Showing posts with label Contemporary Instrumental New Age Review. Show all posts
Showing posts with label Contemporary Instrumental New Age Review. Show all posts

August 22, 2025

Contemporary Instrumental New Age Review & Interview: Peter Kater-Untethered Heart

Release Date:  August 22, 2025

Label: Kater Music

Website

I have had the opportunity to cover Peter Kater’s music on several occasions over the years. As I recall, I always enjoyed the extraordinary instrumentation. Untethered Heart features seven tracks, with two extended versions.

 

My first thought regarding the title was, what would it mean to have an Untethered Heart?

 

It could have multiple meanings depending on the context. My thoughts tell me that my heart would be free (the first track is “Freed”) and unattached to any one person, place, or thing. In which case, I would find it impossible.

 

Listening to all the tracks, I am sure different thoughts and feelings will arise, and the music will take me on an emotional journey, setting me free for the duration it has to offer.

 

“Freed" begins with the piano taking small steps, and the tempo is thoughtful. What is it we need to be free of? Free to think, express, Love, and live. To me, that is freedom. As the piano moves on, there are some significant steps forward with some tempo rises, then some flourishes of notes casting beauty upon your ears and senses. One hand sets the tempo/bass part, while the other is “free” to explore wherever it wants. Emotive and moving, this is a lovely way to start the recording.

 

“Flight” (Extended) is the longest track at 5:47, and I anticipate it will be quite complex. As it begins with piano and synth elements, it rises in conjunction with the orchestration, evoking a symphonic quality that takes “Flight.” It is dramatic and colorful. The imagery of a bird taking off or a person reaching their goals, both personally and professionally, can also be applied here.

 

That one word can be inserted into many different life situations. More than halfway, Peter gives you a little flourish of jazz notes, then as quickly as they come, they go away, and it returns to the uplifting soloing on the piano. It’s energetic and invigorating. Then it slows right down to a gentle closing for more reflection on what you just heard and felt.

 

“Spellbound” has a beautiful flow and flavor. I felt a mix of joy and sadness at the same time—the classical influences are strong here. The piano, with its beauty and grace, continually amazes me. Yes, I was “Spellbound.”

 

“Spirit” (Extended) is a connection that unites all sentient beings. The notes flow with purpose and meaning as the orchestration layer lends itself to the song’s structure and emotional feeling, taking you to a new place. Peter’s playing is rapid and with purpose. Again, the uplifting feelings and elation in the keys of the piano are so evident that you feel the energy and “Spirit” of his artistry. A very tasteful ending closes out the track.

 

“Hinterlight” is the shortest track at 2:14. The flow continues with consistency and strength on this track. Although it is short-lived, its impact is no less significant than that of the previous tracks. Short, sweet, and memorable, a lovely melody.

 

The title track, “Untethered Heart,” now features the wordless vocals of Kristin Hoffman. She sings beautifully, adding substance and a layer to the music that I found moving and so impactful. Your heart is hearing it loud and clear as the music accompanies the singer and nudges the vocalist to higher highs of magnificence. If you were to make a significant impact with the title track, this is how it's done.

 

“Boundless” energy, spirituality, emotion, and Love are all the things that define this music. The piano creates a symphony all its own, and anything added is just extra. Once again, I hear the influences of the classical realm. The music of the piano, with its beauty and intensity, impacts my senses in a way that can only be described as 'Boundless.' The combination of melody, elegance, and aggressive playing forms a perfect blend of sound, making for a fantastic way to close out this album with optimistic energy.

 

Untethered Heart is melodic, engaging, hypnotic, and visually moving, so it integrates with every fiber of your being. Peter, you are amazing. Your magical fingers swept me away to where I needed to go.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

August 22, 2025


Tracks:

1. Freed—3:48

2. Flight (Extended)—5:47

3. Spellbound—3:24

4. Spirit (Extended)—4:51

5. Hinterlight—2:14

6. Untethered Heart—5:08

7. Boundless—4:14

February 26, 2025

Contemporary Instrumental-New Age Review: Wayo Hogan-Montana Stillwater

Release Date: October 24, 2024

Label: Independent

Website

Listening Link

The first lines I read about Wayo Hogan's debut recording, Montana Stillwater, were the following:" Montana Stillwater is a New Age acoustic piano album that captures the breathtaking contrasts of Glacier National Park. From serene lakes to dynamic peaks, this debut recording by pianist Wayo Hogan transforms nature's beauty into a meditative journey.

