Contemporary New Age Instrumental Review: Michael Dulin-My Beloved

Release Date: January 20, 2015
Label: Indie

Michael Dulin has released several recordings over the years but never one as personal as My Beloved. It is his special ode to his wife.

Dulin’s style is flowing and purposeful and it always has been on all of his releases. He is an extremely talented pianist that is adept at translating his feelings through the ivory keys.

Each track focuses on an enduring love and the beauty and passion that it can bring in a couple’s life. Relationships are a work in progress and too many people run away at the onset of difficulties. This is a testament to his commitment to marriage and his wife.

“Beloved” is the most poignant and meaningful to the artist and as a listener I can understand why. Its sheer beauty and magnificence transcends all barriers and time becomes merely a concept to ponder.
“Devotion” has a title alone that supports the meaning of holy matrimony. It is the perfect follow up to “Beloved.” It goes hand in hand with the meaning and purpose of this recording.

The album closer “Rhapsody” exudes clarity and beauty with a definite accent on the different colors a musician such as Dulin can create within the music. The pace creates joy and peace but it maintains an energy and buoyancy that closes out the album with strength and definition.

Michael Dulin has produced a brilliant palette of tasteful instrumentals that brings one instrument to the forefront without a single distraction. The only focus is the piano and I found it very enjoyable and quite amazing how one remarkable instrument can convey so many emotions and a lifetime of love and devotion.

5/5 Stars

Key Tracks: Beloved, Devotion, Rhapsody

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

December 14, 2014

Review Provided By New Age Music Reviews

New Age Instrumental Review: Kathryn Kaye-Patterns of Sun and Shade

Release Date: January 1, 2015
Label: Independent

Kathryn Kaye is a composer, organist and pianist. She has been classically trained but draws from her experiences in jazz, folk music from the Appalachian Mountains where she grew up and crafts music both simple and evocative. Each piece is created with feeling and always leaves me longing for more. The album was recorded at Imaginary Road Studios and was recorded and mastered by Tom Eaton. Contributing artists include Gus Sebring (French horn), Jeff Haynes (percussion), Tony Levin (Chapman stick), Tom Eaton (percussion, accordion, bass), Eugene Friesen (cello), Jill Haley (English horn), Will Ackerman (percussion), Charlie Bisharat (violin) and of course the talented fingers of Kathryn Kaye (piano).

In her newest album, Patterns of Sun and Shade, Kathryn again pulls her imagery from nature and paints an audible picture of landscapes adrift in light and shadow. This album has a lighter feel than her first three, and has a lot of imagery of leaves, forests and trees. Just the kind of place I love to be…

“Elk Creek in the Fall” is the second track on the album and features Gus Sebring (French horn), Jeff Haynes (percussion), Tony Levin (Chapman stick), Tom Eaton (percussion), Kathryn Kaye (piano) and Eugene Friesen (cello). Effervescent, this piece is a tapestry wound together to seamlessly create a vision of backwoods Kentucky and the glorious forests that grace the land. Sweeping piano sequences are paired with the cello, horn, percussive elements and the Chapman evoking a lush composition of harmony and light.

“Willow Waltz” is a tender piece that urges me to close my eyes and walk through the lit path into the forest, surrounded by the majesty of color and the changing seasons. No matter the day, the crisp scent of autumn burns down the back of your throat and the smoky ghost of burning leaves fills the air. It is a time of change. The willow trees are a bountiful and grace filled oasis inside the woods. They bend and sweep, whilst other trees reach for the sky, determined to shed their seasonal colors in a riot of burnt orange and flame yellow. The willows dance under the sky and your fingers intertwine with the long and sinewy branches. Pieces and artists heard on this track include Kathryn Kaye (piano), Jill Haley (English horn), Tony Levin (Chapman stick) and the legendary Will Ackerman on percussion.

“Patterns of Sun and Shade” is the title track to the album. When you look into the trees and squint your eyes, what do you see? Little patterns of light and dark-the shady places and the kiss of sunshine beaming through the leaves. That is the essence of this piece. Light peeks through finely veined leaves illustrated by the skillful playing of Gus Sebring (French horn), Jill Haley (English horn), Tom Eaton (bass) and Kathryn Kaye (piano). 

