Showing posts with label Indie Music Reviews. Show all posts
Showing posts with label Indie Music Reviews. Show all posts

New Age-Ambient-Jazz Review: Masako-Lost there Found here

Release Date: May 24th, 2024

Label: ‎Independent

Website

Masako has consistently released her solo piano compositions year after year. The artist is locked in a very productive cycle. Once an artist gets to that point in their career, they want to keep recording in fear of losing that momentum and creative process. It makes sense to me.

Lost there, Found here will be out soon. It features twelve tracks of new-age ambient jazz sounds that will surely make their mark, as always.

"Spirit Forest" is a musical narrative that begins with a deliberate, slower approach, gradually transitioning into more delicate and light tones. The shift in the pattern and the notes played profoundly mirrors the ethereal power a forest holds. This track is a testament to Masako's ability to evoke emotions through her music.

"Miracle of Spring" is a breathtaking spectacle, mirroring nature's awakening as leaves and flowers start budding and eventually burst into bloom. If you're fortunate enough to witness the four seasons, this is a particularly poignant time, a true miracle of life. The piano captures these moments, starting with anticipation, then building momentum, and finally gently receding, much like the foliage we witness each year. The piano is in full bloom, guided by Masako's skilled fingers.

"Walk Together" is the second longest track at 5:01. It starts with an excellent acoustic guitar strumming and lovely wordless vocals, with the piano entering the celebration of the light-hearted walk through your own space in time. Painted on an empty canvas in your mind's eye, then blending a palette of colors through all the sounds and textures in the song. It has a cool jazz feel to it with new-age undertones.

"Ice Blue," like the sky in the cover art, brings an airy feeling to the atmosphere. The piano's significance cannot be understated; it is gorgeous and adding a trumpet to accompany those lovely notes gives the track additional ambiance and beauty. As cool as ice and clear blue as the sky, this one was one of my favorites. It provides a listener with moments to pause and reflect.

"Reasons" may be the artist saying through her instrument that giving titles related to nature inspires the music, and there are many valid reasons for this. The song is filled with rhythms and brief seconds of space between notes, hoping you will find the same inspiration to protect and love Mother Earth. It ends with low notes, firmly making you believe this is serious business.

"Brooks and Cascades" starts with a violin, then the piano enters, followed by some wordless vocals to give the track a heavenly feel. It sets you off on your journey through the beauty and wonders of nature once again. It is picturesque and tells a story that you will want to relive.

"Somber Day" has the mood and tones you would expect based on the title. We all have those days, but perhaps it's sad for the world with our nature and habitats being polluted and destroyed. It is a hard look at reality through the lens of the elegance of a solo piano song.

"Winter Tale" is the parallel universe "Miracle of Spring." There is a dissimilar approach to this season, the one of harsh temperatures, snow, and ice. It is all beautiful watching from the warmth of a house; however, when you venture into it, your mood can change quickly. The flute is a nice touch, and once again, the wordless vocals give it a touch of class. The song has a finality and sadness, yet the piano notes are soothing and hopeful.

"Mid-Hudson" features a catchy rhythm pattern that exudes joy. The violin returns, injecting more substance and thought into the track. It is a toe-tapper, which I usually reserve for other genres. The contagious rhythms get your spirit to move and your body in motion, just like the river with the name Hudson, as some soft percussion adds more spice to the mix.

"Homebound" is full of promise as you return to your comfort zone. It is a concise track, quite a step away from the previous tracks' complexities and lengths.

"Camino del Monte" is lively and colorful, imbued with the artist's feelings for the location being honored. It instantly pulls you in as you listen for hints of what it may look like there. It is a pleasing track.

"Into the Dusk" is appropriate for closing out this recording. The temperament is fixed on the unwinding of the day as the sun goes down and darkness begins changing the light and mood. The violin hints at sadness at the end of another day, yet the piano's delicate notes promise a new day.

Masako has created a masterful group of compositions highlighting her focus and high skill level. It is solo piano music at its best on Lost there Found here.

It is solo piano music at its best on Lost there Found here.


