New Age Contemporary Instrumental Review & Interview: Robert Thies & Damjan Krajacic-Blue Landscapes V: Forever the Sea

Release Date:  August 22, 2025

Label: Gentle Rain Music

Website

Blue Landscapes V: Forever the Sea is music from a quieter place, inspired by the beauty of nature, from Robert Thies & Damjan Krajacic.

 

I had the opportunity to hear this duo in 2017, covering Blue Landscapes II: Discoveries.

 

It’s genuinely remarkable how music, like Blue Landscapes V: Forever the Sea, has the power to transcend time. It’s an experience that allows me to escape the relentless march of time and be fully present in the moment.

 

The duo states on their website that their music is about the forests, the mountains, the lakes, the streams, the sea - even what lies beyond the stars - but always grounded in human emotion. The cover art certainly portrays something calming and the beauty of a natural landscape.

 

As the beginning of this recording enters my world, I feel immediately set at ease with “forever the sea.” The keyboards create the landing point for the flute and all its mystery and magic. Gazing at the artwork again transports me to another time and place of relaxation and renewal.

 

That opening track is just the beginning of an extensive musical journey through fourteen tracks. The shortest track is “elle joue sous la pluie” (she plays in the rain) at (3:18) and the longest is the opener “forever the sea” at 6:28. This gives the listener ample opportunity to settle into this enchanted soundscape.

 

As I go through this audio soundtrack, I think about how the music is grounded in human emotion. Music is literally emotion set to sound. The effects of the sounds will be readily apparent. Particularly with instrumental music, there is an infinite balance of give and take between each note.

 

”the waters between us” kindled that thought process and how it developed as I listened. Without any urgency, just a gentle nudge, I found a better place for my consciousness to be for a short time. The key here is to listen to the flow from one track to the next. Keep in mind that the concept is water, so flow is a key word that connects it all.

 

In essence, each short time becomes an entire part of time and space, not in minutes, but in music, displacing the meaning of time within each track. As you fall into these sounds, nothing else matters but the music. It becomes a different level of interpretation of sound, but yours alone. That is prolific if I say so myself.

 

Where this recording ends, it changes the direction with vocals on “(i’d follow you) to the edge of the world – vocal version” which features the gorgeous vocalizations of Sangeeta Kaur, with lyrics by Danaë Xanthe Vlasse.

 

It was an interesting and refreshing way to end a recording that is primarily contemporary instrumental with a new age foundation. A lot of this music has ambient textures weaving in and out of it. The two main instruments, the piano and flute, are in sync from beginning to end. It is that consistency, breadth, and scope of their instruments that fill each composition with so many elegant transitions and movements.

 

Blue Landscapes V: Forever the Sea is like taking the basic tenets of classical music and bending and shaping them into a more ambient sound, with all the color of each instrument stretching out and showing their versatility through the imaginations of the artists playing them.

 

This is for the soul, and relaxation of the mind and spirit found in music, and another example of how it is done to perfection.

Keith “MuzikMan” Hannaleck-NAMR Founder

September 16, 2025

Tracks:

01. forever the sea (6:28)

02. our sails know the way (5:15)

03. mirror of floating stars (4:52)

04. (i’d follow you) to the edge of the world (5:50)

05. through the mist (4:29)

06. elle joue sous la pluie (she plays in the rain) (3:18)

07. beneath your sky (3:56)

08. voices in the blue (4:44)

09. where love flows (4:57)

10. quiet shore’s lullaby (4:15)

11. no map, just sky (5:15)

12. the waters between us (3:14)

13. and so it shall be (3:25)

14. (i’d follow you) to the edge of the world – vocal version (featuring Sangeeta Kaur, with lyrics by Danaë Xanthe Vlasse) (5:50)

New Age Contemporary Instrumental Review and Interview: Terry Lee Nichols-Love Is…

Release Date: July 3, 2025 

Label: Soundscape Productions

Website

Having had the privilege of covering several releases from Terry Lee Nichols over the years, I've come to appreciate the emotional depth of his compositions. His instrumental stories evoke a range of emotions, thoughts, and perceptions. His most recent release, Love Is…, is more than just a title; it's a journey of profound emotional exploration that unfolds as you delve into the tracks.

