Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

October 29, 2025

Contemporary New Age Instrumental (Classical) Review and Interview - Barry DeGroot - Unspoken Conversations

 

Release Date: October 10, 2025

Label: Independent

Website

After years of hearing this kind of music, my interpretation of it has changed into something I can express in words, but not to its fullest extent. You can only express so much with a word; however, feelings, emotions, or passing thoughts cannot always be put into proper context. I like to call it contemporary new age instrumental with a classic underpinning.

Barry DeGroot is one of those rare individuals who has captured everything I have expressed about instrumental piano music on his album Unspoken Conversations. The influence of classical music is more than apparent and a critical foundation from which every composition is born and reaches fruition.

Get ready to immerse yourself in the world of solo piano music, where each note conjures up a myriad of thoughts, images, colors, and memories. The piano’s notes are not just sounds; they are an entire orchestra within an orchestra, creating a rich listening experience.

 

“Serenity” is the perfect opening track as it moves along slowly, like a gentle stream of water bubbling up from a spring. Its notes float over your consciousness with seamless effort. It feels like the beginning of energy focused on total relaxation or a meditative state.

 

“Reminiscent” is such a prolific title. It holds a lifetime of memories. In one breath, you can say the word; however, there is an entire book to be written inside it. How can one instrument convey that kind of mindset or imagery? That is not an easy task, but Barry’s melody sufficiently captures the sentiment and the whole meaning.

 

“Clever Conversation” is a track that needs to be animated because of its implications. Conversing is what people do all over the world, and being clever is not something everyone can be. It is the longest track at 4:04 and rightly so. In the grand scheme of things, a conversation in under five minutes is short; however, in song, it goes into another category entirely. The piano’s melody and timing make it feel as if it’s speaking to you through the elegance of the musician and the sounds emanating from the keys. Hence, the meaning of the album itself!

 

“Somewhere” has a light-hearted, joyful feeling. You are neither here nor there; you are on your own somewhere where you exist in the moments of listening to this music. In between those places, it is tuneful and consistent, with abbreviated transitions alongside the main melody.

“While You’re Here,” listening to the Unspoken Conversations, there is a lot to be said via the piano’s keys. Thanks to Barry and his talented fingers, we can be reached this way. I heard a call to action in this piece even though its tempo was soft and slow, like a beautiful waltz of the fingers across the keyboard. The dance plays out in your mind’s eye.

 

“The Pendulum” swings back and forth, indicative of consistent change. That factor is present in this music. The shifting tempos add depth to the piano’s ambiance as the artist blends high and low notes, creating a sense of beauty like a ballerina dancing across the inside of your mind. She sways back and forth as the notes echo off each other.  

 

“All That Was” is now behind you in this listening experience. This will be musical expressions that you will not forget. This last track takes a slow walk and briefly picks up the pace to remind you of the power and movement of a single instrument. It is a fitting end to a marvelous exploration of the piano keys.

 

Barry DeGroot takes the singularity of the piano and broadens the scope of every note on Unspoken Conversations. This is a solo piano recording that you must hear to understand and appreciate what has been accomplished.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

October 27, 2025

Tracks:

1. Serenity (3:38)

2. Reminiscent (3:38)

3. Clever Conversation (4:04)

4. Somewhere (3:02)

5. While You’re Here (2:05)

6. The Pendulum (3:24)

7. All That Was (3:24)

 

September 26, 2025

Contemporary New Age Instrumental Review and Interview: Shambhu-Lotus Dream (Ambient Electric, Acoustic Folk, Classical Piano)

                                    

Release Date:  September 26, 2025

Label: Acoustic Shine

Website

Lotus Dream will be Shambhu’s tenth proper album. Clearly, this is an individual who has carved a path of spirituality, and the music mirrors that.

 

I have covered five of his releases dating back to 2016, so my connection to him and his music has been forged and continues to this day.

 

Shall We” marks the acoustical journey with the guitar’s simplistic sound filling the air. While it is simplistic in the sense that it is one instrument unaccompanied, the melodicism is quite beautiful and flows like a river of sound through you—an excellent beginning to your journey.