Keith “MuzikMan” Hannaleck-NAMR Founder

May 8, 2024


Tracks:

01. Spirit Forest (3:24)

02. Miracle of Spring (4:24)

03. Walk Together (5:01)

04. Ice Blue (4:15)

05. Reasons (2:50)

06. Brooks and Cascades (4:44)

07. Somber Day (4:18)

08. Winter Tale (4:197)

09. Mid-Hudson (5:06)

10. Homebound (2:33)

11. Camino del Monte (3:43)

12. Into the Dusk (3:38)


New Age-Ambient Review and Interview: 2002-Time Traveler

Release Date: June 7, 2024

Label: Galactic Playground Music

Website

As a devoted fan of 2002, I eagerly await each new release, and Time Traveler is no exception. This will be my fifth journey into their captivating world, and I'm already brimming with anticipation. It's a testament to their consistent quality that I can't help but have high expectations, and I'm confident this album will not disappoint.

Let's take a moment to appreciate the Copus family: Pamela, Randy, and Sarah. Their musical prowess is awe-inspiring, from composing to playing all the instruments and producing. Their unique approach to music, doing everything their way, is a testament to their creativity and dedication. They even invite guests to join their musical journey, as they do for this recording: James Song (violin), whose soaring melodies add a touch of classical elegance to “The Morning Breeze,” and Dan Totan (cello), whose rich and resonant tones enhance the emotional depth of “Love of My Life.”

The artwork accompanying Time Traveler is a visual element and a portal to a unique and immersive experience. It's the first thing that grabs your attention; its significance cannot be overstated. The artists have a profound understanding of how each element harmonizes, and by taking the time to connect, listeners can truly delve into the depth and significance of the album.

This music is a journey, as the image of the ship indicates. I always wonder what it would be like to travel back in time to tell myself a few things and then wonder what my life would be like today. This kind of project reminds me of those thoughts and feelings. It's okay to dream and let yourself wander into another level of perception that can be genuinely experiential. In this case, with Time Traveler, you can use this music, which is a new age, characterized by its soothing and atmospheric soundscapes, as a foundation, splintering off into ambient, relaxation, and a sleep aid as the ultimate tool to accomplish that space in time for yourself. The entire recording is expressed that way. All ten tracks offer you a respite from the day.

Along that train of thought, the delicate guitar on "The Essence of a Dream," with its intricate fingerpicking and melodic lines, the flute, which adds a whimsical and ethereal touch, the layers of keyboards, creating a rich and atmospheric backdrop, and the sounds of orchestrations, adding depth and grandeur, all come together to create an elegant and immersive musical experience. These are the tenets of what they do for a listener.

I believe this close-knit family possesses something magical. They are all blessed with talents and willing to share them with our world. We are the fortunate recipients of these blessings, and I am grateful to listen to every song. I remember hearing their music time and again, and always feeling so relieved. My mind is empty, my heart opens, and my spirit experiences a renewal, reminding me of who I am minus the hectic daily activities and a constant stream of thoughts. 

So much thought and tenderness go into these tracks. "Love of My Life" sounds heavenly and straight from the heart of those presenting it. The wordless vocals are that of an angel sent to give you comfort. It simultaneously moved me to a profound sense of sadness (for some reason), a burst of joy, and a deep feeling of gratefulness. That is some powerful medicine. The "love" could be a significant other, a child, a home, a friend, or a place; any of these things could qualify. That is what good music can offer a listener; the options are yours to choose, and the feelings are yours alone to experience and keep.

Time Traveler is a gorgeous group of tracks. Let the gentleness and cooling of "The Morning Breeze" touch your face and soul as you begin your journey of discovery. Like ether and clouds, music surrounds you, and you are the ship's captain, navigating through the ethereal soundscape. Now go ahead and take the helm and sail away… 

Keith “MuzikMan” Hannaleck-NAMR Founder

Wednesday, May 1, 2024

Tracks:

01. The Morning Breeze (4:56)

02. Falling Stars (4:20)

03. Seasons Fade (4:08)

04. Love of My Life (4:34)

05. Time Traveler (6:49)

06. The End of the Journey (5:58)

07. Beyond the Veil (5:32)

08. The Essence of a Dream (5:07)

09. Adrift in a Memory (4:32)

10. Where You Are (4:12)




Contemporary Instrumental Classical Review: Pam Asberry-24 Impromptus

Release Date: May 3, 2024

Label: ‎Independent

Website

Pam Asberry commented about her new release, 24 ImpromptusThese 24 Impromptus follow the classical music tradition of writing a set of pieces in all the major and minor keys of the chromatic scale. Each evokes a unique feeling or emotion that can be summed up in a one-word affirmation, attached as subtitles to the traditional classical titles. 

