Contemporary Instrumental Review & Interview: David Franklin-One Day in Spring

Release Date: June 7, 2024

Label: Independent

Website

When one thinks of spontaneity, several things may come to mind. I start by saying this because David Franklin recorded this album spontaneously in one sitting. That is an incredible achievement. So, One Day in Spring, David sat at his piano and created ten tracks related to one season of nature that gives life back after a cold winter.

 

"Just Before Dawn" starts softly, as one would expect in the quiet of the morning when the first rays of the sun start shining through. It's a serene and peaceful moment, beautifully captured in this track. The notes fall off the keys like morning dew, creating a sense of tranquility and peace.

 

"The Gloaming" takes you to the twilight or dusk of the day. We fast-forward in time, opposite the previous track but just as picturesque and meaningful. The softness of the keys gives you comfort as another day ends and you look forward to a new day, instilling a sense of reassurance and hope that is both comforting and optimistic.

 

"Birds Start Their Songs" takes you back to another day filled with the joyous sounds of our feathered friends. I love birds and their different songs. The keys take you on an intimate exploration of their sounds during the early morning hours and throughout the day. Birds are one of God's miracles, and I appreciate them. David continues the flow of musical expressionism with his delicate touch.

 

"Another Bird in the Garden" continues the story of birds in a different light. The piano remains relaxing and inviting; however, some changes bring a different color and energy this time. If you are a gardener, you hope the birds are eating those pesky insects invading your food as you picture that scene. It is an exquisite tune with an untypical rhythm of the previous tracks.

 

Initially, I thought that "Grieving the Dreamscape" as a track title was a step away from the concept of this album. That thought was put to rest rather quickly as David played the tune as beautifully as all the others. It is slower and, thus, very purposeful to reflect upon the meaning. I am unsure of the meaning, but it means something to the artist, and you will find meaning in it just as you did all the others.

 

"As Light of Mourning Finally Flows" is a play on words. Previously, you were grieving, and now you are mourning. Is this the stage you must go through emotionally to get to the other side? Whatever that may be, there is light, providing a positive direction for one to go. The piano serenades your thoughts, feelings, and emotions as they merge. You listen to those beautiful keys, which take you to the next stage. It's time to leave, and so…

 

"Night Has Left Us All" is the logical next step in the composition process. These compositions follow a thought pattern and a particular flow as the artist moves his fingers to express what is in his soul. There is a sadness overshadowing the night as it departs.

 

"Remembering George Winston" takes a few minutes to pay tribute to one of the greats on the piano. David's appreciation for George Winston's albums, particularly those named after the seasons on Windham Hill, was a significant inspiration for this album. His work was instrumental in shaping David's musical journey, and this track is a short and sweet remembrance of that influence.

 

"Caffeinated and Reconsidering Slime Molds" is quite the title, and it did lose me for meaning. That was unimportant once I started listening, even though he helped me with the rest of the tracks. This is music for those who truly can appreciate the piano as an orchestra in and of itself. David "gets caffeinated" with the music towards the song's end as it picks up considerably. It is a lovely piece and very rhythmic.

 

"Trees and Silence are Living Beings" is a great title and is so true. They are living beings with a vast underground network where they create habits for insects and other creatures and communicate with each other. So, as they may stand there silently, they are busy beneath the earth. This is the curtain closer to the recording and very appropriate. It has color, liveliness, purpose, and meaning as David takes the instrument through the paces to end this musical journey with elegance.

 

David Franklin's One Day in Spring is a beautiful group of compositions that is relaxing, meditative, and often energetic with the waves of chord changes and tones. Like the season it represents, it brings warmth and life to the piano's keys, and new thoughts and hopes to emerge from your consciousness; like the flowers and other plant life sprouting their leaves from the trees and ground, a new season begins. The music will touch you and leave an impression.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 23, 2024

Tracks:

01. Just Before Dawn (3:23)

02. The Gloaming (3:24)

03. Birds Start Their Songs (3:20)

04. Another Bird in the Garden (4:30)

05. Grieving The Dreamscape (4:23)

06. As Light of Mourning Finally Flows (4:34)

07. Night Has Left Us All (2:32)

08. Remembering George Winston (2:51)

09. Caffeinated and Reconsidering Slime Molds (3:30)

10. Trees and Silence are Living Beings (2:34)

Contemporary Instrumental Review: Hans Christian and Thomas Barquee-Meloydia

Release Date: August 1, 2024

Label: Allemande Music

Website

The musical team of Hans Christian and Thomas Barquee have released Meloydia.

