Instrumental Jazz-New Age-Ambient Review: UMA-Wishing Well

Release Date: July 16, 2021

Label:  ‎ myndstream

Website: https://www.alekseisaks.com/uma/ 

http://robertjyrjendal.com

UMA are the project of two Estonian musician’s guitarist Robert Jürjendal and trumpet/corno da caccia player Aleksei Saks.

The duo came together at the beginning of 2007. The name UMA comes from the South Estonian Seto dialect and it means ‘own.’

The cover of Wishing Well, their latest release, gives a potential listener a soft and pleasing image before the music starts. Imagery is everything, particularly with instrumental music. Even though most listeners will see their own pictures in their mind’s eye, the soft blue color and singularity of the tree on a hill and its shadow on the ground brings you instant solace. The gentle guitar and horn are all these two gentlemen need to create a delectable array of sounds.

Now the idea from this point is to offer a selection of tracks to take that one image to the next step in the process. This is exactly what Robert and Aleksei do with the offering of 10 beautifully done tracks. The music has many elements that intersect including jazz, smooth jazz, new age, ambient, and all of them blended into each individual track. The combination is very effective and quite pleasant.

As you move from track to track the horn and guitar lead the way as well as the unique corno da caccia which is a piccolo horn. If you have any interest or particularly enjoy any of the genres that are part of this music, you will most definitely appreciate what you hear on Wishing Well.

This is duo is very skilled and precise in their presentation and the flow, overall sound, and engineering values of this recording are superb. Sometimes when you put on certain music, it is exactly what you need to hear. In this case that applied 100% for me on this listen. In fact, I would listen any time of day or evening because this is the kind of music I can appreciate. It is warm, inviting, and most of all, the enjoyment you can obtain from beginning to end is notable.

You can have your own private Wishing Well with a click or the push of a button. As all the wonders of modern technology merge with exceptional musicians, the chances of creating something special are always possible. In this case, it became a reality and I am glad I had the opportunity to discover and enjoy all the amazing music on this recording.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
July 19, 2021

Tracks:
01. Wishing Well
02. Old Diaries
03. Pilgrim’s Path
04. Lightness of the Soul 3
05. Petite Ouverture à Danser
06. Lost A Dream
07. Longing
08. My Days
09. Deep Sea
10. Beyond Skylin

Acoustic Instrumental Review:New Latitude-Wood, Steel, and Grace

Release Date: January 20, 2020
Label: New Latitude Music

Website

Dave Erickson (acoustic guitar), Jim Carr (acoustic guitar), Deon Kuhl (drums & percussion) and Rick Brough (upright bass) are New Latitude. The former bass player Bob Strickland played on 5 tracks. Their latest release is Wood, Steel, and Grace.

This would serve as my introduction and a new discovery, so that starts things off with a lot of anticipation. After reading some history of the band I could tell it was going to be something I would enjoy.

The cover of the album is wood with various colorings, just like the music you will hear on this recording It is acoustic instrumental with a melting pot of styles and genres offered on the nine tracks. New Age, Jazz, and Latin flavored tracks flow effortlessly through their instruments.

I have a kinship for Latin music and “Días Calientes” was a quick favorite. There is that irresistible and colorful rhythm that runs through the song along with some very fast acoustic guitar playing. If they could have picked one spotlight track for the album this would be it. The musical gusto of each member of the band is quite impressive and when all of their talents come together it is like a musical carnival of sounds. 

“Open Road” is a jazz track, the embodiment of the “quiet storm” label minus the R&B reference. 

It is a distinct sub-genre of that particular kind of music. The transition from the previous track is perfectly executed and a reminder that the genres are close cousins in the diverse genre that jazz can give a listener.

“A Serious Man” is a fast-moving track featuring uplifting nimble-fingered guitar interplay. It is a wonderful listen that also spotlights the unmistakable standup bass with well-placed percussion. The choice for bass is excellent for this type of acoustic instrumental presentation, it complements the guitar playing and is the driving wheel of each track.

“Old Friends” was more of New Age style, it reminded me of some of the Windham Hill releases that came out when Will Ackerman was signing on artists to his label and getting this kind of music a world stage. Now the stage is infinite because of the internet and streaming, which is a good thing for any artist looking for exposure. The title of the track was perfect, it was like seeing an “Old Friend.”

The curtain closer “Prismatic Sky,” which also had a New Age sound and atmosphere and consequently was an easy choice to add to my New Age Music Reviews Spotify Playlist. It was a great way to end the album.