 

Awakened Dreams” has a nice rhythm. You can hear the fingers squeaking as they move on the strings. I always loved hearing that sound in acoustic pieces. It makes you feel that the person playing is in the same room; it’s so real and defined. The picking is exceptional, and the sound of the guitar resonated beautifully. It ends suddenly, which is disappointing because it’s so good!

 

Ananya” transitions into a completely different sound and atmosphere, lasting nearly 5 minutes. There is now the sound of keys added, along with several other guitar sounds. It is spacey and ambient; however, it is well-textured with all the layers of sound nicely placed. Some good leads on the guitar come through, which I appreciated. I really liked the change from the previous tracks, and it was unexpected, which makes it more interesting; you tend to pay more attention to a significant change like that in the flow of music and concept (if there is one). I find more anticipation for what could come next in a track like this. It is excellent!

 

Resilience” (Shambhu & Leo Steinriede) is an electric guitar duo. This is a return to just guitars alone, accompanied by a very subtle synth in the background, like a white cloud floating across a blue sky; its beauty and grace are something to take in and enjoy. Some nice leads are interspersed along the way. The guitars are speaking to each other. I heard some blues influence in there, too, which was interesting.

 

Majestic Mountain” at 5:28 continues on the same path as "Ananya." The acoustic ambiance featuring guitars and piano, with some wordless vocals, creates a relaxing and meditative atmosphere. It’s a pleasing composition, with several elements merging to create a sheer musical poetry of sound and light, inviting you to relax and unwind.

 

“Lotus Dream,” the title track, is always so important to an album. It starts with a piano instead of a guitar, another change. The guitar responds quickly to the piano keys. They play off of each other nicely, speaking each other’s language in sync. This is a gorgeous piece, well done in reflecting the title’s meaning. Melodic and sweet, it takes you away to another place.

 

Blue Mantra” begins with some rhythm guitar and poignant leads right away. This is reflective music, like a mirror of your soul as you are listening. The soft synth in the background serves as a layer for the silky strings of the acoustic to slide across, as if leading you down another road you had yet to discover. Beautifully simplistic yet impactful and memorable.

 

Prana Tides” continues the steady flow of serenity in the music. I think what impressed me the most was the melodies and strong sense of rhythm in all this music. However complex or simple the composition may be, that remains true, and it does here once again. The tempo has a definite purpose, and it beckons to you to “slow” down and take notice of this. And I did. How could you not recognize the way this is presented, and the pace and texture of it really spoke to me.

 

Visions” closes the curtain on your musical journey of relaxation and meditation. I felt a hint of sadness as the song began, yet I realized it could also be a new beginning for me after hearing all this wonderful, healing music. It has a longing quality to it, with slide guitar sounds that occasionally emerge (again, some blues influence is evident). Very different from all the rest of the tracks, but each one is entirely distinct from the last, and that is what makes this an outstanding release.

 

Lotus Dream elevates Shambhu to an exceptional new level of musical proficiency. This was a very eclectic listen and will be appreciated by a large cross-section of listeners who enjoy instrumental music.

Keith “MuzikMan” Hannaleck-NAMR Founder

August 31, 2025

Tracks:

1. Shall We (2:42)

2. Awakened Dreams (3:00)

3. Ananya (4:46)

4. Resilience - Shambhu & Leo Steinriede (3:17)

5. Majestic Mountain (5:30)

6. Lotus Dream (3:19)

7. Blue Mantra (3:42)

8. Prana Tides (3:36)

9. Visions (4:13)



September 17, 2025

Contemporary Acoustic Instrumental Review & Interview: Michelle Qureshi-Compass of the Heart

Release Date:  September 12, 2025

Label: Music As Metaphor

Website

Michelle Qureshi’s instrumental acoustic guitar music, with its unique blend of nature-inspired melodies and emotive storytelling, has captivated the imagination and attention of music fans and industry professionals. I, too, have had the pleasure of experiencing her music and sharing my thoughts through my reviews.