 

Hans Christian's versatile skills on the cello, lap steel guitar, Sitara, psaltery, fretless bass, keyboards, and programming, combined with Thomas Barquee's mastery of piano and keyboards, promise a musical journey that is both diverse and expressive with emotion.

 

There is no track under five minutes so that you will get a panoramic and absorbing musical experience. As mentioned in the publicity notes, there's room to breathe in Meloydia, and the music speaks equally well during soft background listening and a focused listening session.

 

"The Gift" begins the recording. The track is very peaceful and precise. The instrumentation is excellent in portraying a gift for a listener, whatever that may be. It is reflective and sweet to engage the soul. The gift is the music itself, as its calming effect sets a tone you may anticipate throughout the rest of the listen. However, that is not the case.

 

"The Promise" is the most extended piece on the album at 8:22. The piano and keys enter the mix, playing off each other, and that pairing is beautiful. The cello comes in nicely to add another soothing layer of instrumentation. The pace picks up at about the halfway point, as the keys lead the way with an orchestration followed by a rhythmic piano. It goes from calming to cinematic with more energy. It circles back to the cello, and the orchestration returns to accentuate the piece. The entire composition sounds perfect for a scene in a movie.

 

"Persistence of Time" follows the energy of the previous track. A more upbeat introduction sets the atmosphere, then quickly changes to a more defined approach. The music moves like a person taking steps towards something with a purpose or how a river may flow before and after a hard rain. And even though there is that variation, its ambiance is quite lovely.

 

"Opalescence" begins with the Sitara, which sounds very Middle Eastern. The bass and percussion add an excellent rhythmic sense to the piece. It all sounds very world-new age and cinematic at the same time. It summons images of a faraway land, like a vast desert of silence in a never-before-visited territory. It creates a sense of wonder and the unknown.

 

"Your Heart Remains," based on the title, could make you feel that it would be a very reflective composition. It begins as such and then changes a bit with more colorful instrumentation added to get your attention and focus so you can hear what may happen next. The lap steel makes its presence known, adding a flavor you had not experienced up to this point. The longing you feel with that sound, a country bluesy effect, pulls at your heartstrings as the artists intended.

 

"That One Thing" starts with the piano leading off, and the cello comes along to create a layer that cries out like the cello always does. Once again, the lap steel gives the piece a feeling far off the horizon. As the cello cries out, the lap steel answers with sadness. The track picks up the pace as an acoustic guitar starts strumming, like a horse galloping to keep up. I like the lap steel addition even more in this track as it is more poignant. As the track gets about three-quarters of the way through, the cello returns and all the other instruments intermingle for a combined sound, which makes it one of the highlights of the listen so far. Excellent!

 

As the title indicates, "Do We Remember" would need to be more cerebral. A combination of instruments joins in with some orchestrations from programming that add another layer of atmosphere. Once again, the Sitara gives the composition more color and flavor because it stands out with its unique tone and is placed well in the piece. I enjoyed this music's shifting sounds and paces, which kept my interest going from beginning to end.

 

"An Echo's Soul" is a title that sounds profound and meaningful. It comes in at precisely five minutes to close out the recording. The subdued mood and color give you time to focus on the sounds and frequencies, so it would be apparent to hear your soul echo feelings and translate them into something lucid. It will be meaningful for those who can use music to relax totally or meditate. Either way, it is very effective as the bass and keys are beautiful and soft, like a billowing cloud passing by on a clear blue sky. It takes you away and removes you from one train of thought to another.