 

"Is This All Just a Dream? (Moon River Variations)" starts the album, and it's very atmospheric with beautiful vocals courtesy of Rebekah Eden. The piano and synth are gentle, yet their impact is significant. "Moon River," while a well-known track, can be profoundly moving emotionally, and being compassionate and emotional myself, made it difficult not to pause and reflect on some recent events that have affected my life and will continue to do so. I remember my father crying when he heard this song after my mother died; he was a WW2 veteran as well.

 

"Friendship" begins with an acoustic guitar, followed by the piano. It has a nice rhythm to it, and the percussion sets the pace. Bell sounds and other virtual effects have been added, which have a positive impact on the track.

     

"Lying Next to You" forms a lush soundscape as wordless vocals are added. Rebekah Eden sounds like an angel sent from heaven to soothe and ensure that the person next to you truly loves you.

 

"Morning Glory" and its orchestration, along with beautiful acoustic piano and an additional synth layer, create a spiritual experience that promises a new day. The wordless vocals add an ethereal element, evoking a sense of spiritual awakening or a glimpse into another world.

 

"I Remember Her Smile" is a look back at someone special in your life who may no longer be part of it, or one who already is. The memory is implanted into your consciousness forever. This is a love song, short and sweet with carefully placed notes from the piano and sweeping orchestrations to engage your consciousness.

 

"Finding Annie" has a flute accompanying the piano. This ongoing story of Love continues to build like a storybook romance set to music. It is one of the longer movements and features some rolling piano excursions; the foundation of classical music is evident throughout this piece.

 

"Trinity" starts with what sounds like the ruffling of feathers as a bird takes off. The piano continues to be the focus as the cello comes in (sounding sorrowful as it does a lot of the time), then the orchestration of the synths creates an additional layer of atmosphere. Rebecca joins once again, her wordless vocals sounding like she is performing a scene from an opera. And that was the finishing touch.

 

"Lullaby" sounds like something you might expect, given its tempo and melody. The tinkling sound of bells induces a sense of magical fairy dust in the air, lulling you into a relaxed state of consciousness. The piano is elegant and simply gorgeous, as the synth layer provides its orchestral elements.

 

"We've Had a Good Life" is a look back with gratitude for your life, one that is not only worth living but also sharing with loved ones, making it all complete. The tempo is perfect for those thoughts, and the piano and synth once again partner to formulate the ideal ambiance.

 

"Nella Fantasia" was not a song I was familiar with. John Riesen provides his tenor vocals to the mix. He sounds very commanding and owns the song, pouring every ounce of emotion and energy into it. The piano lays down the path, and he follows it. I do not appreciate opera; however, I can recognize pure talent when I hear it.

 

"The Winds of Time" is a fitting title and a perfect way to close these beautifully constructed compositions. Sometimes we don't have the time we want to be with the people we Love or do the things we've always wanted to do. As the winds blow through our short lives on this planet, the piano's keys remind us of its beauty and the opportunity to appreciate and have gratitude for all the things that enter our lives here, even though it may not be ideal, and there is suffering, the winds of time are still blowing.

 

Love Is…. It is a fine instrumental recording. I was deeply moved spiritually and emotionally, and that is all an artist could hope for. It's the entire purpose of making music like this.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

July 10, 2025

Tracks:

01, Is This All Just a Dream? (Moon River Variations) 3:54

02. Friendship 3:39

03. Lying Next to You 3:19

04. Morning Glory 3:15

05. I Remember Her Smile 2:45

06. Finding Annie 4:06

07. Trinity 4:40

08. Lullaby 3:00

09. We've Had a Good Life 2:55

10. Nella Fantasia 3:43

11. The Winds of Time 3:42 

New Age Contemporary Instrumental Review: Doug Hammer-November

Release Date: November 1, 2024

Label: Independent

Website

Main Link

Official Trailer

When I saw November, the first person I was reminded of was the late great George Winston. I couldn't help but remember all those excellent piano solo albums on Windham Hill named after the seasons.

 

Doug Hammer is one of my favorite piano players, and I always look forward to his recordings, so that is my tribute to him.

