August 22, 2025

Contemporary Instrumental New Age Review & Interview: Peter Kater-Untethered Heart

Release Date:  August 22, 2025

Label: Kater Music

Website

I have had the opportunity to cover Peter Kater’s music on several occasions over the years. As I recall, I always enjoyed the extraordinary instrumentation. Untethered Heart features seven tracks, with two extended versions.

 

My first thought regarding the title was, what would it mean to have an Untethered Heart?

 

It could have multiple meanings depending on the context. My thoughts tell me that my heart would be free (the first track is “Freed”) and unattached to any one person, place, or thing. In which case, I would find it impossible.

 

Listening to all the tracks, I am sure different thoughts and feelings will arise, and the music will take me on an emotional journey, setting me free for the duration it has to offer.

 

“Freed" begins with the piano taking small steps, and the tempo is thoughtful. What is it we need to be free of? Free to think, express, Love, and live. To me, that is freedom. As the piano moves on, there are some significant steps forward with some tempo rises, then some flourishes of notes casting beauty upon your ears and senses. One hand sets the tempo/bass part, while the other is “free” to explore wherever it wants. Emotive and moving, this is a lovely way to start the recording.

 

“Flight” (Extended) is the longest track at 5:47, and I anticipate it will be quite complex. As it begins with piano and synth elements, it rises in conjunction with the orchestration, evoking a symphonic quality that takes “Flight.” It is dramatic and colorful. The imagery of a bird taking off or a person reaching their goals, both personally and professionally, can also be applied here.

 

That one word can be inserted into many different life situations. More than halfway, Peter gives you a little flourish of jazz notes, then as quickly as they come, they go away, and it returns to the uplifting soloing on the piano. It’s energetic and invigorating. Then it slows right down to a gentle closing for more reflection on what you just heard and felt.

 

“Spellbound” has a beautiful flow and flavor. I felt a mix of joy and sadness at the same time—the classical influences are strong here. The piano, with its beauty and grace, continually amazes me. Yes, I was “Spellbound.”

 

“Spirit” (Extended) is a connection that unites all sentient beings. The notes flow with purpose and meaning as the orchestration layer lends itself to the song’s structure and emotional feeling, taking you to a new place. Peter’s playing is rapid and with purpose. Again, the uplifting feelings and elation in the keys of the piano are so evident that you feel the energy and “Spirit” of his artistry. A very tasteful ending closes out the track.

 

“Hinterlight” is the shortest track at 2:14. The flow continues with consistency and strength on this track. Although it is short-lived, its impact is no less significant than that of the previous tracks. Short, sweet, and memorable, a lovely melody.

 

The title track, “Untethered Heart,” now features the wordless vocals of Kristin Hoffman. She sings beautifully, adding substance and a layer to the music that I found moving and so impactful. Your heart is hearing it loud and clear as the music accompanies the singer and nudges the vocalist to higher highs of magnificence. If you were to make a significant impact with the title track, this is how it's done.

 

“Boundless” energy, spirituality, emotion, and Love are all the things that define this music. The piano creates a symphony all its own, and anything added is just extra. Once again, I hear the influences of the classical realm. The music of the piano, with its beauty and intensity, impacts my senses in a way that can only be described as 'Boundless.' The combination of melody, elegance, and aggressive playing forms a perfect blend of sound, making for a fantastic way to close out this album with optimistic energy.

 

Untethered Heart is melodic, engaging, hypnotic, and visually moving, so it integrates with every fiber of your being. Peter, you are amazing. Your magical fingers swept me away to where I needed to go.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

August 22, 2025


Tracks:

1. Freed—3:48

2. Flight (Extended)—5:47

3. Spellbound—3:24

4. Spirit (Extended)—4:51

5. Hinterlight—2:14

6. Untethered Heart—5:08

7. Boundless—4:14

August 21, 2025

Contemporary New Age Instrumental Review & Interview: Kevin Keller-Arcadia

Release Date:  August 22, 2025

Label: City Hall Records

Website

Arcadia is the sequel to 2023’s Evensong. Like its predecessor, Arcadia features plainchant melodies, reverberant keyboards, and live strings, this time taking the listener on a journey through the afterlife.

(text from press materials)

 

Arcadia, a poetic term associated with bountiful natural splendor and harmony, serves as a fitting title for this album. The music indeed embodies these qualities, inviting the listener to embark on a journey of tranquility and introspection.

 

“Et vidi caelum” (And I saw the sky) begins the journey. I am enthralled by the beauty of the vocalizations and the accompanying music. There is a spiritual and angelic feel to the vibe Kevin creates. I am looking forward to what comes next.