It was essential to explain what exactly Pam was talking about. Casual listeners are likely unaware of these complexities, nor do they care. To me, it's fascinating. There is a scientific and mathematical part of music and all its makeup that we can hear if we understand details like this. It has been a lesson learned for this music fan. Pam shows in the track listing how she goes up and down the scale for the variations in sounds and tones.

The twenty-four tracks encompassing this recording are shy of 1 hour (55 minutes). The first track, "Journey," is the longest at 3:29.

Every track is clear and concise, and her playing is exquisite. I particularly enjoyed the rhythm and flow within each composition. Her attention to detail and tempo gives the listener enough time to process all the music presented. Pam’s musical intelligence makes her approach to the keys infallible, and it works beautifully even though many of the tracks sound like they would be challenging to play. Many sounds resonate from the piano; sometimes, it's hard to believe it's just one person.

Twenty-four tracks are a lot, but don’t let that give you a false impression. However, considering it’s under an hour, it seems to go by rather quickly. When that happens, for me anyway, it means I enjoyed the music so much I did not want it to end, and it seemingly flew by like a busy day. On the contrary, though, the music is not busy. It's very relaxing and elegant—something you can use to ease the stress of a day or as a tool for meditation.

The solo piano I have had the privilege of listening to and writing about still amazes me after all these years. At first, when I started this journey, I did not understand how one piano could fill a room with so many vibrant and colorful sounds. To hear it separate from any vocals or other instruments is very special. People like Pam Asberry are gifted artists who can translate the intricacies of the keys into compositions that are so beautiful and full of emotion that you always walk away from them once they all end, touched in some way. The entire spectrum of human emotions can be realized in one listen of 24 Impromptus.

Notes For Those Interested: The Chromatic Scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale. In contrast, other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones or notes between those available on a piano.

Most music uses subsets of the chromatic scale, such as diatonic scales. While the chromatic scale is fundamental in Western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. (Information from Wikipedia)

Keith “MuzikMan” Hannaleck-NAMR Founder

March 26, 2024

Tracks:

01 - Impromptu No. 1 in C Major, "Journey"

02 - Impromptu No. 2 in A Minor, "Brave"

03 - Impromptu No. 3 in G Major, "Bliss"

04 - Impromptu No. 4 in E Minor, "Fierce"

05 - Impromptu No. 5 in D Major, "Triumph"

06 - Impromptu No. 6 in B Minor, "Yielding"

07 - Impromptu No. 7 in A Major, "Clarity"

08 - Impromptu No. 8 in F-sharp Minor, "Vision"

09 - Impromptu No. 9 in E Major, "Serenity"

10 - Impromptu No. 10 in C-sharp Minor, "Mercy"

11 - Impromptu No. 11 in B Major, "Resilience"

12 - Impromptu No. 12 in G-sharp Minor, "Reflect"

13 - Impromptu No. 13 in G-flat Major, "Tranquility"

14 - Impromptu No. 14 in E-flat Minor, "Patience"

15 - Impromptu No. 15 in D-flat Major, "Wonder"

16 - Impromptu No. 16 in B-flat Minor, "Wisdom"

17 - Impromptu No. 17 in A-flat Major, "Grace"

18 - Impromptu No. 18 in F Minor, "Solace"

19 - Impromptu No. 19 in E-flat Major, "Joy"

20 - Impromptu No. 20 in C Minor, "Forgive"

21 - Impromptu No. 21 in B-flat Major, "Compassion"

22 - Impromptu No. 22 in G Minor, "Persevere"

23 - Impromptu No. 23 in F Major, "Freedom"

24 - Impromptu No. 24 in D Minor, "Magnify"


Classical/New Age/Ambient/Chant Review: Kevin Keller-Evensong

Release Date: October 6, 2023

Label: City Hall Records

Website 

Kevin Keller comments on his journey in music… “I’m always pondering these big questions of life and death and how we fit into this vast universe that we’re in. Questions like ‘Where are we from? Where are we going? What does it all mean?’"

