By New Age Music Reviews