 

“Et nox ultra” (And night is over) is repeated multiple times, taking the entire song to get through the whole phrase. This is a medieval technique called Notre Dame organum, developed by the composers Leonin and Perotin in the 13th century. The idea here is to induce a meditative state of consciousness. As I listen, I find it very relaxing and enjoyable. The flow of the music and vocalizations creates a soothing atmosphere, culminating in a transition that is light and filled with a smile.

 

“Me solum me invenio” (I find myself alone) is profoundly ethereal, and the chanting is as well. The sounds layered over the vocalizations are like a mist that gathers around you, transporting you to another dimension. You are alone, but on your way to a different time and place, feeling completely transported by the music.

 

“In tenebris” (In darkness) features a nice keyboard foundation as the voices gather in a choir-style arrangement, radiating and resonating as they cut through the air with ease, making their way to where they need to go. With the hope of leaving the darkness and finding the light, as the music gathers momentum, so does your optimism. The appropriate soundtrack backs the gorgeous vocalizations. The music reminded me of Jean-Michel Jarre.

 

“Mare, littus, flammam” (Sea, shore, flame) begins with a buzzing drone sound accompanied by a whooshing wave sound. Around 1 minute into it, the vocalizations start to add their layer. By this time, you expect that to happen, and it wouldn't sound right without it. A soft cello adds another element to the mysterious atmosphere.

 

“In equo fugit” (She flees on horseback) features a soft synth opening, with vocals entering immediately. The vocals sound like they are inside a church, with the built-in amplifier resonating through the walls. It’s a tremendous effect. There are some transitions with tempo increasing as the sounds of a violin arrive, adding a layer that worked well. A light synth provides a percussive sound for rhythm (like a galloping horse).

 

“Et lux perpetua” (And eternal light) is light and airy musically and with the vocalizations. This is a deliberate effort to slow the pulse of the music, which enables the listener to focus more on the vocals as the layers of synth are strong but can drop to the background to support the vocalist.

 

“Veni intus” (Come inside) is an invitation to enter another world or level of consciousness. Music has that power, and it is displayed to significant effect. A steady church organ line runs consistently, and a cello enters to add its texture and depth to the piece. It is a peaceful way to close out this recording. 

 

Arcadia was a step away from the norm in terms of the listening experience. And that is a good thing, as it challenged me to focus even more to translate what I was hearing accurately. It is a beautiful piece of artistry that I recommend listening to for many reasons. The reasons will be revealed once you explore the music!

Composed and produced by Kevin Keller

SofĂ­a Campoamor – lead vocal.

Katherine Wessinger, Danya Katok, and Wendy Baker – sopranos.

Sarah Zun – violin.

Angela Pickett – viola; Laura Metcalf - cello


Keith “MuzikMan” Hannaleck-NAMR Founder

August 22, 2025


Tracks:

1. Et vidi caelum (And I saw the sky)

2. Et nox ultra (And night is over)

3. Me solum me invenio (I find myself alone)

4. In tenebris (In darkness)

5. Mare, littus, flammam (Sea, shore, flame)

6. In equo fugit (She flees on horseback)

7. Et lux perpetua (And eternal light)

8. Veni intus (Come inside)

 

August 15, 2025

New Age Instrumental Meditation Track Feature And Interview: Extasis (Allan Susoeff, Jr)-Navel Chakra 528 HZ”

Music and science are not strange bedfellows. They are merged in music by innovators and practitioners alike for healing.

Extasis (Allan Susoeff, Jr) stands out as a master in this field, using his exceptional skills to help people experiencing a myriad of physical and mental difficulties. His expertise instills confidence in the healing potential of his music.


The power of music cannot be underestimated, and some people are beginning to understand how music’s sounds affect our brainwaves, which is truly remarkable.

 

Navel Chakra 528 HZis one track that takes that knowledge and shapes and molds it into a tool.

 

The music of Navel Chakra 528 HZ' is not just relaxing, it’s a soothing balm for the mind and body. Just listening to it without any particular purpose made me feel good, a testament to its calming effect. This suggests that most of the time, we are unaware of how sound waves affect us.

 

The instrumentation included in the piece is synths, pads, strings, singing bowls, flute, oboe, bar chimes, and field recordings of various birds. All of that comes together for an experience you want to relive. It is very organic, and the merging of science, nature, and musical instruments is perfectly executed in the track, creating a sense of connection to the healing powers you become part of.