I can relate to that statement as much as many of his listeners can.

Kevin Keller composed and produced all the music on his most recent release, Evensong. Other contributors included Katherine Wessinger, †Danya Katok, Elisa Singer Strom, and Wendy Baker, sopranos; Sarah Zun, violin; Angela Pickett, viola; and Laura Metcalf, cello.

In his journey from conception to the end of life, Keller combines a classical foundation of strings, organ, piano, and modern sounds and sequences. All the transitory periods we humans go through can be wrought with confusion and fear. At other times, revelatory experiences appear before us, pushing our consciousness and spirituality to different maturity levels. Music such as this has provided growth for many individuals for our existence here on the physical plane.

Note that this recording has eight tracks with duplicate titles, steadily maintaining the primary concept. Most importantly, each segment varies in pace, rhythm, colors, tones, and vocal accompaniment. I found this very intriguing, with the instruments and the vocalizations sounding like these women with gorgeous voices in a church choir. This is the church of music, though, the kind of headspace that can pull the mind in a different direction than worship in a building.

Think of music like Kraftwerk, Jean Michel-Jarre, or Tangerine Dream backed by a large choir. That is the best way I could explain it. It was a magnificent experience for these ears, and I highly regard and respect all of the artists involved.

Evensong combines ancient beliefs and new technologies into something so different and unique that you would be hard-pressed to find something exactly like it. I don’t mean this has not been done before in some way; it is simply distinctive in its sound and approach. It comes together quite nicely if you can imagine going through the different stages of your life while listening. Concerning separating the music from the vocalizations, you really cannot; they fit together so perfectly, like they were meant for each other. If you separate the two, then you are missing the whole point.

That is what any artist would want to impress upon its listeners: the whole package and perception of the presentation.

Kevin Keller, you have created a beautiful group of tracks that most people could use as a spiritual or meditation tool with Evensong—well done!

Keith “MuzikMan” Hannaleck-NAMR Founder

March 14, 2024

Tracks:

1. Evensong 1 (7:07) 

2. Evensong 2 (4:42) 

3. Evensong 3 (5:08)*

4. Evensong 4 (5:38)† 

5. Evensong 5 (4:13)

6. Evensong 2 (4:42) 

7. Evensong 3 (5:08)* 

8. Evensong 4 (5:38)† 


New Age-Ambient Instrumental Review: Rudy Adrian-Reflections on a Moonlit Lake

Release Date: March 22, 2024

Label: ‎Spotted Peccary

Website


New Zealand artist Rudy Adrian said Reflections on a Moonlit Lake is a quiet accompaniment for the listener as they rest, read, meditate, or sleep. If your first impression of the cover art is any indication, that statement would hold a lot of truth. As I readily discovered, the music is a wondrous combination of the new age and ambient sounds, and sounds of nature are also interspersed with some of the tracks.

“Dawn Across the Southern Ocean (Remix)” is an excellent example of that, with birds chirping (seagulls) and waves rolling over your consciousness to calm and ensure that what you are hearing is peaceful and healing. One of the points made in promoting the recording is that the music is a formidable respite for the restless mind. That statement is so true, and the music helps with the necessary elements that calm the mind. My philosophy is if you calm the mind, the body and spirit will follow.

 

Rudy started making electronic music while studying Forestry Science at the University of Canterbury and, in the following years, completed a degree in botany at the University of Otago. It is interesting how one thing leads to another, and everything is connected. Whether we are aware of that happening or not, it is accurate, and sooner or later, that realization does hit home if you are not initially experiencing those feelings or thoughts.

 

Three of the songs are extensive, including “The Belt of Orion” at 6:11 minutes, “Rising Moon” at 7:51 minutes, and “Summer Night Rain” at 7:59 minutes. While “Tantalised” is the shortest track at 2:48 minutes. The longer tracks have exceptional artistry and sound, and I quickly found the significance of each piece as I listened and absorbed all the textures and colors. Ambient always sounds that way to me. It is like an artist with a blank canvas painting the soundscape as I listen intently and let the music take me to whatever space in time in my mind or body wants to go. That, to me, is a meditative state.

