New Age Instrumental Review: Kathryn Kaye-Solace of Mountains and Clouds

Release Date: June 1, 2019
Label: Indie

Solace of Mountains and Clouds is the fifth release I am covering by the exquisite piano player Kathryn Kaye. It was like visiting an old friend when I gave this new recording my first listen. I received everything I have come to expect from an album created by this exceptional artist, top-notch musicianship, production, and sound.

If those three factors are in place consistently on your recordings there is a very good chance you will garner the praise you deserve and all the respect from your peers in the industry. You can tick off all the boxes in that category for Kathryn as well.

Solace of Mountains and Clouds is a direct reflection of the surroundings of the artist where she lives and creates all of her compositions. The inspiration of mother nature can be found in many different segments of the artistic communities. I must say after several years of listening to instrumental piano and new age music, that the images and music presented most definitely go hand in hand. The production elements are superb thanks to the Imaginary Road Studios and the fine stable of artists that contribute to this and many other recordings. The partnerships created are absolute bliss, with Kathryn’s recording being no exception.

A few of my favorites are “Slow Waltz at Summer's End” and “While The Mountain Sleeps.”  The track titles are as moving as the music. The images created by the titles and music are all at once prolific, calming, spiritual and rhythmic. There is an innate sense of musicality and tones emanating from those talented fingers that touch the ivory keys.

Solace of Mountains and Clouds is the soul of nature mirrored in the music and the colors, atmospheres, and vibrations of this wonderful music. It starts by touching all of your senses then it finds a way to your heart and soul. Any good instrumental music holds that magic but to do it so well and for so long is an incredible achievement and a gift to all that have the pleasure of hearing it.

Keith “MuzikMan” Hannaleck
June 2, 2019
 
Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. Luna's Dream 3:57
02. For Love of Earth and Sky 5:12
03. We'll Be Home Tomorrow 4:13
04. Slow Waltz at Summer's End 4:24
05. Solace of Mountains and Clouds 6:06
06. Mountains Touching Sky 4:10
07. Finally Spring 5:16
08. Warm Sun, Gentle Rain 4:00
09. While the Mountain Sleeps 4:27
10. Stories Told by Trees 4:55


Instrumental Acoustic Review: Raphael Groten-Star Lullaby

Release Date: June 1, 2019
Label: Indie

I first heard an album from Raphael Groten in 2015 covering Journey Home. So now with 4 years between albums, we have a double-disc set to make up for the lost time. The new release is titled Star Lullaby. 29 tracks comprise his latest recording. 

Star Lullaby on disc 1 is all original solo guitar music produced at Imaginary Road Studios with Will Ackerman and Tom Eaton. Disc 2 includes the same songs but with featured musicians Michael Manring, Eugene Friesen, Ron Korb, Charlie Bisharat, Jeff Haynes, Noah Wilding, and Will Ackerman.  This will provide each individual listener the opportunity to hear all tracks as they were meant to be heard with the guitar and then another opportunity to hear it all with instruments added. You will have the chance to compare and contrast each song, but most of all come to appreciate what a true artisan Raphael is with his six-string.

The picking and plucking of the acoustic guitar can create many soundscapes, textures, colors, and images. This is where the artist succeeds in seemingly effortless fashion. Certainly, it sounds very smooth as he transitions from one song to the next but surely this is not an easy thing to accomplish. Making your guitar the only instrument, then filling in all the spaces with the right tones and rhythms, must be a task. And then thinking of adding many other instruments and where to put them properly in a composition is another challenge. What you never have is a window into the process and obstacles one can run into on such an ambitious undertaking. That must have been more of a challenge from a production point than cutting the first disc with just guitar.

On the second disc, Raphael was very smart and made sure his guitar remained the main instrument. This does not take away from the added instrumentation. The artist commented: To be clear, the tracklist is the same for both discs, except Disc 2 which has a 15th track: “Star Lullaby” (vocals). (Which by the way, is very good).

Truly, my inspiration for the double CD came early on in production. As I began to overdub the featured musicians (which was thrilling!), I realized that while I expanded the sound for my fans, I also wanted to maintain their capacity to be able to listen to just the solo guitar

 I think that puts it all into proper perspective for the artist and for the listeners.