Keith “MuzikMan” Hannaleck-NAMR Founder

August 15, 2025



 https://extasis.music

Just two short weeks after the release of his first album, Extasis, in 2019, Allan experienced another quantum leap in life: a heart attack. He emerged from his double bypass surgery with a newfound appreciation for music. The intricacies of instrumental collaborations alone brought on new meaning to Allan in the art of how music itself is created. Since then, his focus has been solely on instrumental music that is not only ambient but also uplifting and positively empowering…READ MORE…

 

Contemporary Instrumental Review & Interview: Lisa Swerdlow-Book of Life Concerto

Release Date:  August 15, 2025

Label: Independent

Website

Many of the piano-based instrumentals I hear are like a concerto. I have often said it’s the one instrument that can sound like a symphony all by itself.

Lisa Swerdlow is one of those artists whose work I have cherished over the years. The arrival of her latest masterpiece, the Book of Life Concerto, filled me with a profound emotional anticipation.

 

The best way to describe this music is to hear it from the artist. Lisa said, “As a composer, I am tasked with the responsibility of synthesizing grand concepts into sound and the emotions that these musical notes evoke. Everyone has a ‘Book of Life’ to be told. . . This is mine.”

 

“Chapter One: Possibilities” serves as a reminder that life is full of possibilities, even though we do not know the outcome until we reach it. And with that thought, we can view it as an exciting and anticipatory experience.

 

The piano sets the tone for this book, with a slow progression that leads to the addition of other instruments, such as the violin. It is theatrical halfway through, then the tempo goes down a bit to encourage you to reflect more. It returns to apexes repeatedly, leading you through the emotions that are part of looking at life's possibilities.

 

“Chapter Two: Disappointments” is all part of life. During the process of possibilities, this can happen often enough for a person to be discouraged. The beginning is very thought-provoking as the piano pulls you in ever so gently, and the orchestrations and cello give a hint of sadness. Outside the grey areas of life, there lies hope and optimism, and that is a simple decision to make instead of wallowing in the disappointments. How many times was Thomas Edison disappointed before he had success? It’s all in how you paint the picture on life’s canvas. The piano is elegant and moving, capturing the essence of all those feelings.

 

“Chapter Three: Discoveries” rings with excitement and joy as the piano immediately begins in an upbeat tempo, then it quiets down as the cello enters, inducing more reflection on the subject matter at hand. Again, the music reaches a crescendo with orchestration, accompanied by dramatic cymbals that sound off for added effect. The piano is beautiful, leading the listener to a higher plane of consciousness and a more profound realization of that discovery (whatever it may be in your mind's eye).

 

“Track Four: Through It All” transitions you from the book chapter format to a shift in focus with compositions to encapsulate your previous experiences in the prior compositions. Many thoughts encompass “it all,” thus the piano takes on that emotion as it flows like the tides of the ocean, coming in and going out. There is a real talent at work here to imagine all of this happening within the keys of the piano. Lisa’s elegance and precision with her fingers make every note count so beautifully.

 

“Track Five: Dawn Contemplation” is the final step, where you weave all the feelings, thoughts, and images into a single thread and reflect on and reexamine them. As she has this entire recording, the piano serves as a guide, taking you to a place where everything can unfold simply by contemplating. The orchestrations that accompany her lovely notes, which range from many highs to lows, serve as the final trigger to engagement and gently invite you to look forward, process all those feelings, and usher in the dawn of a new day.

 

The Book of Life Concerto resonated with me on a deeply personal level, as if it were the soundtrack of my own life. Lisa Swedlow’s compositions seemed to narrate my story as I listened, evoking raw emotions due to the recent loss of our beloved dog. Those who have experienced the bond with a furry family member will understand, and even if you haven’t, the emotional journey is one that anyone can relate to.

 

Music, mainly instrumental pieces like the Book of Life Concerto, has a unique ability to heal and transform. Each time I immerse myself in piano-based music, I embark on a journey that nourishes my mind, body, and spirit, offering a sense of comfort and hope.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

August 15, 2025

Tracks:

Chapter One: Possibilities (4:38)

Chapter Two: Disappointments (4:34)

Chapter Three: Discoveries (4:25)

Track Four: Through It All (3:24)

Track Five: Dawn Contemplation (4:23)





August 14, 2025

Contemporary Instrumental-New Age Track Feature: David Clavijo -Chasing Shadows

On David Clavijo’s website, it says the following:

“Music is spirituality, abstraction, health, inspiration, and the best way to unite all human beings in respect, peace, and harmony.”

What a beautiful statement to make. It is so true, and the evidence can be found in his music. I realized that rather quickly once I heard his latest track, “Chasing Shadows."

With all the energy, color, emotion, and drama, David creates a literal symphonic masterpiece. The sounds are ethereal and ambiently textured, coming from a place of strength. You can feel it in every note played. I listened once, then again, and felt compelled to listen again, each time discovering new emotional depths.