 

“The Belt of Orion” is significant in name and meaning for those of you who are stargazers or have any knowledge of astronomy, history, and ancient civilizations that use the skies for many purposes here on Earth. I was enjoying the serenity and blissfulness of the track so much that over six minutes of it did not seem enough. I felt I was being carried away into the ether and beyond to the stars. I believe the artist would be glad to know how it affected me, and I hope that many listeners would have the same experience.

 

“Rising Moon” is soft, flowing, and anticipatory all at the same time. Watching a rising Moon is one of the wonders of our solar system. That could also apply to the sun and solar eclipses as well. You can hear the movement of the music. The short, elapsed time of a ringing bell enters here and there as the music has a deep and steady tone that will allow for meditation rather quickly, or you can listen to relax. If you let it work that way, it is over seven minutes of healing.

 

“Summer Night Rain” and lightning sounds are the perfect backdrop for lulling a person into a meditative state or relaxing enough to fall asleep. Once the crackle of the lightning stops for a few minutes, the cool rain falls as the music begins to enhance that natural sound and beauty. The ambient tones, sounds, and colors perfectly merge nature and music. They are interlinked for nearly eight minutes of spirituality and a connection to the world outside your thoughts that never seem to stop inside your brain. The chatter will dissipate, and all the music you hear will empty your mind and let your soul open and be refreshed. It is like eliminating one kind of energy and reenergizing with another. Towards the end of the track, the rains stop. However, the sound of water moving in the river or a babbling brook occurs. That sound is also very relaxing.

 

Reflections on a Moonlit Lake was a wonderful experience. I enjoyed listening and sharing my feelings and thoughts, which is the entire experience I can appreciate for this music lover.


Please Note: As a special 30-day promotion, a limited edition CD of MoonWater will be included for free with physical shipments of Reflections on a Moonlit Lake, available exclusively through Bandcamp and the Spotted Peccary Music web store. 

Keith “MuzikMan” Hannaleck-NAMR Founder

March 11, 2024


Tracks:

01. Mirror Island 3:10

02. Dawn Across the Southern Ocean (remix) 5:32

03. Papanui Lagoon (remix) 3:50

04. Lunar Shadow 3:47

05. Tantalised 2:48

06. The Belt of Orion 6:11

07. Midnight Angel 4:15

08. Within the Darkness 4:10

09. Rising Moon 7:51

10. Reflections on a Moonlit Lake 4:51

11. Summer Night Rain 7:59






New Age World Review: Deborah Martin & Erik Wollo-Kinishba

Release Date: February 16th, 2024

Label: ‎Spotted Peccary Music

Websites: https://deborahmartinmusic.com/ https://www.wollo.com/

Kinishba is a large pueblo ruin containing nine masonry buildings constructed between 1250 and 1350 A.D. by the pre-Columbian Mogollon culture. The pueblo is situated on the upper end of a grass-covered valley and originally had 400-500 ground-floor rooms standing two or three stories high.

Deborah Martin and Erik Wollo found that Kinishba became a pathway of continuing to honor the Apache and American Indian culture.

I do not believe we could do enough to honor our American Indians and atone for the way they have been treated for so long. Efforts and any action to support them and create awareness are necessary. I tip my hat to Deborah and Erik for composing this impactful message of music, lyrics, sounds, and authentic Indian vocalizations.

What you will hear is very spiritual and connected to all living things. The Indians respected nature, the animals, and the bounty they provided to their tribes. If the world adopted their way of life hundreds of years ago, we would not be in so much danger of destroying our environment.

Most tracks feature beautiful sounds of nature that get you closer to what is real and meaningful and what should be to us all. The rhythms of the music (particularly the drum) and the heartbeat of nature will instantly connect you to the purpose of this recording.

Kinishba is an opportunity to listen and learn. While feeling all the vibrations through the various instruments, voices, and natural sounds, you will reconnect with your inner voice and once again realize that all things are connected and that music can be the link to all of that.

