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April 24, 2025

Contemporary Classical Instrumental Review: Lisa Swerdlow-Dancing Between Worlds

Release Date: April 25, 2025

Label: Independent

Website

Dancing Between Worlds, a piano-based instrumental EP from the incredibly talented Lisa Swerdlow, showcases her mastery over the keys. Her adeptness with the piano is apparent and a marvel to behold. This release is a must-listen for anyone who appreciates instrumental piano music with orchestral elements.

 

"All Is Not Lost" begins with a soft piano intro, setting the stage for an emotional journey. As the orchestration emerges and takes shape, accompanied by a violin, the music becomes a conduit for introspection. The rise and fall of the music mirrors the ebb and flow of emotions, creating a dramatic scene that will resonate with the listener.

 

"Beneath the Harvest Moon" starts similarly, with a soft piano intro that sets the tone for the track. The gorgeous stringed violin adds a new dimension of color and emotion to the mix. Lisa's touch on the keys is elegant and a testament to her reverence for classical music. The high production values are evident, giving the listener a layer of assurance about the EP's overall sound quality.

 

"Dancing Between Worlds" begins with a different tempo, albeit faster than the previous tracks, but just right. The rhythms are sublime, and the tone is crystal clear as the orchestration once again enhances her piano leads. The track has an exciting and regal element, leaving the listener filled with emotions as if they have reached the summit of a long climb to a mountain top. Metaphorically, either an actual mountain or a long-standing challenge is finally completed. I should be watching a documentary film about the vast wonders of nature.

 

"Remembering You" sounds like a love song about whatever or whomever the subject matter may be. Of course, it starts purposefully and carefully to bring that emotion to the forefront. In any case, it can bring both sadness and joy. Those two emotions are found in the keys as Lisa's fingers tell the story with clarity and feeling. This time, I heard some jazz elements interspersed, which was interesting.

 

"La femme Sur Mer" means Signification. It's the shortest track on the EP, clocking in at 2:25. The description of 'short and sweet' is perfect. It captivates the senses with the romanticism of days gone by, transporting you to another time and place. All great music can do that, and Lisa achieves it effortlessly.

 

"Carousel of Life" is a prolific track title, the longest at 4:26. While it conveys the unpredictability of our lives, it offers moments of pause to reflect on what it means to each listener. As the closer, it takes a step away from the previous tracks, focusing on the romantic side of life, which can encompass many aspects. It begins with the sound of a clarinet, not an accordion. Every time I hear it, I think of the boats in the canals of Venice, evoking the romanticism of Europe. Lisa's acoustic piano is like the flowing water of those rivers, leading the way as all the other elements are blended in for a complete listening experience. The orchestrations are also superb.

 

I found it interesting how the tracks were synced consecutively, with the shortest and the longest. This, in turn, demonstrates the broad range of skills and effects of Lisa Swerdlow's piano expertise. You pick out how her playing is separated, and the additional sounds blend nicely, without removing the show's star. This is a credit to the production and mastering process.

 

Dancing Between Worlds may be short-lived compared to a complete release. However, the quality of each track far outweighs the time involved. Every note is carefully placed within each track, and each track is different in sound, texture, mood, and color. It will please you and keep your interest from beginning to end.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

April 24, 2025


Tracks:

1. All is Not Lost (4:07)

2. Beneath the Harvest Moon (4:05)

3. Dancing Between Worlds (3:16)

4. Remembering You (3:05)

5. La femme Sur Mer (2:25)

6. Carousel of Life (4:26)



April 20, 2025

Contemporary Instrumental-Relaxation/Meditation Review and Interview: Raphael Groten-Inner Sanctum

Release Date: April 1, 2025

Label: Hummingbird

Website

Inner Sanctum, Raphael Groten’s seventh proper release, is a unique and intriguing addition to his discography. Having followed his musical journey for five previous releases since 2016, I've witnessed his impressive accomplishments and the evolution of his guitar skills. His ability to create albums in just a few days is a testament to his creative prowess and innate talents.