Since the first time I heard Kathryn Kaye’s work, I fell in love with her vision of nature via sound and substance. Well placed fingers on the keyboard, combined with a love of the natural world and her home in the woods of Kentucky show just like the dappled light through a bevy of leaves. The fellow artists she chooses are her branches and the tree is firmly planted in the ground. This album was soothing and hasn’t stopped playing since I received it and won’t be any time soon. 

5/5 Stars

Key Tracks: Elk Creek in the Fall, Patterns of Sun and Shade, Willow Waltz

Tracks: 
01. Julia's Eyes
02. Elk Creek in the Fall (feat. Gus Sebring, Jeff Haynes, Tony Levin, Tom Eaton & Eugene Friesen)
03. The Hills That Lead Me Home (feat. Jill Haley, Gus Sebring & Tony Levin)
04. Something Like a Dream
05. Festival of Leaves (feat. Tony Levin, Gus Sebring, Jill Haley & Jeff Haynes)
06. Willow Waltz (feat. Will Ackerman, Tony Levin & Jill Haley)
07. Adrift in Fading Light (feat. Charlie Bisharat, Tony Levin & Jeff Haynes)
08. Mom and Pop's Waltz
09. Tiny Sliver of a Moon (feat. Charlie Bisharat & Tom Eaton)
10. Patterns of Sun and Shade (feat. Gus Sebring, Tom Eaton & Jill Haley)
11. Distances

 
DanaWright, Sr. Staff Writer

December 9, 2014

Review Provided By New Age Music Reviews



New Age Instrumental Review: John Otott-Colors

Release Date: November 3, 2014
Label: Indie

I think John Otott has been referred to as an emerging artist. I am officially stating that he has arrived with Colors. The cover of the album is a mirror into the soul of the artist and within the music you will find yourself everywhere amongst the 13 tracks.

For creating music without words I really do not know how much more beautiful and prolific it could possibly get. Otott’s brilliance shines brightly in every track and when the music starts and “Tesoro” begins, you know you are in for a lot of special moments. The track was featured on our sister site RateThe Tracks.

If you are interested in getting a look inside some of these compositions I would recommend checking out http://www.johnotott.com/music-store/colors/.

John takes elements of new age and classical music and brings forth all the magic through his fingers seemingly without effort. We all know and recognize putting together an album is quite a project and I am not taking away any of that hard work and the trials one goes through but it all sounds so flowing and easy. 

“Song of the Willows” brings you closer to nature, its heaven and earth merging in the music. I found it so moving, I was feeling happiness and sadness then joy all at once with the ebb and flow of those ivory keys and the atmospheric sounds that weaved themselves into an unforgettable tapestry of sound and wonder. How one instrument can create so many textures and moods amazes me.

“A Memory” is an emotionally moving piece taking you through the life of John’s mother who is suffering from Alzheimer’s. John explains that he conveys all the emotional highs and lows one can go through watching a loved one overtaken by such a life stealing disease. Even with all the sadness the artist finds the light at the end of the tunnel were his music is the only release, then finally acceptance arrives and you move on to the next track. I was forced to take stock of my own life and realized how much I have to be grateful for after I read about what the song meant, then it hit home one step further.

John Otott’s piano improvisations are a gift from his soul to his listeners. When I take in this type of music the only thing I can think of is that when my time comes to leave this planet I think I will hear this kind of music playing as the angels invite me to join them. Music is the closest thing to heaven we have here on earth and Colors is another brilliant reminder of that.

5/5 Stars

Key Tracks: Tesoro, Song of The Willows, A Memory

Tracks:
01. Tesoro
02. The Wind Song
03. Illusion
04. Colors
05. The Journey
06. Song of the Willows
07. Interlude
08. I Will Sail Away
09. A Memory
10, August and Life
11. Santa Cruz
12. An Evening Thought
13. Soaring
        

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

December 5, 2014

Review Provided By New Age Music Reviews

Track Stream: Kathryn Kaye-Patterns Of Sun And Shade

Kathryn Kaye's music is highly acclaimed by critics and fans alike. The new release Patterns Of Sun And Shade, due out January 1st 2015, is destined to bring more accolades to the artist.