 

The album starts with the title track, "November." Coincidentally, we just finished our Indian Summer here in New England, so getting in the mindset for the oncoming Winter for the next month is what we do. It's time to put away all the summer lawn decorations and lights, batten down the hatches, get some bags of salt, and turn off the water for the hoses. All that needs to be ready.

 

The song is straightforward and gentle, like how the leaves quietly fall to the ground in splendor and color as the trees prepare for hibernation. The second longest track on the album, at 4:29, sets the atmosphere for the rest of the story.

 

"Colder" is perfect in sequence for the meaning of the previous track and the different things I alluded to. It's my favorite time of year, and I don't mind the Winter so much when it's mild, like the last one. A bit of sadness is attached to this feeling every year, seeing the Summer fade away for good for this year. The piano playing reflects my feelings about that "cold" wave coming in. Doug's contemporary approach to new age instrumental compositions is absorbing and always relates so well to the track title.

 

"The Setting Sun" is again in sequence with the previous track, as it does from beginning to end on this recording. It doesn't just cool down like the Summer; it gets colder in the subsequent months, heading into old man Winter. Winter can be harsh, but somehow, the way the piano compositions come across gives you a sense of peace and tranquility not generally associated with this time of year, yet here we have it.  

 

"Glimmer of Light" is the last hope on the horizon as the morning breaks, and you can see the frost on the grass. The mood and vibe are uplifting as the piano takes its solo flight like a bird cruising through the air just because it can. The pace picks up, and the melody is strong and impactful.

 

"Dancing Leaves," as I mentioned previously, falling off the trees, seem to dance from side to side until they meet the ground before dissolving into the earth again. In other instances, you can be driving by a pile of them on the side of the road, and in the wake of the wind from your vehicle, it makes the pile a whirling dervish of color. The piano notes feel like a ride in the fall, emulating all those feelings and pictures in your mind. And if you have not experienced it yet, you can envision it in this song.

 

"Bare Trees" is the logical progression of everything you heard before they reached this place of change. We all know the rebirth and the green buds will start popping in the spring, and that is something to anticipate with joy and wonder every year. It's about enjoying and appreciating the transformations nature and its miracles offer. The piano is purposeful, and the notes are placed well for the reflective thought process of what just passed and what is to come next; it's perfect.

 

"A Cold Wind Blows" finally comes as the trees and wildlife are ready to face and survive. Doug's piano has a holiday flavor with Christmas approaching. Will the wind be blowing in those beautiful white flakes to decorate the barren trees and make the evergreens even more beautiful? This song is as powerful as Mother Nature and sounds classical, with that hint of holiday spirit weaving through it.

 

"First Snowfall" begins now, and the change is set for the next 4 months. Snow can fall gently and dance in the light wind or blow viciously, creating whiteouts and treacherous conditions. I think what is captured in the notes coming from Doug's fingers is a little of both scenarios to think of, one to enjoy and appreciate and one to beware and prepare.

 

"So Bright" is our life here on earth, but appreciating everything in it can sometimes be challenging, always seeing the positive or silver lining in the clouds. The music is bright, like the sun's rays, warm and welcoming. Like some of the other tracks, there is an underlying bass tone that gives it that power of persuasion, and you say to yourself, I get it; there is brightness every day. Whether it's obvious or you need to find it, it's always there.

 

I mentioned "Indian Summer" early on. Once again, the piano has this innate energy and color bursting from it, like the palette of colors all around us in the mountains and all the trees. It is a warm and happy track. We all feel it here in New England, and that time comes in one short week, usually in late September or early to mid-October, as it did most recently.

 

"Radiance" is a lovely spiritual word. Doug is in a nonstop groove of momentum and high energy, one track after another. Once he gets through the softer, slower-paced tracks and hits his stride, he keeps that motion up, and this track is an example of those happy, talented fingers at work. He radiates joy and love, which you can feel in the music. A new age track of elegance and beauty with classical influences.  Another superb track!

 

"Thanksgiving" is an excellent day for us in the U.S., celebrated by millions in many ways and traditions. It is the predecessor to Christmas. These two holidays are beautiful times to be thankful for everything you have today and spend time with family and friends.

