July 18, 2025

Contemporary New Age Instrumental Review: Masako-Dreaming Northern

Release Date:  July 31, 2025

Label: Independent

Website

Dreaming Northern is Masako's ninth proper recording. Once again, the team of Will Ackerman and Tom Eaton, renowned for their expertise in instrumental new age and contemporary instrumental music, was part of the process. Their contribution ensures that the recording is top-notch, creating an environment at Imaginary Road Studios in Vermont that will enable instrumental music artists to thrive.

Like Masako, I find solace in the North. The distinct seasons, the absence of relentless heat, and the region's unique beauty resonate with me on a personal level.

 

"Mamabear Dreams" begins things. The piano sings its song. And it is warm, and a feeling of joy comes across through the keys. The rhythm and tempo are just right. As her fingers glide across the keys, I feel closer to nature as I look at the beautiful artwork on the album cover.

 

"One by One" starts slower and more methodically than the previous track, as if it has another purpose to convey through the music. The keys echo and reverberate as layers of synth are added for texture. Taking each task one by one or multitasking are two different things. This is what the artist wanted to communicate through her music.

 

"Our Bluebird Day" made me think of birds, of course, and how I love to watch them. I get songs about birds in these instrumental albums, and get the feeling that there are a lot of people who feel the same as I do. It starts with a slower pace, then picks up as you imagine the bluebird taking flight. It is the longest track at 5:37 and gorgeous. The cello is added for accompaniment, and then a flute.  After losing our 16-year-old toy poodle just a few days ago, it doesn't take much to trigger my sadness. And I was feeling it with this song. Music is the universal healer, so I will continue to listen as the emotional pain of loss can be overwhelming.

 

"But It is Life" makes me think about how life unfolds, encompassing joy, sadness, heartbreak, elation, and all kinds of feelings and phases that one can experience during life. I feel it all and will continue to do so; it means I am alive. There is a beautiful acoustic guitar that complements the piano, and the blend is sublime. Then, more elements come into play, the flugelhorn rings out in its elegance and gracefulness. The way everything comes together in this sounds so beautiful, with some hints of jazz around the edges and wedged in between. It's a blend of instrumental new age and jazz, all rolled into one package—the quiet storm.

 

"Love Beyond" is a title that made me think more about how much I loved my little friend and how much I miss him, the waves of sadness I cannot control. My love goes beyond any explanation for him. The unconditional love he had for me. Even in pain and dying, he found it in himself to lick my hand to say once again I love you. This is quite beautiful, with the piano, acoustic guitar, and flugelhorn coming together to evoke such a sense.

 

Instrumental music is a personal experience, and it doesn't get any closer to home than that.


"Stairs in the Sky" starts with a nicely paced piano, and the cello arrives with its longing call. The cello has a definite sadness about it; however, this time it sounded more optimistic and uplifting, carrying you up those stars in the sky. It sounded like their own little concerto as the keys played off the resonance of the cello's strings. Thoughts of the natural beauty all around us, which we can enjoy and appreciate, came to mind.

 

"My Old Abbey" begins with a measured tempo, which to me evokes a thoughtfulness that resonates throughout the music. The endearing melody offers insight into a fondness of the heart related to something of significance to the artist. Towards the end, the tempo shifts to higher places then back down to close it out.

 

"Shape of the Clouds" has you looking above again in wonder at the magnificence of Mother Earth and all her splendor. The piano is soft and invites you to lie down in the grass like you did when you were a child, to see what you could see in the clouds in all the different shapes and sizes. It was a magical time being a child doing those simple things, and it brought me back. Now I wonder why I stopped doing those things that got me such joy.

 

"October Children" is one I can relate to, having lived in the Northeast. As the temperature starts to drop, the leaves reach their peak in color, then begin to turn brown, preparing to fall to the ground, awaiting the snow to cover them once again. The piano and cello combine to form a beautiful composition that touched my heart and soul as the sound of children playing came in and out. Some wordless vocals fit their way in to make it all more real and happening right in the moment I was listening. The piano sounds so rhythmic and wonderful.

 

"Dancing in the Snow" is a perfect segue as my thought of leaves getting covered by the snow in the previous track. The transition of nature taking its course is depicted in the piano's keys. As the keys dance, you can picture yourself or another person dancing amongst the flakes with the joy of freedom of movement all around. Celebrating the seasons is vital to us Northerners, and we can find the beauty and gifts in every season. This was a gentle reminder.

 

"Between the Two Trees" continues the reverence we have for nature. The piano's resonance and pure beauty shine in this track. Taking it slow to appreciate what is right in front of you, that's what I hear in this music, whether it's between two trees or a simple walk down the street and back. There is always something to enjoy and take in.

 

"Agiochook" pulls you out of nature into something ethereal. Then a synth sounds more atmospheric and wandering as your thoughts follow it, with other elements coming in, such as movements or a whooshing sound. The word Agiochook means "The Place of the Great Spirit" for Native Americans. The difference in this track compared to all the others was significant and had to be due to the message being conveyed through the music.