So, stop, listen, and feel the music and the sounds; let it relax and disconnect you from outside distractions, and you will find it easy to focus quite quickly. This healing music intends to make us realize we are all one because we are and will always be.

Kinishba is a prolific new-age world release that sends a powerful message to humankind.

Keith “MuzikMan” Hannaleck-NAMR Founder

March 7, 2024

Tracks:

01. Burial Ground 05:42

02. Creation Story 05:18

03. Kinishba 05:50

04. Voices of Nature 03:50

05. Fort Apache Meadowlarks 05:33

06. Heart of the Warrior 04:53

07. Prayer Song 04:40

08. Nature's Paths 05:13

09. Mountain Spirit 05:42

10. Life Spiral 05:35

Track Feature: Contemporary New Age & Ambient-Al Jewer & Andy Mitran-Sapphire

Al Jewer and Andy Mitran released their new track single today titled "Sapphire."

Al Jewer (Flutes), Hans Christian (Cellos), and Andy Mitran (Synths) combine their musical talents to formulate a stunning cornucopia of sound and color.

The sounds of a contemporary new age and ambient effort merge to signify the perfect marriage of sounds. With the help of their dear friend Hans Christian, who provides his cello, the track takes on an element of emotion that only that instrument can bring to the forefront. The flutes and synths are the layers for the cello to instinctively move into seamlessly, making the track a beautiful gem as the dedicated stone.

The "Sapphire" shines with perfect coloring, hues, and precision cuts, enhancing its beauty, as identified in this instrumental piece.

As Mother Earth delivers these beautiful gems, the musicians involved in the music put their talents into it and give it back to a listening audience. As usual, the experience of this music is lovely, and you will want to hear it more than once!

Keith “MuzikMan” Hannaleck-NAMR Founder

February 8, 2024




http://www.al-jewer-and-andy-mitran.com/

New Age Music Review & Interview: Lissa Coffey and David Vito Gregoli-We Share The Moon

Release Date: February 14, 2024

Label: Dharmapala Records

Websites: Lissa CoffeyVito Gregoli

Lissa Coffey and David Vito Gregoli have partnered to create We Share The Moon. The inspired love songs will be released for sweethearts worldwide on Valentine's Day 2024. Lissa contributed the lyrics and melodies to start, and Vito took all of that to continue the process and played all the instruments.

 

Other talented individuals, such as Leela and Cooper Landier, Donna De Lory, N. Nicole Gilbert, Visvambhar Sheth, Venu Bhanot, and Pankaj Mishra, also contributed. So, the duo received some golden vocals to add to their instrumentation.

 

The difference from what I am accustomed to is that the lyrics are in every track covering a New Age release. Which is understandable because of what this music is all about. They are love songs, not just for loving couples, but the meaning of "Self Love." I subscribe that one cannot love others until you love yourself first.

 

Everything about the ten tracks on We Share The Moon is spiritual as the foundation for everything else, like self-love, patience, focus, finding your higher self, and raw emotions transformed into something devoted and pure, as described so beautifully on "Listen." I always say let the music speak to you, and in the track, the listening is to turn inward and listen to the voice that knows the truth, and as it says, "Listen, there is something sacred inside." Our guideposts in life are part of us when we arrive here. I like to call it my spirit guide—something God gave me, a blessing so selflessly given to me at birth.

 

The instrumentation is precise and flows in sync with the superb vocalizations. What makes this music so palatable and accessible is that all the vocals are easy to understand. The meanings carry a memorable and influential impact. Each is variable and consistent with the theme of the recording. 

 

"Krishna Govinda," featuring Leela Ladnier, is one of my favorites. This song and its premise will pique your curiosity if you are like me and are interested in comparative religions and their cultures. Three-quarters into the track, the vocalist switched to speaking the dialect that coincides with Krishna's spiritual beliefs. For that interest, Wikipedia informs us that Govinda (transl. "finder or observer of cattle"), also rendered Govind, Gobinda, and Gobind, is an epithet of Vishnu and is also used for his avatars such as Krishna.[1] The name appears as the 187th and the 539th name of Vishnu in the Vishnu Sahasranama. The name is also popularly addressed to Krishna, referring to his youthful activity as a cowherd boy.