 

"Frozen Ground" is the appropriate end for this journey through two seasons that shape our lives here in New England. I spent 8 years in California in the 80s; this time of year was never the same until I returned home. This is where I was born and where I will die, just like my parents before me. The frozen ground indicates the death of many things that will be reborn once it thaws, and the sun's warmth sprouts the first grass blades. I feel sad now; the music helped me realize the definitive end of the fall and this recording.

 

Doug's piano continues to ring true to the heart and spirit, and his music hits home uniquely for me (and I hope it will for you). The piano is like an orchestra and sounds as such when the right person is playing it.

 

I am grateful for all the feelings I went through listening to Doug Hammer's album November. It was easy for me to relate to all of this because of my location; however, if I were still in California now, I would still feel the same. Once you grow up here, you never forget. Thanks for all the fantastic music and memories, Doug.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

October 24, 2024

Tracks:

01. November 4:29

02. Colder 4:06

03. The Setting Sun 4:38

04. Glimmer of Light 3:06

05. Dancing Leaves 3:15

06. Bare Trees 3:19

07. A Cold Wind Blows 2:27

08. First Snowfall 3:28

09. So Bright 3:23

10. Indian Summer 3:00

11. Radiance 4:08

12. Thanksgiving 3:47

13. Frozen Ground 3:38

New Age Contemporary Instrumental Review: Kurt Reiman-A Glimpse of Grace

Release Date: September 22, 2022

Label:  ‎Independent

Website

Kurt Reiman’s North Maple Road was released in 2018, and I had the opportunity to hear that debut. For people working full-time in an entirely different profession, it is more difficult to record an entire album, hence the wait for his sophomore release, A Glimpse of Grace.

When world events like the pandemic happen (can you believe we are in the third year of this pandemic?), it closes some doors and opens others, depending on who you are. 

 

Many recording artists over the last few years have used this time to focus and record some prolific releases, of which I have heard many. The result and whatever prompted them to record came about for different reasons. Mainly it was because of healing we all needed, some more desperately than others. And in the process, they found healing in the creation of their music.

 

Kurt Reiman had quite the team assembled for this project. Charlie Bisharat (violin), Tom Eaton (bass), Eugene Friesen (cello), Jill Haley (English horn), Jeff Oster (flugelhorn), Premik Russell Tubbs (saxophone), Noah Wilding (vocals), and produced by Will Ackerman and with executive producer Michael Whalen. All names are well known in the new age community and collaborators on many recordings. This tight-knit community is all on the same page with what and how to present their recorded music. The benefit is the leading artist on piano Kurt Reiman and the many listeners that will find solace, healing, and A Glimpse of Grace.

 

Kurt’s piano playing is fluid and rhythmic. Those two elements are always crucial in presenting sixteen tracks of primarily instrumental music. Instrumental music demands a particular strength and flexibility that other types of music do not. If you are accustomed to listening to this kind of music and how it can be a tool for growth, you will love this album. If this is new to you, expect to be amazed at how beautiful this will sound and affect you. I am continually in awe of these musicians, and I find it natural to listen, absorb, and understand the message without words.

 

Kurt’s piano weaves many colors and textures while the additional instruments complete each pattern unfolding within the compositions. What happens is that a musical patchwork quilt within each track comes alive for you to cover your senses. Sounds lovely. It is, and every time I heard the piano accompanied by the violin or cello, I felt a sense of sadness that the pandemic brought us all. It leaves you feeling melancholy; however, there is a lot of healing. I believe that was the intent of this music. 

 

Whether that can happen for each listener is based on a decision you make before listening for the first time. It is as simple as that, and you will not be disappointed once you let this music take you away from everything for a while. We all need that relief and focus for a short time. After being bombarded daily by all the forms of media, it becomes more challenging to concentrate on any one thing. Our attention spans have disappeared gradually over time. 