 

This recording is called Meloydia for a reason, and once you listen, you will understand why.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 20, 2024

Tracks:

1. The Gift (7:45) 

2. The Promise (8:22) 

3. Persistence of Time (6:13)

4. Opalescence (6:15) 

5. Your Heart Remains (5:20) 

6. That One Thing (6:40)

7. Do We Remember (5:43) 

8. An Echo’s Soul (5:00

Featured Track: Ryan Michael Richards-Coastline (The Solo Version)

Ryan Michael Richards is a superb guitar player, particularly with the acoustic six-string. His intricate fingerpicking, as showcased in "Coastline (The Solo Version)," again proves his great talent.

When I think of a coastline, it is not the East Coast where I live, with its bustling cities and crowded beaches; it's the West Coast on Route 1. That gorgeous shoreline stretches along the California coast like an old friend beckoning me to revisit. It can be a ride in your car you will never forget, and its beauty must be witnessed to be believed.

Listening to this track, all those memories from my time in California come flooding back. The West Coast, where I spent 8 unforgettable years, is a place I'll never forget.

Ryan's music, with its gentle, soothing notes, can transport you to your favorite coastline. Whether it's a place you've visited or one that exists only in your mind, his music brings you back to a place of peace and natural beauty. The power of the ocean waves is tamed by the sandy beaches, and the cliffs look as if they were hand-carved by a master sculptor over time. This beautiful acoustic guitar track is a journey for your mind's eye, perfect for meditation or simple relaxation.

Keith “MuzikMan” Hannaleck-NAMR Founder

July 26, 2024

Growing up in South Philadelphia, Ryan Michael Richards began learning how to play the guitar when he was fourteen years old after being diagnosed with Auditory Processing Disorder. Ryan's parents encouraged him to learn how to play a musical instrument, for the arts are considered a great way for people to cope with learning disabilities. It did not take long for him to decide that the Guitar would be his musical instrument of choice…READ MORE…

Instrumental New Age/Ambient/Meditation Review: NTHNL-Ontogenesis

Release Date: July 12, 2024

Label: ‎Independent

Website 

The album Ontogenesis by NTHNL is different from your typical collection of songs. It's a unique and captivating transformative journey, part of the Tranquility Studies series, precisely volume 3. Each track, known as Music of the Body (specifically), serves as a gateway to a new state of being, setting it apart from other ambient new-age music.

This is a soundtrack to feed the mind, body, and spirit. The music of the body speaks to us all in different ways. If you look at the track listing, it gives you a detailed description of what the body does, can, or will do during this procession of sounds, textures, and light, and, for instance, in the second track, "Nourishing, holding," it begins with the sound of waves. The soothing sound of water, used frequently during meditation recordings, is spiritually connected to all life. To return from whence we came, the beginning can be a cleansing experience.

 

As is usually the case with ambient new-age music, the main instrument is keyboards or synths. This provides a perfect foundation and a springboard to other sounds, computer-generated or natural, that complement that primary base.

 

Another example of a prolific exercise is "processing, detoxifying," which ends with birds chirping. It's a nice touch after all that focus and relaxation. Those two words are essential; you must process them before detoxifying the mind or body, mentally and physically; they all work together seamlessly. However, if we let them, they can put us in the wrong direction and have us self-destruct, thus the detoxification. The body and mind are incredibly complex instruments. We must be the masters of ourselves; our well-being and spirituality are intrinsically connected.

 

The arrangement and duration of the tracks in Ontogenesis are meticulously crafted to guide you into a state of focus and meditation. This paves the way for an altering experience, potentially leading to profound healing and offering a beacon of hope and optimism. Furthermore, the album beckons you to venture into unexplored realms of perception and existence, fostering a deep sense of self-healing.

 

I like the thought and action of "straightening, dispersing," which by no coincidence is the lengthiest track at 5:34. To me, I believe the straightening is the leveling of the body and dispersing your energy to attain that state, which in turn would open the door to absorbing the music and letting it assist you to another state of being. It's kind of like ironing the wrinkles out of some clothing stuffed in a drawer. That is my vision and interpretation alone; it is up to each listener to determine what it means and accomplishes for them. And that is the beauty and simplicity of it all, empowering you to create your own unique experience.

