August 2, 2024

Contemporary Instrumental Review & Interview: David Franklin-One Day in Spring

Release Date: June 7, 2024

Label: Independent

Website

When one thinks of spontaneity, several things may come to mind. I start by saying this because David Franklin recorded this album spontaneously in one sitting. That is an incredible achievement. So, One Day in Spring, David sat at his piano and created ten tracks related to one season of nature that gives life back after a cold winter.

 

"Just Before Dawn" starts softly, as one would expect in the quiet of the morning when the first rays of the sun start shining through. It's a serene and peaceful moment, beautifully captured in this track. The notes fall off the keys like morning dew, creating a sense of tranquility and peace.

 

"The Gloaming" takes you to the twilight or dusk of the day. We fast-forward in time, opposite the previous track but just as picturesque and meaningful. The softness of the keys gives you comfort as another day ends and you look forward to a new day, instilling a sense of reassurance and hope that is both comforting and optimistic.

 

"Birds Start Their Songs" takes you back to another day filled with the joyous sounds of our feathered friends. I love birds and their different songs. The keys take you on an intimate exploration of their sounds during the early morning hours and throughout the day. Birds are one of God's miracles, and I appreciate them. David continues the flow of musical expressionism with his delicate touch.

 

"Another Bird in the Garden" continues the story of birds in a different light. The piano remains relaxing and inviting; however, some changes bring a different color and energy this time. If you are a gardener, you hope the birds are eating those pesky insects invading your food as you picture that scene. It is an exquisite tune with an untypical rhythm of the previous tracks.

 

Initially, I thought that "Grieving the Dreamscape" as a track title was a step away from the concept of this album. That thought was put to rest rather quickly as David played the tune as beautifully as all the others. It is slower and, thus, very purposeful to reflect upon the meaning. I am unsure of the meaning, but it means something to the artist, and you will find meaning in it just as you did all the others.

 

"As Light of Mourning Finally Flows" is a play on words. Previously, you were grieving, and now you are mourning. Is this the stage you must go through emotionally to get to the other side? Whatever that may be, there is light, providing a positive direction for one to go. The piano serenades your thoughts, feelings, and emotions as they merge. You listen to those beautiful keys, which take you to the next stage. It's time to leave, and so…

 

"Night Has Left Us All" is the logical next step in the composition process. These compositions follow a thought pattern and a particular flow as the artist moves his fingers to express what is in his soul. There is a sadness overshadowing the night as it departs.

 

"Remembering George Winston" takes a few minutes to pay tribute to one of the greats on the piano. David's appreciation for George Winston's albums, particularly those named after the seasons on Windham Hill, was a significant inspiration for this album. His work was instrumental in shaping David's musical journey, and this track is a short and sweet remembrance of that influence.

 

"Caffeinated and Reconsidering Slime Molds" is quite the title, and it did lose me for meaning. That was unimportant once I started listening, even though he helped me with the rest of the tracks. This is music for those who truly can appreciate the piano as an orchestra in and of itself. David "gets caffeinated" with the music towards the song's end as it picks up considerably. It is a lovely piece and very rhythmic.

 

"Trees and Silence are Living Beings" is a great title and is so true. They are living beings with a vast underground network where they create habits for insects and other creatures and communicate with each other. So, as they may stand there silently, they are busy beneath the earth. This is the curtain closer to the recording and very appropriate. It has color, liveliness, purpose, and meaning as David takes the instrument through the paces to end this musical journey with elegance.

 

David Franklin's One Day in Spring is a beautiful group of compositions that is relaxing, meditative, and often energetic with the waves of chord changes and tones. Like the season it represents, it brings warmth and life to the piano's keys, and new thoughts and hopes to emerge from your consciousness; like the flowers and other plant life sprouting their leaves from the trees and ground, a new season begins. The music will touch you and leave an impression.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 23, 2024

Tracks:

01. Just Before Dawn (3:23)

02. The Gloaming (3:24)

03. Birds Start Their Songs (3:20)

04. Another Bird in the Garden (4:30)

05. Grieving The Dreamscape (4:23)

06. As Light of Mourning Finally Flows (4:34)

07. Night Has Left Us All (2:32)

08. Remembering George Winston (2:51)

09. Caffeinated and Reconsidering Slime Molds (3:30)

10. Trees and Silence are Living Beings (2:34)


August 1, 2024

Contemporary Instrumental Review: Hans Christian and Thomas Barquee-Meloydia

Release Date: August 1, 2024

Label: Allemande Music

Website

The musical team of Hans Christian and Thomas Barquee have released Meloydia.

