Featured New Age Artist: David Wahler

David Wahler's music transports you to another place, where it is serene and beautiful, unencumbered by any outside influences.

This is healing music. Get ready to relax and take a trip to heaven! Listen to "Night Sky of Orion" for a taste of what is to come.

His upcoming album Spiritus is sure to make waves as its predecessors did.



More About David Wahler:
http://www.davidwahler.com 

David Wahler began his musical career at the age of 7 playing the piano “by ear.” Years of summer music clinics and academies at various universities culminated in his studying piano performance at Lawrence University Conservatory of Music and Mannes College of Music in New York. David then began serving as a musical director off Broadway. In the Chicago area, he played with the Rockford Symphony Orchestra as well as teaching music appreciation to disadvantaged and handicapped children. 

David released his first album, Antiquus, in the spring of 2009. The CD was met with instant accolades from the reviewers. He placed number one on ZMR (Zone Music Reporter) charts for the month of July, and was the highest ranking debut album in the history of the charts. Antiquus was selected by numerous websites as “one of the best New Age CD’s of 2009”, as well as placing third on ZMR’s Top 100 Most Played Albums of 2009. Antiquus was also nominated for four Zone Music Awards for 2009, including Best Album and Best New Artist, going on to win Best New Artist. 

David’s second album, A Star Danced, released March 1, 2010, was met with the following praise from RJ Lannan, reviewer with Zone Music Reporter. “Contemporary ambient artist David Wahler, musically takes us beyond earthly boundaries on his newest release, A Star Danced . It is music that celebrates the joy of living on a celestial scale. I give it a stellar recommendation.”

Nominated by ZMR Awards as Best Album, Best Contemporary Instrumental Album, A Star Danced went on to win Best Meditation & Relaxation Album of 2010. Secret Dream, David’s third album, was released in 2013 by New World Music.

New Age Review: Reneé Michele-Seasons of the Heart

Release Date: December 20, 2014
Label: Independent

Seasons of the Heart is a journey that begins with a memory. Bitter and sweet, the days of our lives are full of winters and springs. Of summers where we dance and stark autumn moments when we grieve. In this beautiful celebration of the artist’s memories we walk with her through some of life’s most personal moments. Produced by Will Ackerman at the legendary Imaginary Road Studio, this album is also graced by Jill Haley (English horn), Charlie Bisharat (violin),  Eugene Friesen (cello), Jeff Haynes (percussion), Noah Wilding (vocals), Tom Eaton (bass), and Michael Manring (fretless bass) and of course Reneé Michele at the helm of the piano.

“Gone” is the devastation of a loved one’s passing. The loving memories of a life well spent, but the absence where there once was a presence. Some voids simply cannot be filled. Fluid piano movements and tender whispers call out to those we love in remembrance and thankfulness that our lives touched, if only for a moment.

“Forgiveness” is an evocative piece that tears into the tender places in the heart where some of the deepest emotions dwell. Who has not been hurt by a loved one or been the one to cause the pain? Love is a scary and beautiful thing, much like the resonating melodies presented in this piece. Careful piano movements and string presentations delve deep. Tear stained cheeks and eyes that smile through the pain that only true love can cause bring the joy of forgiveness.

“Seasons of the Heart” is an all-encompassing voyage through the dark hour of the soul and back to light again. Our lives, like this vision of melodic wonder, are rife with challenges, hurts, victories and celebrations. Love, life and laughter walk with us even as death and unfortunate events bring us to our knees. The seasons change and with it the ebb and flow of our inner tides. Poignant piano playing combined with multi-instrumentation brings out the deep emotion that only Reneé Michele can. She finds the perfect note and spins her song, leaving us breathless with the beauty of truth.

Our lives truly are seasons. Memories come to us from the summer and winter of our lives. Some are bountiful and some haunt us with broken promises and hurtful actions whether from ourselves or others. In true artful fashion, Reneé Michele takes each feeling and brings it to the surface in melodious fashion. These are the seasons of our lives; the sun, the moon, the seasons…new beginnings and bittersweet endings. It is the breath in our bodies and the secret smile on the lips. It is music. It is…life.

4.5/5 Stars

Key Tracks: Seasons of the Heart, Gone, Forgiveness

DanaWright, Sr. Staff Writer

January 7, 2015

Review Provided By New Age Music Reviews

New Age Instrumental Review: Lawrence Blatt-Emergence

Release Date: March 11, 2014
Label: Independent


Produced by Will Ackerman of the incomparable Imaginary Road Studios and written by Lawrence Blatt, Emergence is an album that will keep you company for many long hours. It is an album filled with images of the natural world in all of its wonder. Patterns. Diverse and seemingly simple, they can create masterpieces of form and function. Such is the case with Emergence. Artists involved in this project are: Lawrence Blatt (guitar, accordion, mandolin), Charlie Bisharat (violin), Lila Skylar (viola, violin), Eugene Friesen (cello), Sam Bevan (double bass), Jill Haley (English horn) and Richard “Gus” Sebring (French horn).