 

It is now time for you, each listener, to get A Glimpse of Grace. Trust me, and you need this. You may not know that yet, or it may be painfully obvious; either way, listen and let it heal you. I am sure that you will find this to be a new age-contemporary instrumental gem.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

October 1, 2022

Tracks:

01. Dawn to Dusk (4:31)

02. Quiet Confidence (3:38)

03. Goodbye for Now (5:06)

04. Blessings (2:55)

05. Dreams of My Return (4:07)

06. Set Free (3:37)

07. Triumph (3:32)

08. The Way Home (3:14)

09. Pathways (4:20)

10. River’s Edge (2:39)

11. Elegy for Justice (3:50)

12. A Glimpse of Grace (4:01)

13. Joyous (3:52)

14. With Every Step (3:20)

15. This Dance (3:06)

16. Dawn to Dusk (Reprise) (4:32)

New Age/Contemporary Instrumental Review: Doug Hammer- piano2

Release Date: December 31, 2019

Label: Dreamworld Productions

Website

Previous to Doug Hammer’s 13th proper studio recording piano2, I had the distinct pleasure to cover two entirely different releases. Christmas Lights in 2015 and Americana in 2016. The titles are self-explanatory however this title leaves you thinking what could be coming out of your speakers.

What I can say with unequivocal joy is that piano2 is as diverse musically as the last two I heard and reviewed. Doug likes to mix it up and play many different styles, touching upon a multitude of genres. 

There is new age, contemporary classical, like “A Rainy Night with You” or some jazz-inflected honky-tonk like on “Chasin’ Possum.” Or one of my favorites that I added to my New Age Music Review Spotify Playlist, “The Sunshine in You.” That one sounds as bright and energetic as the title implies. If the shoe fits wear it right? I believe that applies to all of this music, titles of the tracks are a lead into what you will hear. Everyone will hear something different but the one commonality is that if there is a love for instrumental piano music. The consequence of that is piano2 will be your cup of tea straight away.

The changes can be dramatic from one track to the next and that is exactly what makes it such a great listen. It will hold your attention from beginning to end. 

One thing that always fascinates me is the process an artist goes through creating a recording from scratch. This what Doug said about his process with piano2:

 “I would work on an accompaniment first and then listen to that and record melodic ideas on another track. Then, I would go back and refine the accompaniment and then again go back and refine the melody.”

So, the very beginning steps then turns into refinement on different levels of production. What you get after all that passionate piano playing and structuring of compositions is nothing but beauty. To be more specific, this is musical bliss that anyone could enjoy and or appreciate. 

My entire being is touched by music like this because I do not have to think about any lyrics, I just let the music take me to another mindset, a place where I love to go time and time again. I am giving thanks to Doug Hammer and every artist out there that has given me that gift. If you are looking for something like I am, then give piano2 a spin or stream it with the player provided right now.

Keith “MuzikMan” Hannaleck

January 16, 2020
 

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Tracks:
 01. Shimmer in Disaster
02. You're the One
03. The Sunshine in You
04. Across the Plains  
05. Reaching for the Moon    
06. Strut Your Stuff  
07. Chasin' Possum
08. A Rainy Night with You     
09. The Uncertainty Principle
10. Round and Round      
11. Fanfare      
12. Celtic Heart
13. Walking with You
14. Shine Bright  
15. The Last Goodbye    

New Age/Contemporary Instrumental Review: Stephen Peppos-And Then Came Love

Release Date: January 20, 2020
Label: Sonic Bear Records
Website

And Then Came Love is the third release I have had the opportunity to hear from Stephen Peppos. The all-instrumental new age and contemporary piano selections are all about the same topic, love.

Interesting enough the title track is the very last track. I have not noticed that too much on releases in the past. It is a good idea however, as it reminds you once again what the title of the recording is and the entire meaning of the fourteen tracks being offered. There is a reason for the order of tracks, I think if you asked any artists that, their reply would yes, and for many different reasons.

There is a common-sense thread with the way the tracks are titled and a definitive meaning and progression. Some folks may think that is not that important or even notice, but I do. I try to look at the entire package being presented including artwork, track names, and order or any lyrics. In this case, it is all instrumental so it is entirely up to each listener to find their meaning and interpretation of every track and in the end, what it means personally. After all, isn’t the subject of love a separate meaning for everyone? Whether it is for another person, place, event or a family pet. The word love can be applied to all of that and more.