 

Dreaming Northern brought me to many different times and places in my life. And most recently, because of the loss, I was often moved to tears while listening to this music. I keep asking myself why this feels so painful, but I know it was just because I loved that little dog so much, I cannot imagine life without him. I had to share this and how I related to this music at this point in my journey. While the music was so beautiful, it felt like a conduit to my soul, and having that kind of connection and release was a powerful experience.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

July 18, 2025

Tracks:

01. Mamabear Dreams (03:36)

02. One by One (04:10)

03. Our Bluebird Day (05:37)

04. But It is Life (05:02)

05. Love Beyond (04:00)

06. Stairs in the Sky (04:50)

07. My Old Abbey (03:59)

08. Shape of the Clouds (03:04)

09. October Children (04:10)

10. Dancing in the Snow (04:12)

11. Between the Two Trees (02:03)

12. Agiochook (04:51)


July 14, 2025

New Age Contemporary Instrumental Review and Interview: Terry Lee Nichols-Love Is…

Release Date: July 3, 2025 

Label: Soundscape Productions

Website

Having had the privilege of covering several releases from Terry Lee Nichols over the years, I've come to appreciate the emotional depth of his compositions. His instrumental stories evoke a range of emotions, thoughts, and perceptions. His most recent release, Love Is…, is more than just a title; it's a journey of profound emotional exploration that unfolds as you delve into the tracks.

 

"Is This All Just a Dream? (Moon River Variations)" starts the album, and it's very atmospheric with beautiful vocals courtesy of Rebekah Eden. The piano and synth are gentle, yet their impact is significant. "Moon River," while a well-known track, can be profoundly moving emotionally, and being compassionate and emotional myself, made it difficult not to pause and reflect on some recent events that have affected my life and will continue to do so. I remember my father crying when he heard this song after my mother died; he was a WW2 veteran as well.

 

"Friendship" begins with an acoustic guitar, followed by the piano. It has a nice rhythm to it, and the percussion sets the pace. Bell sounds and other virtual effects have been added, which have a positive impact on the track.

     

"Lying Next to You" forms a lush soundscape as wordless vocals are added. Rebekah Eden sounds like an angel sent from heaven to soothe and ensure that the person next to you truly loves you.

 

"Morning Glory" and its orchestration, along with beautiful acoustic piano and an additional synth layer, create a spiritual experience that promises a new day. The wordless vocals add an ethereal element, evoking a sense of spiritual awakening or a glimpse into another world.

 

"I Remember Her Smile" is a look back at someone special in your life who may no longer be part of it, or one who already is. The memory is implanted into your consciousness forever. This is a love song, short and sweet with carefully placed notes from the piano and sweeping orchestrations to engage your consciousness.

 

"Finding Annie" has a flute accompanying the piano. This ongoing story of Love continues to build like a storybook romance set to music. It is one of the longer movements and features some rolling piano excursions; the foundation of classical music is evident throughout this piece.

 

"Trinity" starts with what sounds like the ruffling of feathers as a bird takes off. The piano continues to be the focus as the cello comes in (sounding sorrowful as it does a lot of the time), then the orchestration of the synths creates an additional layer of atmosphere. Rebecca joins once again, her wordless vocals sounding like she is performing a scene from an opera. And that was the finishing touch.

 

"Lullaby" sounds like something you might expect, given its tempo and melody. The tinkling sound of bells induces a sense of magical fairy dust in the air, lulling you into a relaxed state of consciousness. The piano is elegant and simply gorgeous, as the synth layer provides its orchestral elements.

 

"We've Had a Good Life" is a look back with gratitude for your life, one that is not only worth living but also sharing with loved ones, making it all complete. The tempo is perfect for those thoughts, and the piano and synth once again partner to formulate the ideal ambiance.

 

"Nella Fantasia" was not a song I was familiar with. John Riesen provides his tenor vocals to the mix. He sounds very commanding and owns the song, pouring every ounce of emotion and energy into it. The piano lays down the path, and he follows it. I do not appreciate opera; however, I can recognize pure talent when I hear it.

 

"The Winds of Time" is a fitting title and a perfect way to close these beautifully constructed compositions. Sometimes we don't have the time we want to be with the people we Love or do the things we've always wanted to do. As the winds blow through our short lives on this planet, the piano's keys remind us of its beauty and the opportunity to appreciate and have gratitude for all the things that enter our lives here, even though it may not be ideal, and there is suffering, the winds of time are still blowing.

 

Love Is…. It is a fine instrumental recording. I was deeply moved spiritually and emotionally, and that is all an artist could hope for. It's the entire purpose of making music like this.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

July 10, 2025

Tracks:

01, Is This All Just a Dream? (Moon River Variations) 3:54

02. Friendship 3:39

03. Lying Next to You 3:19

04. Morning Glory 3:15

05. I Remember Her Smile 2:45

06. Finding Annie 4:06

07. Trinity 4:40

08. Lullaby 3:00

09. We've Had a Good Life 2:55

10. Nella Fantasia 3:43

11. The Winds of Time 3:42