“Emergence” is the title track to the album. It features violin and guitar movements that evoke images of a new seedling bursting forth from the cocoon of mother earth. The trembling growth of a frail tulip as it stands straighter each day and turns its face to the light. One day at a time it grows stronger until it stands tall away from the green stems and leaves, bursting into burgeoning crimson glory. Violin and guitar dance as the repeating majesty of life and finally death and renewal comes again and again. Beauty. Grace. Life.

“Gar Du Nord” is the third piece on the album and it struck me utterly when first I heard it. Double bass, cello, viola, violin and guitar twist and undulate in chord progression and scale theory to craft a spiral of thought provoking effervescence. 

“Poloyne” is a pulse pounding dance that could be the background to a well-crafted romantic drama. Eyes meet across the room. Hands join as two flames connect on the ball room floor. Sweeping movements bent on seduction win the increasingly rapid beating heart as the tempo increases. Violin and guitar create passion with flamenco influences. A powerful piece filled with evocative imagery.

“Green Corn” is the last piece on the album and has a combination of French horn, guitar and violin. Truly artful, this is a tale that unwinds into wide open spaces and the freedom of land and prosperity. Jaunty and full of life, this track is as regal as it is masterful. The American Dream of land, independence and prosperity. This is our land. Green corn and fields of plenty…

Lawrence Blatt has succeeded in comforting the savage beasts in my household. Even as the thunderstorm rages outside, the soothing tones of Emergence have brought the canine residents of my abode into happy slumber. (Thank goodness for small miracles!) The exploration of patterns and progression of chords has truly crafted each work into a snowflake like accomplishment. I find it amazing that no written music was given to individual performers, letting them rely on music theory and the talents that come from deep within. This is a project all the participants should be very proud of and is one that will be in my collection for a very long time to come. 

5/5 Stars

Key Tracks: Emergence, Gar Du Nord, Poloyne, Green Corn

Tracks:
01. A Promise in the Woods
02. Emergence
03. Gar Du Nord
04. Walking Among Tulips
05. Passing Up Bridges
06. Entering the East Gate
07. The Place Where Monarchs Go
08. Poloyne
09. Where the Pines Once Stood
10. Say Hello Again
11. Illuminations
12. Green Corn


DanaWright, Sr. Staff Writer

December 19, 2014

Review Provided By New Age Music Reviews



Contemporary New Age Instrumental Review: Michael Dulin-My Beloved

Release Date: January 20, 2015
Label: Indie

Michael Dulin has released several recordings over the years but never one as personal as My Beloved. It is his special ode to his wife.

Dulin’s style is flowing and purposeful and it always has been on all of his releases. He is an extremely talented pianist that is adept at translating his feelings through the ivory keys.

Each track focuses on an enduring love and the beauty and passion that it can bring in a couple’s life. Relationships are a work in progress and too many people run away at the onset of difficulties. This is a testament to his commitment to marriage and his wife.

“Beloved” is the most poignant and meaningful to the artist and as a listener I can understand why. Its sheer beauty and magnificence transcends all barriers and time becomes merely a concept to ponder.
“Devotion” has a title alone that supports the meaning of holy matrimony. It is the perfect follow up to “Beloved.” It goes hand in hand with the meaning and purpose of this recording.

The album closer “Rhapsody” exudes clarity and beauty with a definite accent on the different colors a musician such as Dulin can create within the music. The pace creates joy and peace but it maintains an energy and buoyancy that closes out the album with strength and definition.

Michael Dulin has produced a brilliant palette of tasteful instrumentals that brings one instrument to the forefront without a single distraction. The only focus is the piano and I found it very enjoyable and quite amazing how one remarkable instrument can convey so many emotions and a lifetime of love and devotion.

5/5 Stars

Key Tracks: Beloved, Devotion, Rhapsody

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

December 14, 2014

Review Provided By New Age Music Reviews

New Age Instrumental Review: Kathryn Kaye-Patterns of Sun and Shade

Release Date: January 1, 2015
Label: Independent

Kathryn Kaye is a composer, organist and pianist. She has been classically trained but draws from her experiences in jazz, folk music from the Appalachian Mountains where she grew up and crafts music both simple and evocative. Each piece is created with feeling and always leaves me longing for more. The album was recorded at Imaginary Road Studios and was recorded and mastered by Tom Eaton. Contributing artists include Gus Sebring (French horn), Jeff Haynes (percussion), Tony Levin (Chapman stick), Tom Eaton (percussion, accordion, bass), Eugene Friesen (cello), Jill Haley (English horn), Will Ackerman (percussion), Charlie Bisharat (violin) and of course the talented fingers of Kathryn Kaye (piano).

In her newest album, Patterns of Sun and Shade, Kathryn again pulls her imagery from nature and paints an audible picture of landscapes adrift in light and shadow. This album has a lighter feel than her first three, and has a lot of imagery of leaves, forests and trees. Just the kind of place I love to be…

“Elk Creek in the Fall” is the second track on the album and features Gus Sebring (French horn), Jeff Haynes (percussion), Tony Levin (Chapman stick), Tom Eaton (percussion), Kathryn Kaye (piano) and Eugene Friesen (cello). Effervescent, this piece is a tapestry wound together to seamlessly create a vision of backwoods Kentucky and the glorious forests that grace the land. Sweeping piano sequences are paired with the cello, horn, percussive elements and the Chapman evoking a lush composition of harmony and light.