Stephen plays a very expressive and poignant type of piano. The title and the track do fit if you can look beyond the music, then let it encapsulate your being and open your heart to whatever comes your way. Music like this has no barriers of time and space, it inhabits the space you’re in and moves you to another plane of thought and existence. And thank god for that. With all of those thoughts prevailing, the power and healing that this kind of music can bring you is boundless. You can call Stephen the Doctor of Music on And Then Came Love. Love is coming your way by the end of this recording, and yet another reason why to have the title track as the curtain closer!

The beauty and grace of the music contained on this album will be enjoyed by all those that come within listening distance intentional or not, it will catch your ear and warm your heart. To know there is such magnificence in one instrument is one of the wonders of life. Because of that realization, I find a tremendous amount of gratitude when I listen to this music. My suggestion would be to listen to this as much as you can, particularly if you need a reprieve from stress or a very busy day. And Then Came Love will turn it all around and put a smile in your heart and soul.

Keith “MuzikMan” Hannaleck
January 11, 2020

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Tracks: 
01. Love You
02. Meant To Be
03. A Love So True
04. Love & Affection
05. For A Lifetime
06. The Spark of Love
07. Everlasting Love
08. In Your Eyes
9.  A Playful Glance
10. Since I Found You
11. My Sweet Love
12. When We First Met
13. Forever In My Heart
14. And Then Came Love

New Age/Contemporary Instrumental Reviews: Passions- Force For Good-Music That Makes A Difference

Release Date: February 1, 2020

Label: Sprout Recordings

Website

Jonathan Sprout and Joe Mennonna is the Force For Good-Music That Makes A Difference and their maiden voyage is Passions.

When you go to the website you are met with these inspirational words:

“Let’s join in creating a bold, visionary world that is not driven by fear but inspired by hope.” — Jonathan Sprout, Founder 

The music presented on this sixteen-track CD is a new age flavored contemporary instrumental with the keyboards as the base instrument. Jonathan plays the acoustic 12-string guitar while Multi-instrumentalist Joe Mennonna played all keyboards, woodwinds and brass instruments, and performed midi programming including cello and bass viol, percussion, and strings, and in addition to all of that, he did all the engineering. Leslie Chew also provides electric guitar on five of the tracks.

Keyboard or piano centered music is very flexible with the amount of instrumentation that can be added to every track. This is the kind of project that illustrates that kind of mix beautifully. What you will find with this project is how the intent is to add imagery to the music via other media such as videos, like “Harmony” which I have added to this review for your enjoyment.

The CD case is a nice tri-fold cardboard presentation with many messages in the images and how it all fits with the music. If you look at all the titles of each track, they most certainly carry a positive message.
 

There has been a lot of negativity in the world for many years now, and projects such as this offer an olive branch to the people of the world. As another decade ushers in, we are all hopeful for change and the healing of mother earth and her inhabitants. All kinds of lifeforms are in danger now and we must unite to change that course. We all know this and it helps to see projects like this form and carry a message through beautiful music and images that everyone can understand regardless of race, religion, creed or culture. In the end, we are all the same and anyone can appreciate beautiful music.

Passions is perfect for films, videos or soundtracks for many types of documentaries. The multitude of purposes for this music makes it consumable on so many levels. The project evolved after the music was created then Jonathan started adding videos for the tracks. It pushed the entire project out over a 2-year period to sync all of the media into one amazing presentation.

I think it was important to point out the meaning of this project besides the music, which relaxes you and focuses you on the deeper meanings of every track. That it is how it worked for me and hopefully it will for those of you that wish to support this endeavor by purchasing the CD and subscribing to the You Tube Channel now. 

This is gorgeous instrumental music that will carry you through many emotions and thoughts. Any good music has the power to do that. Thank you, Jonathan, Joe, and Leslie, for creating such beautiful healing sounds with an incredibly important message to the world!

Another release is expected in February of 2021.

Keith “MuzikMan” Hannaleck

January 7, 2020

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TRACKS:
01. Force
02. Safe
03. Ice
04. Community
05. Refuge
06. Happiness
07. Exceptional
08. For
09. Organic
10. Solar
11. Harmony
12. Mountains
13. Courage
14. Hope
15. Grace
16. Good