 

If everything were like music, the world would be a utopia, and alas, we know it is not, and that is precisely why we need tools like NTHNL to provide for us on Ontogenesis. Uncomplicated, pleasant, and easily accessible, that is what instrumental meditation is and always should be. If it's like work, it won't work. It has to be a joyous sense you feel and the freeing of all the sounds that relax your entire being to reach a state of consciousness conducive to a complete change of your surroundings and the trail of thoughts that invade your mind disappear. Now, "return to the cloud, thank you."

Keith “MuzikMan” Hannaleck-NAMR Founder

July 12, 2024

Tracks:

01. welcome procession 3:15

02. nourishing, holding 3:13

03. straightening, dispersing 5:34

04. reaching, striving, praying 3:23

05. processing, detoxifying 3:28

06. assurance, rising 2:46

07. heart 3:09

08. aerating, billowing 4:09

09. transmitting, unraveling, communing 4:29

10. synthesis, memory 3:46

11. return to the cloud, thank you 3:38

Instrumental New Age Review: Holland Phillips-A Sense of Distance

Release Date: July 12, 2024

Label: ‎Ageless Records

Website

With A Sense of Distance two years in the making, Holland Phillips has a reason to be filled with anticipation and energy. His listening audience may feel the same, as the artist believes it is some of his best work. If that is what the creator believes, I will also agree.

 

"Perseus Rising" begins the recording. Looking at the cover art, I imagine the distance from what we see above us. The track starts with the piano and synth for an added layer of texture. It has a nice feel and a rhythm that anyone can find a commonality with. It's a great way to start your journey.

 

"Through the Rabbit Hole" takes a different turn. The title sets the stage for the music and your interpretation. You can immediately feel the change in mood from the previous track. It sounds intellectually stimulating or thought-provoking, like something from a movie scene.

 

"Bittersweet" has a dual meaning, so how does that flesh out on the track? The piano and synths create an atmosphere that helps you visualize that feeling. It's part anticipatory and part soothing music, which are also two sides of the coin, as it were.

 

"Behind the Veil" starts with a mysterious sound, as it should. What is behind that veil? The question is out there for you to discern within the music. The use of the keyboards is significant in all the music, and there is no better way to paint the proper picture than with this track's textures and melancholic atmospheric touch points.

 

"Enchantments" begins with a touch of grace and beauty that is truly captivating. As the piano starts, another layer of keys enters the mix to fixate on the track's meaning; the intent pulls you quickly, and you become enchanted. It's a track that will leave you spellbound.

The title track, "A Sense of Distance," begins another significant journey being the title track. It starts upbeat with a happy-sounding piano and underlying synth where the music floats around your immediate space, physical or mental; you can feel it. A thread turns into a patchwork quilt of ambiance and relaxation.

 

"Flying Solo" tells you from the start that it's just you and the music. Are you ready to take flight and let the frequencies and sounds lead? The music is soft and inviting, with some high points that create positive and encouraging energy. At least, that is what I heard while listening; it is your solo flight, so listen and let it take you where you want to go. Simple.

 

"Hope Remains" is what it says. We all hold onto hope regardless of what life has given us. That comes from a point of strength, the core of your being. This is another atmospheric beauty defined by musical notes and the layers a keyboard and synth can create. It is very orchestral and poignant, with the perfect balance of sounds.

 

"On Whistler's Ridge" starts with percussion and a solid but soft bass line. The piano is constant, and the synth echoes in the background. For more effect, you hear a tambourine as the bass and percussion continue to create a path for everything else to follow. It is one of the longer tracks (4:41) but one of my favorites.

 

"For The Love of It" opens the door to transformation. You do certain things (I hope) simply because you love to do them. It makes you whole, completes your life cycle, and gives it more meaning. It is a stunning way to end this recording. The music is so clear, flowing, and full of life. The simple things in life can become more meaningful than life if you do it because you love it. For me, it is music, without a doubt, that brings me absolute joy. It has significantly changed my life.

 

Everyone creates A Sense of Distance. Suppose you are free from debilitating addictions, negative thought patterns, or anything holding you back. In that case, the distance either becomes further away or gets closer to realizing its true meaning and sets you free, which assists you in going in the direction that will recharge your spirituality and hopefully change things for the better for a more satisfying and fruitful existence.