“Willow Waltz” is a tender piece that urges me to close my eyes and walk through the lit path into the forest, surrounded by the majesty of color and the changing seasons. No matter the day, the crisp scent of autumn burns down the back of your throat and the smoky ghost of burning leaves fills the air. It is a time of change. The willow trees are a bountiful and grace filled oasis inside the woods. They bend and sweep, whilst other trees reach for the sky, determined to shed their seasonal colors in a riot of burnt orange and flame yellow. The willows dance under the sky and your fingers intertwine with the long and sinewy branches. Pieces and artists heard on this track include Kathryn Kaye (piano), Jill Haley (English horn), Tony Levin (Chapman stick) and the legendary Will Ackerman on percussion.

“Patterns of Sun and Shade” is the title track to the album. When you look into the trees and squint your eyes, what do you see? Little patterns of light and dark-the shady places and the kiss of sunshine beaming through the leaves. That is the essence of this piece. Light peeks through finely veined leaves illustrated by the skillful playing of Gus Sebring (French horn), Jill Haley (English horn), Tom Eaton (bass) and Kathryn Kaye (piano). 

Since the first time I heard Kathryn Kaye’s work, I fell in love with her vision of nature via sound and substance. Well placed fingers on the keyboard, combined with a love of the natural world and her home in the woods of Kentucky show just like the dappled light through a bevy of leaves. The fellow artists she chooses are her branches and the tree is firmly planted in the ground. This album was soothing and hasn’t stopped playing since I received it and won’t be any time soon. 

5/5 Stars

Key Tracks: Elk Creek in the Fall, Patterns of Sun and Shade, Willow Waltz

Tracks: 
01. Julia's Eyes
02. Elk Creek in the Fall (feat. Gus Sebring, Jeff Haynes, Tony Levin, Tom Eaton & Eugene Friesen)
03. The Hills That Lead Me Home (feat. Jill Haley, Gus Sebring & Tony Levin)
04. Something Like a Dream
05. Festival of Leaves (feat. Tony Levin, Gus Sebring, Jill Haley & Jeff Haynes)
06. Willow Waltz (feat. Will Ackerman, Tony Levin & Jill Haley)
07. Adrift in Fading Light (feat. Charlie Bisharat, Tony Levin & Jeff Haynes)
08. Mom and Pop's Waltz
09. Tiny Sliver of a Moon (feat. Charlie Bisharat & Tom Eaton)
10. Patterns of Sun and Shade (feat. Gus Sebring, Tom Eaton & Jill Haley)
11. Distances

 
DanaWright, Sr. Staff Writer

December 9, 2014

Review Provided By New Age Music Reviews



New Age Instrumental Review: John Otott-Colors

Release Date: November 3, 2014
Label: Indie

I think John Otott has been referred to as an emerging artist. I am officially stating that he has arrived with Colors. The cover of the album is a mirror into the soul of the artist and within the music you will find yourself everywhere amongst the 13 tracks.

For creating music without words I really do not know how much more beautiful and prolific it could possibly get. Otott’s brilliance shines brightly in every track and when the music starts and “Tesoro” begins, you know you are in for a lot of special moments. The track was featured on our sister site RateThe Tracks.

If you are interested in getting a look inside some of these compositions I would recommend checking out http://www.johnotott.com/music-store/colors/.

John takes elements of new age and classical music and brings forth all the magic through his fingers seemingly without effort. We all know and recognize putting together an album is quite a project and I am not taking away any of that hard work and the trials one goes through but it all sounds so flowing and easy. 

“Song of the Willows” brings you closer to nature, its heaven and earth merging in the music. I found it so moving, I was feeling happiness and sadness then joy all at once with the ebb and flow of those ivory keys and the atmospheric sounds that weaved themselves into an unforgettable tapestry of sound and wonder. How one instrument can create so many textures and moods amazes me.

“A Memory” is an emotionally moving piece taking you through the life of John’s mother who is suffering from Alzheimer’s. John explains that he conveys all the emotional highs and lows one can go through watching a loved one overtaken by such a life stealing disease. Even with all the sadness the artist finds the light at the end of the tunnel were his music is the only release, then finally acceptance arrives and you move on to the next track. I was forced to take stock of my own life and realized how much I have to be grateful for after I read about what the song meant, then it hit home one step further.

John Otott’s piano improvisations are a gift from his soul to his listeners. When I take in this type of music the only thing I can think of is that when my time comes to leave this planet I think I will hear this kind of music playing as the angels invite me to join them. Music is the closest thing to heaven we have here on earth and Colors is another brilliant reminder of that.

5/5 Stars

Key Tracks: Tesoro, Song of The Willows, A Memory

Tracks:
01. Tesoro
02. The Wind Song
03. Illusion
04. Colors
05. The Journey
06. Song of the Willows
07. Interlude
08. I Will Sail Away
09. A Memory
10, August and Life
11. Santa Cruz
12. An Evening Thought
13. Soaring
        

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

December 5, 2014

Review Provided By New Age Music Reviews