 

"All I Thought Was Mine" was another favorite, with notable percussion leading the way and gorgeous vocals weaving in and out the notes. So celestial and graceful. The percussive elements are like a trip back in time with an angel singing to you.

 

The album ends appropriately with "Maha Mantra" featuring Visvambhar Sheth, Venu Bhanot, and Pankaj Mishra. It is a prolific mantra in tribute to India's respected spiritual and religious beliefs and beyond.

 

I am naturally curious and have a wide range of interests. When music intersects with cultures other than mine, I gain knowledge while enjoying the music. I don't always have an answer, so I need to seek the information to pass on to others, as I did here. This may only have happened with receiving this unique and inspirational music.

 

We Share The Moon is a heartwarming and spiritual journey of love that comes from within and shines as bright as the sun when we embrace and share it. That is precisely what all the contributors did on the recording while following the path of truth and the soul's well-being.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

February 3, 2024

Tracks:

01. Written All Over Your Face (feat Leela Ladnier)

02. We Share The Moon (feat Leela and Cooper Landier)

03. I Surrender (feat Leela Ladnier)

04. Net of Love (feat Donna De Lory)

05. Listen (feat N. Nicole Gilbert)

06. Something In Between (feat Leela Ladnier)

07. Krishna Govinda (feat Leela Ladnier)

08. Like Ambrosia (feat Leela and Cooper Ladnier)

09. All I Thought Was Mine (feat Leela Ladnier)

10. Maha Mantra (feat Visvambhar Sheth, Venu Bhanot and Pankaj Mishra)




Instrumental Ambient-Electronic Review: Carlos Dengler-The After

Release Date: December 8, 2023

Label: ‎Independent

Website

According to Carlos Dengler's website, The After is a meditation on timelessness, ethereality, and their relation to the vanishing moment we call life. Looking back on one's life can sometimes seem like a flash. Your perspective will evolve as you get older, and I promise you that.

 

Music can put you into another realm, plane, or mindset. I always felt this way, and that was the beginning of a lifelong love affair with sounds. Indeed, artists who create that music sound like they are also reaching for something. It is the same goal, to get somewhere with the music. If they can accomplish that, they can do the same for a potential listener.

 

In most cases, it works for me. With instrumental music, it is more than tracks with vocals included. Ambient electronic music is moldable, stretching into diverse sounds and frequencies. Carlos manipulates all of his tools for the listener who enjoys instrumental music that allows the mind, body, and spirit to stretch out without the clutter of lyrics pulling you away into another frame of reference. It is all about focus, relaxation, and what may lie ahead for us in the ether or The After. If you look at the cover art, light, and many colors blend in, suggesting a multiverse ahead if our surviving souls want to find it. Or many planes exist right beside us that we are unaware of. It is possible.

 

There is not one track below six minutes in the eight tracks offered on this recording. Each one stands on its own, separate from the previous. Looking at the track titles and stopping momentarily to absorb the meaning will allow a clearer picture of what the artist is trying to convey. "Silent Veil," for instance, has spiritual connotations. It provides over seven minutes of electronic ambiance and mystery. What you cannot hear in silence, you can envision it within your mind's eye. Tracks like that prompt a listener in the right direction. There are the wordless vocals that call to you and ask you to find the answers that this veil has behind it.

 

The After holds the beauty of life within and keeps the reality of it and the afterlife real. As you listen to the light as a feather traces, the layers of colors and sound beckon you into the artist's world. Listen, feel, and look. You won't be disappointed. It may put another spin on your thoughts about what happens when we leave our physical bodies and enter another eternal existence without the limitations of a physical body to hold us. At that point, it is no longer the before, the present, or the after; it is a perpetual state of consciousness with no reference to time segments. That, in essence, is complete freedom. The music frees us to think along this path and opens us to the many possibilities.

Keith “MuzikMan” Hannaleck-NAMR Founder

January 31, 2024

Tracks:

1. Extremophile

2. Mirrored Moss

3. Silent Veil

4. The Harvest

5. Preparation

6. Gift to the Fire

7. Tomorrow's Halls

8. The After


New Age Instrumental Review: David Wahler-Blue Rose

Release Date: December 1, 2023

Label: ‎Independent

Website 

David Wahler's story of recovery from near-death cancer of the lungs is a miracle. I experienced the same last year at this time when I got sepsis and recovered in time to be home on Christmas with my family. David and I could have died, and many do. Yet here we are celebrating the man's music on Blue Rose

 

What I found different and interesting was how each track had its cover art, and it broke down one by one on iTunes. So, in addition to the thought of what you were hearing, you could look at the message of each cover.