The range of musical style and expertise on display throughout the nine tracks is superb and I would most definitely appreciate another helping of this at any time. This is music for any time of day or night, or if you happen to be looking for something that will put a smile on your face and in your heart, then I would recommend listening to Wood, Steel, and Grace.

Keith “MuzikMan” Hannaleck

February 1, 2020

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Tracks: 
1. Alpine Bliss (3:10)
2. Cruising Altitude (3:42)
3. Días Calientes (4:31)
4. Open Road (3:40)
5. Alpenglow (3:37)
6. A Serious Man (3:58)
7. Windmills (3:19)
8. Old Friends (3:12)
9. Prismatic Sky (3:03)
 

THE FINAL ON VINYL PODCAST: Interview With Todd Mosby - New Age, Jazz, Instrumental Artist

Instrumental New Age /Ambient/Jazz Review: Jeff Oster-Reach

Release Date: October 5, 2018

Label: Retso Records

Website

Three years ago, I covered Jeff Oster’s Next album. If you do a search on my New Age Music Reviews site it will show several other artist reviews as well. The reason is that Jeff is in demand to play on other people’s albums. There is a very good reason for this. He is one of the few Flugelhorn and Trumpet players in the genre that plays a chill ambient type of music that new age recording artists and listeners alike want to hear. He also is able to interject jazz and funk elements into his recordings. Besides that, it is a great partnership. Jeff is masterful with his instruments and with the new album out now titled Reach, he is in great form and so are the folks that accompanied him on the album.

Reach has nine tracks in total and it is a great mixture of sound and textures that will do many things to you while listening including relaxing, feeling energized and wanting to move, becoming contemplative, just about everything one person can think of or do during the listen of one album really. It invites you in at the outset and you never want to leave that “musical comfy chair.”

I love new age music when it combines jazz and world rudiments. “Le Caveau” is a great example of those sounds and atmospheres getting in sync. The music and sound clarity are amazing. The following track “Five Great Mountains” is just hypnotic. Jeff’s horn is superlative and the bass is incredible, in fact, I thought it might be Tony Levin, who seems to show up on everyone’s albums. It is, in fact, Benjamin J. Shepherd, who plays a huge role in the track, and the entire sound of the album actually. His rhythm and musical leadership in the track are exemplary. That kind of preciseness allows the star of the show to shine even brighter, so hats off to Benjamin for doing such a great job with his instrument. Everyone involved in this project is outstanding so I felt the need to list the credits below.

Some of the other instruments on this recording, besides the horns of course, that give it an overall world-jazz flavor, are the Erhu and Indian Flutes. Then there are very calming spiritual tracks like “The Lotus Within.” In my estimation, the reference would be the Lotus flower, a symbolically important aquatic Asian plant also known as the Indian or sacred lotus.  The emphasis is on sacred for this magnificent composition. 

To keep things fresh and on your “listening toes,” Jeff follows those two critical tracks with an upbeat jazz and funk-filled number titled “Troppo Y Boffo.” The Latin percussion and bass pulsate and drive the number while Jeff just glides through with his horn putting the veritable icing on the cake. It is Latin bliss, wonderful and colorful as it gets. This track could find a home on any good (worthy) jazz album.

Jeff Oster puts it all together on Reach. Every track is solid and consistent throughout. The combination of instruments, musical style and artistry of every contributing musician make this album one of the best in the genre this year. This comes as no surprise to me as everything I have ever heard from Jeff has been superlative from his own recordings to being a guest on other recordings. He is in a groove that keeps him at the forefront of the music industry and I can see that influence growing more all the time. In conclusion, I think that he will Reach a much larger audience with each successive release

Artists:

Jeff Oster – Flugelhorn, Trumpet

Ruslan Sirota – Piano, Keyboards, Guitar, Vocals

Robyn Ghosh – Guitar

Benjamin J. Shepherd – Bass

Tamir Barzilay – Drums

Pete Korpela – Percussion

Jenni Asher – Erhu (Track 4)

Ravichandra Kulur – Indian Flutes (Track 9)

Drew Allsbrook – Vocals (Track 4)

Keith “MuzikMan” Hannaleck

October 14, 2018

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Tracks: 
1. Onward
2. Far Rockaway
3. Le Caveau
4. Five Great Mountains
5. The Lotus Within
6. Troppo Y Boffo
7. How Familiar
8. Velvet and Smoke
9. The Pink City
 

Instrumental New Age/World/Jazz Reviews: Erik Scott-A Trick of the Wind

Release Date: August 10, 2018

Label: Erik Scott Music

Website

Erik Scott is an incredibly talented bass player. He is true to his art form in so many ways. He continues with his string of solo releases with A Trick of the Wind. 