 

Yes, music can be that powerful and influential; I hope you, as a listener, can find the path that gets you there through this music listening to A Sense of Distance.

Keith “MuzikMan” Hannaleck-NAMR Founder

July 12, 2024

Tracks:

01. Perseus Rising

02. Through the Rabbit Hole

03. Bittersweet

04. Behind the Veil

05. Enchantments

06. A Sense of Distance

07. Flying Solo

08. Hope Remains

09. On Whistler’s Ridge

10. For The Love of IT

New Age Vocal Review: The Song Gardners-Sonic Landscape

Release Date: July 19, 2024

Label: ‎Honey Spun Records

Website

Album Link

The Song Gardeners, singer/songwriter Corrie Dunn (vocals, piano, guitar), and singer/songwriter Mary Gospe (vocals, guitar, percussion), are all set to release their second album Sonic Landscape. As I recall from their first album and covering many track releases, they are talented individuals who can play instruments and sing very well. For me, that sets the stage for another enjoyable listen.

 

“Present” starts things with some very funky bass lines. Corrie sings, “Feel the energy be present with me.” The ladies have lovely voices and are solid musicians. After one track, I am already feeling energized and refreshed.

 

“Send Love to Everyone (Heal the Divide)” is a great message to the world; as Mary sings, “We heal the divide when we stop taking sides.” The guitar is excellent, with a layer of keys for more color and texture. The vocals are clear, inviting, and believable. Great music and important lyrics. When they harmonize at the end of the track, it’s a thing of beauty.

 

“Talking to Trees” will get you to tune in and tune out. It’s an earthy Mother Nature meets music in the middle, so our humanity realizes our intrinsic connection to the earth we walk on. One line goes, “Talking to trees, I feel your roots reverberating under me.”  The music is soft and flowing; as you absorb the words and their meanings, they should hold some meaning for us all. It is one of my favorites for all the reasons I just mentioned.

 

“More of This” begins with congas and a funky bass line. The bass leads the way as the other instruments and some good percussion join the party. One prolific line struck me: “The future is ours to create.” There is something pure and true about the way they present these songs, and the rhythms are irresistible. Yes, I want some “More of This” as they sing “happiness, joy, and bliss.”

 

“Future Lives” begins again with that strong bass line leading the way. I am thinking how different it is to hear people singing to new age-based music and how much I enjoy it because of what the ladies convey in every song. The flow continues one track after another, going from strength to strength.

 

“April Sky” is a song about our vast universe and how you can look at the sky day or night and think about all the wonders there to amaze and delight your heart and soul. It gives you gratitude to be alive, and you feel safe and protected under the “April Sky,” where constellations align. It is about hope and vision right before us for the taking. The music continues to feel right, accompanying the vocals, a perfect match so you can focus on all of it at once.

 

“The Little Things” matter the most and make the world a better place; the words ring true as a solid percussion gets behind the beautiful harmonizing that makes it feel authentic to the heart. A simple and direct message set to a jazz-inflected backdrop. It has a perfect melody and is very catchy.

 

“Within” closes out this consistent and beautiful recording. They remind you it all begins within for you to speak your truth as the music flows nicely and purposefully, and the lyrics hit home with words like gratitude, imagination, and curiosity, bringing your spirit and who you are to the surface. Nothing is hypothetical; it is just music to soothe your soul and words of validation. It’s simply perfect, just like all the other tracks. The music always seems to fit just right to complement all the vocals. Smooth and precise, the music gives the lyrics room to breathe and take shape.

 

It could be your Sonic Landscape. After absorbing all the sounds and messages, it makes sense to think about that momentarily. Give it a try; You will find enjoyment in many ways. I sure did.