 

Hans Christian's versatile skills on the cello, lap steel guitar, Sitara, psaltery, fretless bass, keyboards, and programming, combined with Thomas Barquee's mastery of piano and keyboards, promise a musical journey that is both diverse and expressive with emotion.

 

There is no track under five minutes so that you will get a panoramic and absorbing musical experience. As mentioned in the publicity notes, there's room to breathe in Meloydia, and the music speaks equally well during soft background listening and a focused listening session.

 

"The Gift" begins the recording. The track is very peaceful and precise. The instrumentation is excellent in portraying a gift for a listener, whatever that may be. It is reflective and sweet to engage the soul. The gift is the music itself, as its calming effect sets a tone you may anticipate throughout the rest of the listen. However, that is not the case.

 

"The Promise" is the most extended piece on the album at 8:22. The piano and keys enter the mix, playing off each other, and that pairing is beautiful. The cello comes in nicely to add another soothing layer of instrumentation. The pace picks up at about the halfway point, as the keys lead the way with an orchestration followed by a rhythmic piano. It goes from calming to cinematic with more energy. It circles back to the cello, and the orchestration returns to accentuate the piece. The entire composition sounds perfect for a scene in a movie.

 

"Persistence of Time" follows the energy of the previous track. A more upbeat introduction sets the atmosphere, then quickly changes to a more defined approach. The music moves like a person taking steps towards something with a purpose or how a river may flow before and after a hard rain. And even though there is that variation, its ambiance is quite lovely.

 

"Opalescence" begins with the Sitara, which sounds very Middle Eastern. The bass and percussion add an excellent rhythmic sense to the piece. It all sounds very world-new age and cinematic at the same time. It summons images of a faraway land, like a vast desert of silence in a never-before-visited territory. It creates a sense of wonder and the unknown.

 

"Your Heart Remains," based on the title, could make you feel that it would be a very reflective composition. It begins as such and then changes a bit with more colorful instrumentation added to get your attention and focus so you can hear what may happen next. The lap steel makes its presence known, adding a flavor you had not experienced up to this point. The longing you feel with that sound, a country bluesy effect, pulls at your heartstrings as the artists intended.

 

"That One Thing" starts with the piano leading off, and the cello comes along to create a layer that cries out like the cello always does. Once again, the lap steel gives the piece a feeling far off the horizon. As the cello cries out, the lap steel answers with sadness. The track picks up the pace as an acoustic guitar starts strumming, like a horse galloping to keep up. I like the lap steel addition even more in this track as it is more poignant. As the track gets about three-quarters of the way through, the cello returns and all the other instruments intermingle for a combined sound, which makes it one of the highlights of the listen so far. Excellent!

 

As the title indicates, "Do We Remember" would need to be more cerebral. A combination of instruments joins in with some orchestrations from programming that add another layer of atmosphere. Once again, the Sitara gives the composition more color and flavor because it stands out with its unique tone and is placed well in the piece. I enjoyed this music's shifting sounds and paces, which kept my interest going from beginning to end.

 

"An Echo's Soul" is a title that sounds profound and meaningful. It comes in at precisely five minutes to close out the recording. The subdued mood and color give you time to focus on the sounds and frequencies, so it would be apparent to hear your soul echo feelings and translate them into something lucid. It will be meaningful for those who can use music to relax totally or meditate. Either way, it is very effective as the bass and keys are beautiful and soft, like a billowing cloud passing by on a clear blue sky. It takes you away and removes you from one train of thought to another.

 

This recording is called Meloydia for a reason, and once you listen, you will understand why.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 20, 2024

Tracks:

1. The Gift (7:45) 

2. The Promise (8:22) 

3. Persistence of Time (6:13)

4. Opalescence (6:15) 

5. Your Heart Remains (5:20) 

6. That One Thing (6:40)

7. Do We Remember (5:43) 

8. An Echo’s Soul (5:00