 

That, indeed, sounded like a fantastic amalgamation of sound and nature. I would soon find out!

 

"Stillwater Landing" starts your musical soundscape, imagining what the artist envisioned with each track as he played. It begins brightly with a lovely piano as the keys roll off his fingers, and the second hand adds the bass's lower notes underlying foundation for strength to support the beauty. It is a marvelous start.

 

"On Lake McDonald" shimmers and shines as the lake's subject matter forms in your mind's eye. The music moves like water, and its liquidity resonates brilliantly through the piano keys. It soothes and calms you inwardly as your mind takes you to where the artist is now.

 

"Whitefish Lake" moves much quicker than the previous track with a contagious energy and rhythm. The lead notes are gorgeously placed between the bass lines. You can hear the classical influences of the great composers shining brightly on every note. Sublime and everlasting, the music carries you to another place or lake, preferably.

 

"Swan River" slows the tempo down a few levels for more water-based inspiration. Wayo's interpretation becomes more meditative without losing any of the energy and color you had already experienced in all the other tracks. His sense of rhythm and rapidly moving fingers relax you, and you will want more.

 

"On the Road to Polebridge" is another example of the eclectic nature of Wayo's artistry and ability to change the tempo in a second and take the composition in an entirely different direction without a listener feeling any of the anticipation of that happening. This, I believe, makes things more interesting when one is listening for the first time! It keeps your interest, and that is paramount! I particularly enjoy the rolling piano sounds he creates in this track and previous instances.

 

"Going to the Sun" is bright, like the warm rays of our life-giving star—one of the lengthier compositions clocking in at 4:03. This one felt entirely different than all the rest, as with any music you find some similarities in the concept and sound of an album. To hear such a change was enjoyable; it felt flowing and consistent, and the ever-changing notes of the piano were the highlight. It is superb, with many piano phases on display.

 

"St. Mary Falls" takes on a separate personality, which is what you expect early on when listening to this solo piano music. I liked the warmth and tone of the keys, and they made me feel joyous. A big smile formed inside, wanting to burst to the outside. When the tempo changed, it felt more spiritual or something one may hear at a church service as the choir sang. It is quite beautifully done with elegance.

 

"Bear Valley" is the briefest journey at 2:03. The key is to get the message across in the music with so little time. And again, Wayo does not disappoint—a strong, exceptional, emotive track.

 

"The Crown of the Continent" features a lovely rhythmic thread, with the singularity of the keys on top of that layer sounding like a slice of heaven. I was reminded of harp music a few times.

 

"Huckleberry Mountain" changes from the water theme to the strength and majesty of a mountain. You may have expected a different tone or tempo because of the title; however, it projects the organic beauty of what nature offers us and how the piano "Climbs" the mountain in its music with style and grace.

 

"Many Glacier" continues with marvelous rhythmic patterns and moving piano notes manipulated expertly by Wayo. I appreciated how he changed the pace so often for a significantly ear-catching symphony emanating from one instrument.

 

The closer "Cherry Pickin'" Mayo saved to leave you with the most extended composition at 4:46. I was glad that the track lasted for a while, so it would not leave me feeling it ended all too fast. This was a brilliant thing to do with the order in which all this music was presented.

 

It felt like an encapsulation of the entire album within one track. The beauty, rhythms, classical overtones, rapid playing, and the rolling keys with the underlying bass for deep resonance make the lead playing bright and colorful. The way that last note echoed at the very end was brilliant.

 

Montana Stillwater is an exceptional solo piano recording from Wayo Hogan. It offers everything in one sitting: the instrumental variances within classical and contemporary music and the spirituality and relaxing meditative foundations of a new age, like an extended sequence that runs from beginning to end.

 

Highly recommended to those who enjoy uplifting and relaxing piano solo music!

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

February 25, 2025

Tracks:

01. Stillwater Landing (2:28) 

02. On Lake McDonald (2:29) 

03. Whitefish Lake (2:40) 

04. Swan River (3:52) 

05. On the Road to Polebridge (3:43) 

06. Going to the Sun (4:03) 

07. St. Mary Falls (3:27) 

08. Bear Valley (2:03) 

09. The Crown of the Continent ( 2:40) 

10. Huckleberry Mountain (2:05) 

11. Many Glacier (3:05) 

12. Cherry Pickin’ (4:46)