With that said, I found the additional instruments a benefit to the tracks, particularly with Michael Manring's distinctive bass style and tone.  The natural partnership of bass and six-string guitars are very evident when listening to these tracks. I also think because the guitar is acoustic, it allows the other instruments to shine and accompany Raphael in the most complimentary way possible. The beauty and simplicity of the first disc are very enjoyable and will be appreciated by guitar fans and those of easy listening or relaxation music. The same applies to the second disc but what you get is more layers of sound without any compromise from any one instrument, it all blends together beautifully.

There is just so much to enjoy on Star Lullaby that it would seem unfair to site any one track as a standout because they all are, it’s as simple as that. This is quite a treat for the ears and senses and the contrasts and variety are superb.


Keith “MuzikMan” Hannaleck
June 1, 2019

Founder of:

Review Provided By New Age Music Reviews

Tracks:

Disc 1: Solo Guitar
 
1.  dawn
2.  waking
3.  mindfulness
4.  guidance
5.  levity
6.  star lullaby
7.  gratitude
8.  meditation
9.  compassion
10. opening
11. fledgling
12. eclipse
13. trust
14. prayer


Disc 2: Featured Musicians
 
1.  dawn
2.  waking
3.  mindfulness
4.  guidance
5.  levity
6.  star lullaby
7.  gratitude
8.  meditation
9.  compassion
10. opening
11. fledgling
12. eclipse
13. trust
14. prayer
15. star lullaby (vocals)


 

Instrumental New Age Review: Ann Sweeten-Before Today, Beyond Tomorrow

 Artist: Ann Sweeten
Title: Before Today, Beyond Tomorrow
Label: Orange Band Records
Website


Ann Sweeten has a story to tell. This incredible woman and musician has suffered through 3 bouts of cancer. I found her words inspirational. She does not want anyone to feel sorry for her, she wants positive support and for people to stop and smell the roses of life that abound all around us. 

I covered the 2016 release Where Butterflies Dance and in 2014 Tapestries of Time So now I am ready for the latest offering Before Today, Beyond Tomorrow.

Before Today, Beyond Tomorrow is her story set to music. Words are not necessary with such talent at the keys. The eloquence and beauty of piano instrumental music reach new heights for the artist on this release. With everything going on in her personal life she has found the energy and inner spirit to push herself beyond any physical limitations and turn into something positive and wonderful.

The title track is a gorgeous heartfelt melody flowing like a stream of rhythmic in-sync spirituality. In other words, Ann becomes one with the music and the end result is extraordinary. “Philadelphia 22” is so emotional and full of the grace of the heavens. The power of her rolling piano passages finds its foundation in classical but the soul of the track is all Ann. The addition of the cello, English Horn, and violin give the tracks another layer that brings an additional emotive element and that classical sensibility.

There is sadness in the music however her piano brings out the joy and positive vibes that are within her and it will heal not only the artist but everyone that hears it. That is the beauty of this music. The story behind it all is incredibly real and it will touch many lives.

Before Today, Beyond Tomorrow will leave an indelible mark upon your soul. After reading about her tribulations, the music took on a stronger significance. Just knowing what Ann has been through, her great attitude and the messages she delivers in the music, it would give anyone pause. I heard the birds chirping last night and looked at my wife and said “Hear them chirping? They sound so happy.” That is the purity of nature and all the sounds, smells, and colors that are all around us. I am so grateful for that kind of awareness and the gift of this music, all music, that heals and takes me to another level of reality. 

This kind of instrumental music envelops you in a cocoon of tranquility that cannot be retrieved during a normal busy day. This surely is music made for those seeking healing that goes beyond words.

Keith “MuzikMan” Hannaleck
May 27, 2019

Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. Across the Midnight Sky          
02. Before Today, Beyond Tomorrow      
03. Beyond the Clouds          
04. The Empty Swing          
05. Saying Goodbye              
06. Philadelphia 22          
07. Vanish                  
08. Lullaby for Blackie Boo          
09. Through Winter Panes          
10. Like Smoke Through a Keyhole  
   
 

Instrumental Review: Gerhard Daum-Songs Without Words

Release Date: April 26, 2019
Label: Tonework Records

The last time I heard the sweet sounds of Gerhard Daum’s guitar was in 2017 on Rural Renewal with his guitar and string ensemble. At the end of last month, he released Songs Without Words. The title says it all right? Well, not quite.