Keith “MuzikMan” Hannaleck-NAMR Founder

July 11, 2024

Tracks:

01. Present

02. Send Love to Everyone (Heal the Divide) 

03. Talking to Trees 

04. More of This

05. Future Lives 

06. April Sky 

07. The Little Things 

08. Within

Contemporary Instrumental Review & Interview: Ed Bazel-The London Sessions New Perspectives from Studio 2

Release Date: March 18, 2024

Label: ‎ DiscMakers

Website

Interview Link

Nearly two years ago (October 2022), Ed Bazel released The London Sessions-Reflections From Studio 2. Which I had the opportunity to enjoy and review. Ed returned in March this year with The London Sessions New Perspectives from Studio 2 at Abbey Road. It features nine original tracks and two covers.

 

“Daybreak” is a beautiful opening track. It imagines a clear, crisp morning with the sun rising over a mountain peak. The piano is melodic and soothing, instantly letting the visions come to you.

 

As we all travel “Onward” in our lives, there are many things for which we can be grateful. One thing is musicians like Ed Bazel. The melody progresses as the track carries you to your next door to open or a pathway to follow—3:11 minutes of musical perfection.

 

“All Of My Life” immediately suggests something more poignant yet infinite. Our lives are meaningful in many ways, and Ed expresses them on the track. I did feel some sadness and reflection in the track as it gave me time to pause and look back at my life. The beauty flows and continues from one track to another.

 

“The Long And Winding Road” was instantly recognizable to any Beatles fan or music lover, for that matter. It is done well with a violin singing along with the piano. The words are going through my mind as I listen. Like many people, I know the words to nearly every Beatles song. It just happens that way if you have been listening to them since you were five years old!

 

“A Joyful Life” is a perfect follow-up to a Beatles cover because of the feeling one gets listening to their music (for those who cannot relate, start listening to them, and you will understand). In just under three minutes, the piano does sound happy and positive, so the message is well received. It is simple, direct, and brief enough to enjoy and get the associated feelings of joy.

 

“A Beautiful Life” follows the same lines as its predecessor. Being joyful can be beautiful. Ed’s talent for the keys interprets the meaning of the titles very well. It runs a bit longer at 4:36; however, the violin adds the necessary ambiance that the piano seems to integrate into the piece seamlessly.

 

“Happy Go Lightly” maintains the atmosphere and good feelings of the two previous tracks. The melody is upbeat and seemingly smiling at you through the chord progressions. Feeling that way with a song is something magical and powerful that one solo piano can create.

 

“Blue Skies” is another track placed perfectly in sequence with the others before it. I recognize that meaning and purpose are significant in a recording like this. Once again, you get a gorgeous, uplifting melody that puts a smile on your heart and soul. Ed’s playing is fluid and perfect.

 

“A Rainy Day” changes the mood, as all music has the power to do. In every life, rain comes, but another sunny day with blue skies is around the corner, as you witnessed in three consecutive tracks. It is not a letdown but a reality check that life happens, and we move on. The mood is somber yet beautiful because of the exquisite piano playing. Your hope becomes a reality like the silver lining in a dark cloud.

 

“Beautiful Tonight” brings the beauty and spirit of these compositions back to the forefront of your consciousness. The track is one the most beautiful (they all are), and the soothing melodies on the recording are so clear and defined that they project all the emotions implied in the title.

 

“Imagine” is one of John Lennon’s most prolific songs ever recorded. Ed did a great job of making it all real again without the words, but if you are familiar with the song, the words will come quickly. The track was such a prolific statement that it still holds today and must be believable for all humanity. We need it now more than ever. Thank you, Ed, for bringing this great song back into our awareness, and hopefully, this will become a reality. And the world will live as one…

 

The London Sessions New Perspectives from Studio 2 is a complete triumph for everyone involved. The music is gorgeous, and the musicianship and production are superb. If you enjoy instrumental piano music, this is one performance you should not miss!

Keith “MuzikMan” Hannaleck-NAMR Founder

July 5, 2024

Tracks:

01. Daybreak 02:38

02. Onward 02:09

03. All Of My Life 03:11

04. The Long And Winding Road 03:17

05. A Joyful Life 02:57

06. A Beautiful Life 04:36

07. Happy Go Lightly 02:11

08. Blue Skies 02:47

09. A Rainy Day 03:55

10. Beautiful Tonight 03:05

11. Imagine 04:21