I thought it was appropriate to introduce the beautiful title track to an audience anticipating more of her wonderful sounds of grace articulated through the ivory keys.

Sit back, relax and enjoy "Patterns Of Sun And Shade," it is most certainly a spiritual experience that will lead down the path of enlightenment.

MuzikMan Rating 5/5 

More About Kathryn Kaye:

http://www.kathrynkaye-music.com

Kathryn continues to work with Will Ackerman and several other outstanding musicians, including Tony Levin (bass), Eugene Friesen (cello), Tony Bisharat (violin), Jill Haley (English horn), Jeff Haynes (percussion), and Gus Sebring (French horn). Heavy as a Feather and What the Winter Said, her next two albums, reached #2 and #1 on the Zone Music Reporter charts. Heavy as a Feather was nominated Best Instrumental Piano Album of 2012, and What the Winter Said won Best Holiday Album for 2013. Her fourth album, Patterns of Sun and Shade, will be released January 1, 2015.

New Age Instrumental Review: Michael Hoppé and Harold Moses-Serenity

Release Date: May 13, 2014
Label: Spring Hill Music
Michael Hoppe Website

Michael Hoppé is a talented composer, artist and musician. A Grammy nominee, his work has been heard on television series (The Sopranos and more) and is regarded highly by Jane Goodall, Sarah Breathnach (Simple Abundance) and Robert Cooper (Emotional Intelligence) among others. His work has earned him several platinum and gold records and Hoppé is also the founder of InterConnection Resources and a senior executive for PolyGram, securing such talents as The Who and ABBA in his long and distinguished career.

Harold Moses is an educator, composer, master violist, harmonic theorist, recording artist and works for Harmonic Research and Design specializing in vibrational health and wellness devices. 


In Serenity Harold Moses performs on the viola and Michael Hoppé delights us on the keyboards. Each piece is recorded in one sitting, letting each artist wind around the other in perfect symmetry. Each track is matched to a month in the year, each a reflection on the essence of each month. The first track is “Serenity I” and with fragile and elegant musings, the strings and keys come to flagrant life. Poignant and effervescent this piece will stir your soul. Having never encountered a Michael Hoppé album previously (living in a cave I think) my ears sighed and my heart just smiled. This is how music should be. It is the epitome of relaxation. If anyone has ever thought of the humorous but heartfelt phrase, “serenity now” you need to check out this album. It is just that. 

March swings in with wild tumultuous vigor in “Serenity III,” like a breath of storm on the horizon, waiting to pelt you with shivering rain. The tension is palpable and the feelings evoked, raw. Longing and bliss at the vibrant heart of this piece pulse and throb for a romp through windswept fields, weather whipping your hair about your face in a frenzy of activity. Joy in the act of living, even as the rain stings your skin in its veracity.

“Serenity X” has to be my favorite on the album. The scent of autumn crisp in your nostrils as October sets in. Burnt Orange and blustery winds lead you into the colder seasons of the year. Oh so brief, but so powerful.
December greets us in “Serenity XII” with an almost “Taps” finality. The year is winding to a close and the soulful fragile moments sprung from the echoing viola and keyboard call forth memories and thoughts of faith and family. Edgy and at the precipice of new beginnings, this piece leads right into the New Year with “Serenity XIII” a delicate and touching piece that is exquisite in its beauty and serene in its majesty. Beauty in the fresh breath of a new start, this piece winds up the album with a bittersweet and haunting melody that will make your finger itch to hit the replay button.

Michael Hoppé and Harold Moses have created something here that goes beyond words. These thirteen improvisations are truly masterful and each is paired with its own haiku by Brett Brady. If you could reach into the heavens and pluck down a ray of the essence of life, love and the reflections of what it means to be human and alive then here you have it. Tender and evocative, these two artists and composers set about to craft an album in one sitting and they did just that. Five stars all the way and I am forever a fan girl. Serenity Now. Seriously. You can’t feel any other way when you listen to this masterpiece. It is quite simply, bliss.

5/5 Stars

Key Tracks: Serenity I, Serenity III, Serenity X, Serenity XI, Serenity XIII

DanaWright, Sr. Staff Writer

November 30, 2014

Review Provided By New Age Music Reviews

World New Age Review: James Asher and Sandeep Raval-Drum Travel

Release Date: Nov 11, 2014
Label: Starfield Records

James Asher and Sandeep Raval are two incredibly talented men with the gift of knowledge that encompasses a multitude of instruments, mainly percussive so it is no surprise that the title of their recent release is Drum Travel.