 

The significance of blue roses holds many meanings; however, in the Japanese language of flowers, blue roses mean "a dream come true," which is appropriate for David.

 

"Once Upon Another Time" starts the recording with a delicate dream-like atmosphere. Its soft, entrancing entrance into your consciousness is a welcome 4:33 minutes. The artwork is a person walking on a barren landscape with the time to tell the story or create one in the loneliness or serenity of the moment, whichever may apply.

 

"Bernadette's Dream" continues the lovely patterns of unearthly flow; it is a touch of grace knocking at heaven's door, so beautiful. The artwork is mystical and universal in a thought process.

 

"II Addio (The Farewell)" shows a heart-shaped sunset with several birds flying over the water towards the light. In this track, after fighting for four years for his life, the artist was getting ready to accept his flight to a new life, and then he received his once-in-a-lifetime miracle that changed everything. The sadness of the music draws you in and makes you reflective and thoughtful.

 

"Just A Thought" is soft and warm, gently inviting you into the space and time of an artist expressing his emotions through his talented fingers on the keyboard and following his muse. Will you follow, too?

 

"Blue Rose," the title track, is the most significant. A steady back rhythm has the keys floating over the top like a cloud floats by on a beautiful bright day in the summer. Wordless vocals accompany the notes, giving it all a nice touch.

" Red," with its simplistic yet striking artwork for the track, shows a lighter image behind the text, the heart. The heart is a magnificent organ in the body that interconnects everything we are inside and out. The pace of the music is like a heartbeat going slowly, then faster, then smoothing out for a more regular flow. The music emulates the most critical organ in the body and paints the necessary picture.

 

"Dark Eyes" is a stark black-and-white photo of a person from India. The eyes are black and deep as the music digs down into your soul with the tinkling of a bell, the harp sounds, and echoing synths to capture the importance and feeling of the image and a track title. Will the darkness of the eyes find the light it seeks?

 

"Come" shows a vast cement wall with an extensive yet thin opening in the middle of the structure with intense light in the door. The light beckons you, and the walls will disappear as you walk through the space. The artist may have acknowledged it was okay to reach for the light. A woman's voice says, "Don't be scared." The music is very deliberate, with the sound of a violin and the lovely keys with different textures, and towards the end, the voice enters again and says, "Come." 

 

"Soliloquy" is a picture of a person on cracked and weathered marble, as seen in an ancient Roman temple. The music holds sadness and unmatched beauty, like that temple still standing after thousands of years. The meaning of the word is an act of speaking one's thoughts aloud when by oneself or regardless of any hearers, especially by a character in a play. Is life a play, and we are the actors? In this case, it's the reality of life spoken through gorgeous music. Is the music speaking to you?

 

"Little Sparrow" finalizes this incredible journey of a man facing death and finding a way to deal with it day and year by year and finally getting his wings to fly again to continue life. What a blessing and the lessons that he learned on his travels. The piano sounds like it's calling to you and letting you know it's time to move on. The synths enhance the layers of color and energy as you joyously fly away with the music.

 

Blue Rose was unexpectedly presented to me differently than usual and was a pleasant surprise. The invitation to look at each track as a separate entity and the corresponding artwork flowed like a storybook, creating a complete experience.

 

If you enjoy keyboards with various other instruments intermingled amongst the keys, this will be one you will want to take advantage of.

Keith “MuzikMan” Hannaleck-NAMR Founder

December 22, 2023

 Tracks:

01. Once Upon Another Time (4:33)

02. Bernadette’s Dream (3:04)

03. II Addio (The Farewell) (4:52)

04. Just A Thought (3:16)

05. Blue Rose (3:53)

06. Red (3:18)

07. Dark Eyes (3:26)

08. Come (3:46)

09. Soliloquy (5:44)

10. Little Sparrow (4:07)