Gerhard’s guitar playing is outstanding and that did not come as a revelation considering his last effort was a 5-star outing. I decided to just call it instrumental in regards to genre. He covers some ground so making it all inclusive was the best route to take.

You will hear some biting rock and blues licks along with some electrified cinematic jazz moments (‘Told You So”). “Gentleman’s Way” really caught my ear, its upbeat and consistent rhythms and timings made it an instant favorite. “Gold Rush” was another ear catcher, it sounds like a made for TV soundtrack or commercial, actually anything cinematic that needed some added color or depth, then this track would add those elements to it and make it all complete.  “Timeless” was superb as well, another one for the highlight reel. One even better for the film industry would be “Walking On Clouds,” with its orchestrated layers and excellent reverberating jazz-inflected guitar notes.

To be perfectly honest, what is there on Songs Without Words not to like? I loved the entire album. Although I am partial to guitar-based instrumentals, I do require a high standard of listening pleasures and strong production values with everything I hear. This recording gets an A+ in every category and is an absolute joy to listen to.

I am sure Songs Without Words will easily find a home with the contemporary instrumental, jazz and easy listening stations streaming all over the globe. It has that durable crossover appeal because Gerhard goes from strength to strength so seamlessly, mixing all the genres. Every additional instrument to the guitar is just the proverbial icing on the cake. There are many great moments to enjoy on this album night or day, it all fits just like a glove to complete your day with a smile in your heart.

Keith “MuzikMan” Hannaleck
May 10, 2019

Founder of:

Review Provided By MuzikMan.net

Tracks: 
01. Berlin Song
02. Talking Softly
03. Gentlemen's Way
04. All That Matters
05. Gold Rush
06. Timeless
07. Holding the Dream
08. Going My Way
09. Told You So
10. Walking on Clouds
11. The Early Passion

12. My Foolish Heart
 

Contemporary Instrumental Review: Ed Blumenthal-The Late Train Home

Release Date: June 3, 2019
Label: Independent

Ed Blumenthal is a Chiropractor by trade. His was no different than many married folks trying to make a life for his family. His work became demanding and his children needed his time as well. Little time was left for him to play the piano. In fact, it took him nine years to return to the ivory keys. As if by some magical instance or the hand of God, Ed learned how to play the piano without being able to read music. He is self-taught and took videos of his hands creating the basis of some tunes. Further down the road, his wife took the tapes and converted them over to DVD, and he was able to relive his videos playing.  As fate would have it, a cello player named Eugene Friesen, thought the music needed accompaniment. To make a long story short, Ed ended up in Will Ackerman’s Imaginary Road Studio to record The Late Train Home. That is the music you will hear on this recording.

In a literal sense, the album is late in coming but it finally made it home. Ed and his music are The Late Train Home. The cover of the album is a view from the train with a beautiful sunset and the crescent moon right above it. We can all be passengers on that train and while we are all traveling down those tracks of life on our journey, we can sit back, breath deep, knowing and trusting that everything is going to be ok. We are here for a reason and to meet our destiny. Ed’s most certainly met his and part of the path he took led to ten tracks on this instrumental piano recording. Some folks may not agree but I look at this as contemporary instrumental music, particularly with piano, as a sub-genre of new age. It is easy enough for relaxation and meditation, so it qualifies as far as I am concerned.

Ed’s piano is like waves and ripples of sound that glide over your body, touching every sense you have, bringing to life awareness of your being and spirituality. In my world, any good music has that capability regardless of the genre. The rolling piano and rhythms are what mesmerize me and carry me away from where I am and where I need to be at that moment in time. Take for instance the title track, it is a captivating and poignant track that has character, purpose, and it tells the story of an artist reaching his destination. Music does speak to us in many different forms. For my ears, I get what the tracks and the title of the album mean by first understanding where the artist is coming from and where they are going. Then I look at the images presented and it all falls into place. That is for me from my vantage point and hopefully in sync with what the artist is trying to convey.

You must look beyond yourself and inside the music to find the answers you seek. When looking through the eyes and soul of another, or in this case the music which equates to those two elements, we see a reflection of ourselves in some shape or form that makes perfect sense. That is what The Late Train Home did for me but the train home was on schedule and arrived at the destination right on time.