There is a bit more to this than just the title Drum Travel. The artists refer to this recording as the Tipi Experience. The image on the cover is a pyramid with a swirling gateway or rhythm portal, as it is referred to on the CD cover, all brought to you by their Global Percussion. If you notice however there is a city on the water that the beautiful image is overlaid on. There is a message here and you are cordially invited to  find the meaning in the music and what is beyond the portal awaiting your discovery. It all makes more sense once you start off on your journey with Asher and Ravel.

These two amazing artisans are assisted by Simon Brewin (bass, guitar, Wit,The Discerning Don) and Carolina Maggio (vocals, charrango, painting, creativity and enthusiasm) and several other talented folks. These gents have a marvelous sense of purpose but also maintain a good sense of humor. After all, James plays a ton of instruments but gets credit for “Kitchen” so I am assuming he provided sustenance in the form of food and drink for his musical warriors whilst recording this endeavor.

Drum Travel is a two CD set comprising 13 tracks on disc one and 7 tracks on disc two, both clocking in at over 70 minutes. The very first track “Fugira” kicks things off in a marvelous way with splendid percussion, amazing rhythmic vocal styling’s (in Italian) and some fluid guitar lines. This music is a worldly blend; there is new age, world, jazz, blues and rock. Everything blends together superbly into a musical melting pot that will bring joy to your soul and aural beauty to your ears.

The instrumental tracks are a literal omnibus of musical delights. When Asher and Raval combine their efforts it’s like a wall of drums that envelopes you. It does not encapsulate you in a power driven sphere and take you away; it is like being swept away by a gentle wave then feeling the warmth of the sun on your skin and the best part is the wave never ends. You can respect the awesome power it commands but feel grateful for the retreat that it affords you into audio bliss.

“Bring on Brasil” is just that, you feel like you have arrived in that beautiful country and are suddenly taking in all the breathtaking landscapes and walking the city streets. It’s like world travel by osmosis. Then to change things again, “Beside The Blues,” delivers the blues and jazz sensations via the right percussion, keyboards and guitar flourishes. To say that this recording offers diversity is an understatement, you simply do not know what is coming next and that is what makes the listen so intriguing.

Chili Pickle Chaser” is a great example of the percussion collaboration of Asher, Raval and friends. It has an interesting name but let me tell you it is nothing but pure excitement that builds as the track plays out. 

“If The Earth Could Speak” is the first track I heard and was so taken with it I featured it on Rate The Tracks and to no surprise it jumped to the #1 position on the charts within a day and it continues to get plays. The title is quite prolific and so is the music. Everything that is good about what these people do when making music comes flowing forth like a river with a definite path to the ocean. It has meaning, beauty and first and foremost touches your spirit in a way that is most memorable.

Now if all of that was not enough they end the set with “On the Outbreath,” which is one minute short of 30 minutes. If there is one song that takes everything to another level it’s this one. There are some amazing creative juices flowing throughout this mix. This time frame made up an entire album in years past yet it is one song out of 20 that make up this implausible gathering of sound, elements and textures that capture your attention and engage your senses.

There is something true and natural about drums particularly when used in such a manner. It calls to you and invites you into their special rhythm portal. Listen, take the journey, you will not have any regrets.

5/5 Stars

Key Tracks: Fugira, Bring on Brasil, If The Earth Could Speak, On the Outbreath

Tracks:
Disc: 1
 

01. Fugira
02. Takita
03. How it Feels
04. Bring on Brasil
05. Beside the Blues
06. Drums for the Dragon
07. Chili Pickle Chaser
08. Rhythm Network of Sparks
09. Neptune Skank
10. Percussive Kitchen
11. Pappadoms form Persia
12. Breaking Good
13. Seven Veils


Disc: 2
 

1. African Angel
2. Los Cuentos
3. Hey Wanaina
4. If the Earth Could Speak
5. Accelerando
6. The Great Transition
7. On the Outbreath
 
Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
November 20, 2014
Review Provided By New Age Music Reviews