Everyone has shadows in their lives, and they can take many forms. With music, “Chasing Shadows” could also be interpreted in various ways. It could be the artist, like a great classical composer, chasing the shadows of an eternally recognized concerto, then reaching higher to create yet another. Or perhaps, it’s each instrument ‘chasing’ the next as they travel in a circle of sound, creating a sense of continuity and harmony.

In any case, what you will hear is music that is pure beauty, a soundtrack to whatever you want it to be. Instrumental music, like David Clavijos, allows you to shape the music within your mind’s eye, giving you the power to interpret and connect with it in your unique way.

Keith “MuzikMan” Hannaleck-NAMR Founder

August 13, 2025

https://www.davidclavijo.com

David Clavijo (Alcalá de Guadaíra, province of Seville, April 14, 1983) is a Spanish composer and guitarist. Since 2010, he has been a leading exponent of New Age, Ambient & Chill Out music in Spain. A producer and composer of his own songs, his music stands out for its use of ethnic elements and the combination of acoustic sounds, atmospheres and voices from other cultures, as well as for the use of synthetic bases and melodies modeled on light themes. His album The Landing (Special Edition) marked a turning point in his musical career, also allowing him to collaborate on a dozen national and international compilation albums, such as the prestigious 30th Anniversary of Café del Mar

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READ MORE ABOUT DAVID

August 12, 2025

World-New Age Vocals Track Feature: Aco Takenaka-Oxum

If you are searching for something entirely different from the new age genre, then Oxum, the latest track from Aco Takenaka, will satisfy that need. The track is from her forthcoming album Ancient Seeds, due out in October.

Although she is singing in another language and you may not understand her, the vocals are mesmerizing and soothing as can be. You can feel her sincerity and true self in the inflection and tone of her message.

 

One of the highlights, besides her gorgeous vocalizations, is the music backing her. You will hear the consistent percussive elements and the sound of running water courtesy of the Water Bowl. The sound it makes puts you by a clear running stream. The powers of relaxation are inherent in those sounds, which in turn enhance her vocals.

 

Aco’s world-new age work and the tools she uses make her a crossover artist in the ambient and folk genres, to name a few. Those listeners who appreciate eclectic audio offerings will be glad they discovered her magic through song and sound.

 

Her philosophy is succinctly expressed in her words: “The sound of the deepest truth should resonate with people across cultures.”

Keith “MuzikMan” Hannaleck-NAMR Founder

August 12, 2025

Website

https://acotakenaka.hearnow.com/

Aco has actively collaborated with various musicians, dancers, filmmakers, and the Shinto Research Institute. Recently, she received accolades at film festivals worldwide for her music video “Oyasumi,” including honors at Cannes Shorts, the International Music Awards in the UK, and the Los Angeles International Children’s Film Festival.

Read More About The Artist


August 8, 2025

New Age Vocals Track Feature: Ilka de Gast (feat. Tommy Graven)-Angel

Ilka de Gast is one of the more active recording artists today. Shortly after releasing an entire album, she returns to the studio and begins releasing prolific tracks to an ever-growing audience eager to listen.

“Angel” takes flight with her gorgeous vocals and the guitar and Native American flute of Tommy Graven.

 

The result is simply stunning.

 

The music of “Angel” resonates with me on a profound spiritual and earthly level. Ilka’s vocals carry a spiritual essence, while the flute’s earthy tones ground the composition. This interplay always captivates me.

 

The phrase “As above, so below” came to mind, as it means what happens in the spiritual or heavenly realm is reflected in the earthly or physical realm, and vice versa.

 

Each of us has an angel, a guiding presence, whether we’re aware of it or not. I’ve felt this truth deeply, especially in moments of near-death experiences. These experiences have shaped my understanding of “Angel” and its profound message.

 

In the end, Ilka sings “I hear you singing, I hear your song.” She acknowledges her angel at that moment. That was an excellent way to end the track, and it held a lot of meaning for me, and I hope it will for everyone who listens.

Keith “MuzikMan” Hannaleck-NAMR Founder

August 8, 2025



https://globalsacredsounds.com/

Meet Ilka de Gast, PsyD

Ilka de Gast, originally from the Netherlands but now residing in California, is a psychologist, Qigong and meditation instructor, sound healer, researcher, and recording artist. While Ilka has explored many meaningful career paths, her passion for the past 25 years has been working with and teaching sacred sound healing modalities worldwide, including the ancient art of overtone singing. Ilka's meditation music is featured in Dr Joe Dispenza's advanced retreats in the US and internationally.