Previously I had the distinct pleasure of covering Spirits (2014) and In The Company of Clouds (2016). On A Trick of the Wind I heard a similar mix of new age, world and jazz, which I absolutely love. The mixture is superb and Erik’s bass playing is outstanding as usual. 

To put it into the most logical terms, I think Erik ranks up there with Michael Manring in the new age genre and on a larger scale, with Tony Levin. He has been around as long as those two marvelous players. That about says it all from my perspective.

The nine tracks encompassing this recording is indeed a prolific gathering of music. There is a constant flow of change and unpredictability, which I genuinely appreciate. I get bored very easily, especially with music that has no spark or change throughout it. This is never a problem with one of Erik’s albums.

“Ghost of Storyville” adds a little spice of jazz injections that is just enough to push it over the edge into a “worldly” sound. I do believe that taking any other instrument than the guitar or the keyboards as the lead instrument can be risqué at best. You had better be a complete master with whatever instrument you plan on introducing as the lead. There is no issue for Erik as the lead with his music. There is just enough ambiance and textures added with other instruments that allow him to keep bass in the forefront of the music. Not only that, he demands your attention and his sound is distinctly his own. This is where audiophiles and other musicians separate the men from the boys. 

I found “The Invisible Wand” storybook enchanting. The addition of the female vocals keeping time and a rhythm made it that much more special. If the voice is right for the music it then becomes another instrument. In this instance, it most certainly applied.

I always have to give a nod to the artwork on the album. The cover is self-explanatory. The satin-like red cloth is “A Trick of the Wind.” Notice the way it looks like a ghost behind the text with Erik’s name and the title of the album? I got what it was saying quite quickly and my eyes were attracted to the cover immediately. That is a good thing, so good job with that part of the presentation Erik!

“Born Dreaming,” which is a great title in any case, is a fantastic representation of the music that Erik does the best. It is flowing, bright, attention-getting, and the beauty just abounds from start to finish. If I had to pick one song that says Erik loud and clear it is this one.

Every track is a slice of the artist and for me, it was like saying hello again to an old friend. Two years is too long to wait for your phenomenal music Erik! You bring all listeners a sense of spirit, strength and hope with your sounds. You may see another album of the year from ZMR with this one.

Keith “MuzikMan” Hannaleck

July 4, 2018

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Tracks:
1. Wings
2. The Wind Sings A Strange Song
3. The Ghost of Storyville
4. A Trick of the Wind
5. Solooka
6. Wing and a Prayer
7. The Invisible Wand
8. Born Dreaming
9. A Child Remains
 

New Age Instrumental/Contemporary/Jazz Review:Deborah Offenhauser-Soundscapes

Release Date: October 2, 2017

Label: Independent

Website

Soundscapes is Deborah Offenhauser’s eighth proper album. I was duly impressed regarding her solid resume. Deborah has a history as a musician back to when she first started taking lessons at 5 years old. She has been a teacher along the way as well, and a highly sought after and respected one. Her music has appeared in movies and several hit TV shows. She also plays the classical organ, mandolin, 5-string banjo, guitar, and violin. She is a totally accomplished musician and brings a lot to the world of music and media.

After listening to Soundscapes, I can understand why her music is so brilliant. The title is perfect for the music she presents in 13 tracks. For my ears, diversity is the main reason I would give kudos to any recording, particularly when it is all well done. In this case that applies to this very vibrant and diverse recording. The many Soundscapes you will touch upon include mixtures of jazz, new age, contemporary classical and world. To put it in proper terms, there are not too many areas the artist does not touch upon for this marvelous instrumental presentation.

“Irrational Exuberance” starts off with the sound of a horse running by and it ends the same way. This is all part of the music that Deborah presents. The sounds of life, people, nature, atmospheres and every day sounds that lead to her music and honestly, mix in equally well. You will hear water babbling and birds chirping. This is all works within each track and makes it more realistic and personal for a listener. It creates a feeling, mood and or atmosphere that makes you feel you are right there, taking part of all the interactions within the music.

“Tanz" is a worldly track that introduces a blend of sounds you would hear in the far east. Again, the music transports you to the place you see in your mind's eye. It is powerful enough to make you realize where you are. Many possibilities can arise for anyone with an imagination. If you have been fortunate enough to be a world traveler the music becomes even more lifelike and relatable. It is an instant kind of recognition you can experience if you have journeyed outside the U.S. I can personally attest to that as I have been in many countries and experienced the sounds, smells, and atmospheres, all unique to that particular place on the globe. 

Those are just two examples of what is available in this fine recording. You get one track after another with beauty, textures, colors, and ambiance. They are all different standalone tracks that are ready to become your own private soundtrack.