 

Compass of the Heart is her latest achievement. It encompasses 14 tracks and begins with “Carry Me,” a track just under 2 minutes that sets the tone and atmosphere of this journey. Her guitar playing is pleasing and ear-catching, characterized by a lot of melodicism typical of acoustic music.

 

In the Forest” brings you the quiet and solitude that a place can bring when surrounded by nature alone. Her guitar’s tone is gentle and expressive, taking you to that place.

 

Lavender Fields” is quiet and persuasive as the notes gently brush across the air. You can smell the pleasant lavender and picture what a field would look like in your mind’s eye.

 

Sort Your Blessings” reminds us that if we have enough of those blessings to consider and are fortunate, we need to take stock and be grateful. Michelle’s guitar sings a sweet song that resonates with those thoughts.

 

Lost in a Talking Forest” is the longest track at 3:38, which makes it stand out on this recording because most of the other tracks run around 2 minutes or less. Right away, the tempo is faster than that of all the previous tracks. The melody line is catchy, and the leads effectively punctuate it, bringing the piece together as a multilayered whole. I thought it was an interesting title. As nature speaks, we listen, and it doesn’t sound like a bad thing to get lost for a while amongst nature’s many voices.

 

Marigolds” continues the walk-through of nature. Flowers are one of the many gifts we can enjoy, and the guitar’s gentle approach and sound reflect the pure beauty we can enjoy.

 

The In Between” could have many meanings, and I am sure it will find a purpose for each listener. Its pace is methodical and introspective as the artist paints her audio picture for you. It’s a song that will give pause to your day.

 

“Irises” bring back the scent and natural beauty of a flower. The way Michelle picks out the notes is in tribute to one living thing that has made an impression on her—acoustic perfection.

 

Layla’s Lullaby” is a sweet audio sonnet that may evoke memories for those who have children who have grown and left, as well as for those currently experiencing childhood. It was a poignant reflection on how fleeting life can be. If you have children, enjoy them, love them, and keep them close to your heart.

 

Subtle Realms” is the guitar creating just that, another realm, albeit gently, but coercive enough to pull you in to experience it. The guitar’s resonance rings accurately and clearly through musical realms of sound and beauty created by a single guitar.

 

Not Just for Us” but for everyone? That was my initial thought when I saw the track title. Music is for the multitudes; those within range of the notes coming off the strings of the guitar will realize that it is indeed universal.  Beautiful and to the point.

 

Prince Street Gardens” is in Edinburgh, Scotland. I was previously unaware of its existence. The guitar playing and its atmospheric quality could easily conjure images of a distant, captivating place that will capture the heart of someone. The distance is closed, and the images become clearer through the music.

 

Simple Blessing” is perfect for Michelle’s music, as it showcases her unique approach to composition and presentation. The sounds are indeed a blessing, simple, straightforward, and uncluttered, allowing them to reach you quickly with feeling.

 

Sweet and Sunny” is the perfect conclusion to this acoustic music journey, crafted with the fingers of Michelle and her guitars. The track’s tempo and sound perfectly reflect the title.

 

Michelle Qureshi’s music, a true Compass of the Heart, is an inclusive experience that felt that way to me while listening to this album. Her approach is clear and concise, making the music easily accessible and appreciated by all. This contemporary acoustic instrumental, built on a new age foundation and concept, is a welcoming journey for all music enthusiasts.

Keith “MuzikMan” Hannaleck-NAMR Founder

August 25, 2025

TRACK LIST:

01. Carry Me – (1:43)

02. In the Forest – (2:02)

03. Lavender Fields – (2:11)

04. Sort Your Blessings – (1:44)

05. Lost in a Talking Forest – (3:38)

06. Marigolds – (2:01)

07. The In Between – (2:47)

08. Irises – (1:36)

09. Layla’s Lullaby – (2:54)

10. Subtle Realms – (2:12)

11. Not Just for Us – (2:16)

12. Prince Street Gardens – (2:51)

13. Simple Blessing – (1:54)

14. Sweet and Sunny – (1:47)