Keith “MuzikMan” Hannaleck
May 5, 2019

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
01. Who Knows
02. The Roads Imagined
03. We Walk On
04. The Hands We Hold
05. Along The Way
06. The Late Train Home
07. Always Waiting
08. Until Then
09. The Sea Sings
10. For Us

Ambient-New Age Review: Dan Palladino-Pastoral Memory

Release Date: February 2, 2019
Label: Independent
Dan Palladino is no stranger to recording music. His debut in the new age/ambient genre just arrived in February this year. Pastoral Memory is seven tracks born out of the art of improvisation.

 
Dan uses a blend of acoustic and electric guitars over the top of synth harmonies that breath in and out to create a fluctuating and soothing effect. Music like this is like an animate object taking form in your mind’s eye. One of the best examples is the lead-off track “Rising.” It is the ultimate musical exercise clocking in at a plentiful 10:15.

Some of this music can be used for focus and meditation. You will hear a steady tone throughout parts of songs like “Thankful,” which is another generous portion of Dan’s art at 5:13 then it nicely segues into “Joyful Cleansing” yet another space in time that allows for focus and relaxation, giving the listener 8:48 minutes. Dan uses the guitar for consistency with a steady picking while you hear the movement of water. Then another seamless segue goes right into “Passing Storm,” with rain and thunder, as the synths add an additional layer of texture and ambiance. As the storm passes the birds are happy again tweeting away and it blends right into “Aftermath.” So now you are seeing the logical progression of the music in the titles and the purposeful transition from one track to another.

The addition of the synths is essential in making this an ambient treat for the ears, mind, and body, which for this listener, equates to a happy soul. I for one really appreciated how all of this was arranged and titled. It all made sense to me and did arouse my internal receptors to all the sounds and vibrations.

Six out of the seven songs are given plenty of time and space for the creator of the music and the appreciative listener. For a debut in this genre, this a stunning group of tracks brilliantly composed and exercised by Dan Palladino. One other point is the cover, the cool color of blue water and the white clouds set you at ease and set you up nicely for what you are about to hear on Pastoral Memory.

Keith “MuzikMan” Hannaleck
April 24, 2019

Founder of:

Review Provided By New Age Music Reviews

Tracks:
1. Rising
2. Thankful
3. Joyful Cleansing
4. Passing Storm
5. Aftermath
6. Yesterday’s Dream
7. Counting Stars

 

New Age World Instrumental Review: Jonny Lipford-Migration

Release Date: May 1, 2019
Label: Independent

If you look up Jonny Lipford on Spotify you will see quite a collection of album releases. In fact, I was quite amazed at how much music this man has out there.

On May 1st Migration will be available. Those who appreciate new age and world music with the flute or a genuine combination of both will appreciate the nine tracks for your listening pleasure.

You will hear Native American flute, Mojave flute, Mayan harmony flute, Irish flute, Persian flute, and Bansuri. That is quite an array of flutes giving each track an identity, sound, and texture that distinguishes itself as a standalone artistic achievement. I do not know any other way to put it.

For Jonny, this is a Migration of sights and sounds from track to track. As the birds fly in their patterns it shows nature taking its yearly course. In this instance, this artist follows his instincts and creates something truly beautiful. I really enjoyed the entire album but with the way it ended was what really just swept me away. There is 9:13 minutes of amazing enchantment that awaits a prospective audience. A nice touch is appropriately adding the chirping birds with about 2 minutes to go before it closes out.  Poetry in motion through music, what a wonderful artistic expression.

The purity and earthy tones are what bring me into each track and hold me. I am touched by the sincerity of the recordings and the heart and soul that went into making such an impressive group of tracks. It was like opening a book with an interesting cover then turning each page (or track) and reading another story. That, my music loving friends is a great example of the power of music, tones, vibrations and the honesty of an artist painting and picture we can all step into and make our own. 

For these ears Migration was a journey to complete peace and happiness. Now only if I could hold that feeling 24/7, now wouldn’t that be amazing to reach a level of spiritual attainment like that? This music and other similar recordings could help us all on our way to that level of existence.

Keith “MuzikMan” Hannaleck
April 20, 2019

Founder of:

Review Provided By New Age Music Reviews


Tracks:
 

01. Fly in Beauty
02. Hunt of the Nighthawk
03. Emerging Vision
04. Migration
05. Masked Ibis
06. At First Light
07. Wisdom in the Wing
08. Poet's Awakening
09. Peace Within