Deborah Offenshauser has magic at her fingertips and what she is able to translate through her music is a god given talent. Where do you want to go today? Just put the Soundscapes CD, sit back, and take a trip courtesy of the artist. There are no long lines, wait times or cancellations, and the price is right!

4.5/5 Stars

Keith “MuzikMan” Hannaleck

February 13, 2018

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Tracks:
01. Decidedly Joyful
02. Free Radical
03. Nothing Can Touch You Now
04. Irrational Exuberance
05. Tanz
06. Spacial Palace
07. Through a Glass Darkly
08. Rosemont Theme
09. Air
10. The Gloaming
11. It is Written
12. Tanninim
13. The Wonderful Unfoldment of Blue
 

Contemporary/New Age/ Instrumental-Jazz Review: Shambhu-Soothe

Release Date: February 1, 2017

Label: Acoustic Shine

Website

Shambhu has a new recording arriving on the first day of 2017 titled Soothe.  For this listener, I think it is a great way to kick off the beginning of another day of life that quickly turns into another in the books.

Soothe most certainly lives up to the title. Shambhu takes parts of jazz, new age and contemporary music and stirs the pot until it is simmering with the most wonderful aroma. He creates a mood of calm that is initiated then sustained throughout the recording.

Soothe features many instruments including electric and acoustic guitars, acoustic primarily, percussion, English horn and soprano sax, keyboards, the incredibly talented Michael Manring on bass and a host of other very talented contributors that make this album everything it could possibly be.

The more I listen to a fully realized recording like this it makes me think that mentioning some key tracks is the wrong road to take. Looking at this album as one continuous thought flow and creative process is the best way to enjoy it. If you are writing a review or just kicking back for a listen, I feel it needs to be processed as such (but as I do most of the time will mention a few “key” tracks).

The acoustic guitar is the focus on Soothe then everything else that joins in just lifts that instrument to new levels and that includes some lovely vocals provided by Kristin Hoffmann.  “Gaia Sweet Divine” is a blend of new age or spiritually oriented music wrapped as a special gift for those who are centered and connected with some higher power other than themselves. If you want to hear something that aligns your soul (or chakras which is one in the same in my world) with the heavens above this track would be it. 

The title track brings the recording to an apex of satisfaction with more positive energy that flows like a river through your ears to your inner being with ease and purpose. The entire recording felt that way to me. 

The jazz elements are very important to the fabric that weaves the cloth of this album together. It is like the quiet storm meets its spiritual brother and they merge and explode into a burst of light and energy and take you away. It is the ideal way to let music consume you and Soothe you.

5/5 Angels for the Holidays and Your New Year!

Key Tracks: Gaia Sweet Divine, Soothe

Tracks: 
1. Knowingness
2. Time Travel   
3. Days Like Falling Stars
4. Devotion Tears
5. Prelude 2   
6. Through New Eyes
7. Gaia Sweet Divine 05:08   
8. Soothe   
9. Walking Through a Dream
 

Keith “MuzikMan” Hannaleck

December 11, 2016

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Instrumental New Age/Jazz/World Review: Lawrence Blatt-Longitudes & Latitudes

Release Date: August 9, 2016

Label: LMB Music

Website

When I saw that Lawrence Blatt’s latest release Longitudes & Latitudes was produced by Will Ackerman it totally made sense. Ackerman is a great acoustic guitar player that I have enjoyed over the years particularly when he was running his Windham Hill label.

Right from the outset of this album I could hear Ackerman’s influence however now he is more of an influence on the production side of the house. Tom Eaton is the engineer on the album as well, a consistent partner of Ackerman.

As stated on his website Lawrence often plays in an open tuning to create a nice rhythm then adds the other instruments. It is a very effective combination. He plays electric and acoustic guitars and synthesizer (and like any good musician has many to choose from). Many of the guests appearing on the album help to make this journey complete including Ackerman and the marvelous brass of Jeff Oster. Because of the diversity offered on the album it is clearly an instrumental foray into new age, jazz and world.

The percussive elements on the track “Ima” along with various earthy tones, switch the albums path to a worldlier flavor when prior tracks were bubbling over with a definite new age/jazz flavor and inspiration. The beauty of many of the recordings I have heard this year pay tribute to Mother Earth and that is the route Lawrence took as well on several tracks. With 15 tracks there is plenty to process and it’s a beautiful thing.