Raphael’s music defies simple categorization. While it can be described as new-age instrumental or acoustic instrumental, these labels are secondary to its profound impact on a listener. Let me delve into this further.

 

The goal of this music is to provide a respite from the constant barrage of external noise we hear 24/7. In a world where wars are waging, people are constantly at odds, and the media is manipulating it all for their benefit, we all need a break from the madness. Raphael's music is a soothing relief, offering peace and reflection amidst the chaos.

 

His music is primarily acoustic, featuring various textures and enhancements that add depth and character to each track, giving it its own unique identity. On this release, he uses the electric guitar, which is a first-time treat to hear from the artist. Raphael strives for individuality in each track across all his releases. It is spiritual, reflective, and relaxing, renewing the spirit, regardless of whether it is acoustic or electric.

 

I found it interesting how he added the classic legendary song “Amazing Grace.” With his ability to create original compositions, he didn't need to include it, but he did. It is beautiful when played appropriately on either an electric or acoustic guitar. I believe this to be his tribute to the legendary song. It is well done, and now he has a piece of history recorded in his catalog. You also get another listen done differently on track 21. Also noteworthy is the coverage of Leonard Cohen’s extraordinary “Hallelujah.”  

 

I enjoyed the simplicity and resonating tones of “Old Home” on electric guitar. The artist takes things slowly and with resolve, allowing you to focus on the intricacies of every note. For my listening process, this provides a deeper appreciation for the artistry on display through the guitar, whether acoustic or electric. You will hear a lot of that approach and consistency in the songs of these 22 tracks.

 

The strings' gentle touch and clear sound are like an orchestra within themselves, much like the piano with all its capabilities. However, accomplishing that on the guitar is much more difficult. Again, I found much more appreciation for Raphael’s creations and overall ability to maintain the flow of each composition while creating layers of beauty throughout each track.

 

While listening to this extensive compilation, I heard touches of guitar sounds that reminded me of Pink Floyd, like on “Eternities.” Additionally, a few other ambient instrumental artists came to mind, and, as always, Tangerine Dream was a notable mention for me. This seems inevitable because they have been around for a long time and have influenced many recording artists.

 

As “Tidings” followed, it had the same effect on me. That ambient, spacey sound, with the guitar echoing its chords as if calling from the cosmos to speak to you in some way. It is soft, appealing, and beautiful. So, it can talk to a listener quickly without any thoughts going through your mind. That factor is not a prerequisite for thoroughly enjoying it. I usually have a string of thoughts weaving through my mind, endlessly listening to instrumental music such as this. It's not a bad thing either; I find it very relaxing, and stress relief is the main component that helps me reach a state where I can still process thoughts, relax, and take stock of them. It’s a beautiful thing; only music without words has that ability. Its power and light shine brightly if you let it guide you.

 

The interesting thing about Inner Sanctum is that Raphael Groten metaphorically uses the bear cave as a place where he can go and be safe, allowing the processes to flow through him. The power of nature, its organic earthiness, and our spiritual connection can be vast and influential. This recording is the result of that experiential journey.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

April 1, 2025

Tracks:

01. Stillness 3:13

02. Good Medicine (electric) 3:32

03. Inner Sanctum 3:20

04. Drifting 2:52

05. Amazing Grace 3:07

06. All Souls 3:11

07. Old Home (electric) 3:53

08. Blackbird (electric) 3:21

09. Patience 3:30

10. Eternities 4:57

11. Tidings 3:14

12. Eclipse (electric) 2:53

13. Dream Cave 3:10

14. Rest (electric) 2:47

15. Soliloquy 3:20

16. Rise 2:33

17. Meditation (electric) 3:45

18. Blessing 3:36

19. Timeless 2:49

20. Love Is 2:49

21. Amazing Grace (reprise)

22. Hallelujah