“Upon Griffy Lake” carries a gorgeous melody with the equally attractive female vocals of Noah Wilding. The lady seems to call out to you from beyond as the music lets you float to your destination via the acoustic and electric guitar lines of Lawrence. He uses a intriguing and impactful combination of acoustic and electric instruments with the young lady’s voice serving as an instrument as well. It is one my favorite tracks. So much beauty and gracefulness packed into one song is hard for the mind, body and spirit to miss.

The other component I recognized on this album is the excellent restraint exercised when needed to accentuate each instrument allowing for the best compliment to each. Each track moves from strength to strength.

“Noches de Barcelona” is full of the embodiment that is Spain and the video with the track is beautiful. It was featured on our Rate The Tracks site and is provided here as well.  We have also included a preview of the album with a video and a Soundcloud stream so you can get a good idea of what this talented artist can offer.

This is 5-star recording session that is both relaxing and exciting at the same time, not an easy task to pull off. It is all done extremely well and the tastes of genres is most appealing including the mixture of them all in one single track.

Add Longitudes & Latitudes to your list one of the very best instrumental recordings of 2016. It’s not hard to do if you appreciate new age, jazz or world or all three combined, the choice is obvious so give it a good listen!

5/5 Stars

Key Tracks: Ima, Upon Griffy Lake, Noches de Barcelona

Tracks: 
01. Two Shades of Sunshine
02. Longitudes and Latitudes
03. A Place in Your Heart
04. Hyde Park Bench
05. Open Fields and Running Water
06. Two Steps Down the Line
07. I.M.A.
08. Morning in Beerse
09. Upon Griffy Lake
10. The Places Left Behind
11. Park Lane
12. Noches De Barcelona
13. Flying over Ellis Island
14. Slow Walk Past the Bank
15. Over the Rainbow
 

Keith “MuzikMan” Hannaleck

September 30, 2016

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New Age-Jazz-World Instrumental Review: Todd Mosby-On Eagle Mountain

Release Date: April, 1, 2016

Label: Mosby Music Group
Website

Todd Mosby creates an intriguing combination of new age, jazz and world music on his new release On Eagle Mountain.

As an introduction to this artist I had the pleasure of focusing in on one track on our Rate The Tracks site. “Spirit Dancer” is a multicultural brew of new age with some infusion of smooth jazz topped off by hints of world to make it a distinct crossover flight.  

As with many of the recordings at Will Ackerman’s Imaginary Road Studios, some familiar names are part of the equation. The incomparable Tony Levin and several others including Michael Manring, Jill Halley and Tom Eaton combined with the astute guidance of Ackerman make for an unbeatable team. They all draw out the very best from each other during a recording session.

“Eagle Mountain” in all its beauty and splendor pictured on the cover of this recording gets a proper introduction through the delicate and tasteful guitar playing of Mr. Mosby. The bass section is amazing as well and it all jells into auditory perfection.

The great outdoors can inspire and refresh when embraced and surely Todd is one such person. After listening to this music that one thought becomes reality. “Falling Light” dances and sings and turns into one of my favorites very quickly. It is nearly six minutes of musical enchantment. It builds and builds until you hear percussion, violin, guitar and bass all intersecting at the same point. I really enjoyed the way the track started with a simple foundation then built a towering monument of sound. As the sun rises over the mountain peak it falls onto the trees, animals, vegetation and people below. This is a beautiful thought process that becomes totally engaging once transferred to music.

I think the artist really gets in touch with his surroundings while recording this music and obviously could envision the places he held dear in his mind and heart. Instruments like the ewi, bells, singing bowls and English horn, cello and other elements make their presence known and are part of the final product.

Perhaps the deciding factor that made this entire listening experience coalesce for my ears and spirit was how Todd took his guitar and added all the other instruments to make On Eagle Mountain a delight to fall into, like your favorite comfy chair. This recording was like a culinary delight taking every ingredient and then measuring it properly to flesh out the sound for each individual track. Interesting enough the titles go very well with the music.

On Eagle Mountain took me down a road that made me feel alive and free just like the open sky and mountains ranges that adorn our land. Music that is that powerful needs recognition and validation. It was my pleasure to be one of the fortunate people to give all the credit to the creators of this superb release.

5/5 Stars

Key Tracks: Spirit Dancer, Eagle Mountain, Falling Light

Tracks:

01. SPIRIT OF THE MOUNTAIN

02. SOARING 

03. EAGLE MOUNTAIN 

04. FALLING LIGHT 

05. COLORADO, MISSOURI 

06. JACK’S FORK 

07. SPIRIT DANCER 

08. ODE TO JOE

09. MOON SONG 

10. MOUNTAIN LULLABY

11. STAR SONG
 

Keith “MuzikMan” Hannaleck- New Age Music Reviews Founder

February 11, 2016

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