Showing posts with label Independent Artist. Show all posts
Showing posts with label Independent Artist. Show all posts

Get Your Song Ideas from Symphonic and Heavy Metal Music

Russ Suereth

Last week we discussed getting music ideas from new age and ambient music. This week we’ll discuss getting ideas from symphonic music and heavy metal.

It’s hard to find two types of music that are more different from each other than heavy metal and symphonic music. But they are also similar, because both can excel at musical passages that are simple and hard to get out of your head.

Case in point is Beethoven’s Symphony No. 5 in C minor. Written around 1805, this composition starts with the famous ta-ta-ta-daa, ta-ta-ta-daa. These eight notes are part of our ordinary music knowledge, and have been used by modern groups such as the Electric Light Orchestra.

The point here is that these eight simple notes can be used as a basis for your eight-note or ten-note hook. Sometimes it’s the simple things that are memorable and that catch a person’s ear.

The same goes for heavy metal music. There have been a lot of great hooks in heavy metal for years. Black Sabbath’s Paranoid album is full of powerful hooks. For instance, the beginning of the song “Ironman” has a great guitar hook that feels like a giant metallic beast stomping across the countryside. That piece still makes me smile today.

Other heavy metal examples, of course, can be found in Led Zeppelin tunes. The song “Good Times Bad Times” starts off with a great riff from Jimmy Page that is simple and memorable.

Just because Beethoven and Page were, and are, great artists does not mean you should be intimidated. Just focus on the notes, and forget the rest of the song, and everything else. Start playing some notes on the keyboard or the guitar, and find something you like and that sounds catchy. Keep it simple. And then embellish it a little with your style and tone. Or embellish it a lot. It’s your riff!

New Age Instrumental Review: Ricky Kej and Wouter Kellerman-Winds of Samsara

Release Date: July 2014
Label: Listen 2 Africa

If you are looking for an album of peace and positivity, look no further than Winds of Samsara. Over one hundred and twenty stellar musicians went into the making of this epic album of love and light. Featuring tracks highlighting the lives of Nelson Mandela and Mahatma Gandhi amongst others, Ricky Kej and Wouter Kellerman have created a pattern of starry skies and moonlit wonders as vast as the heavens. 

Some of the contributing artists are: Wouter Kellerman (flute, fife), Ricky Kej (bass, keyboard), Ciro Hurtado (guitar), Prakash Sontakke (vocals, Hawaiian guitar), Vanil Veigas (keyboard, Santoor), Keerthy Narayan (keyboard, orchestral arrangements, synth), Cochin Chamber (string section), Manoj George (choral arrangements), Bangalore Women’s Choir (choir), Varsha Gowda (percussion), Lamine Sonko (vocals), Janine Maunder (vocals), Angela Librandi (vocals), Joe Creighton (vocals), Tholsi Pillay (keyboard), Gopi (Indian vocals), Mauritz Lotz (guitar, programming), Vinnie Henrico (drums), Veena Biju, Chaithra HG (vocals), Gayathri Suresh (vocals), Denny Lalouette (bass) and many others. This album is chock full of amazing performers who light up the album with their talents. If I could give a higher score than 5/5 I would in a heartbeat. 

“Heaven is Here” begins with eloquent meditative flute sounds paired with atmospheric spaces and chanting. The keyboards bring balance, as do the Santoor, bass flute, Sitar and percussive elements. The highlights for me were the soothing feminine vocals from Alexis D’Souza and scat vocals from Jyoti Venkatraman. Kej and Kellerman are simply rapturous in this piece. Heaven could not sound any more soothing or in tune. The textures layer and weave in amongst themselves to band into a cohesive sound fit for the ears of the angels themselves.

“Remembrance” also named “Greensleeves” is a classic we have heard many times before. Just not quite like this. Edgy flute blended with hollow sounds and ethereal landscapes brings this piece to life. Synth, guitar, bass, piano, cello, the magical Sitar, drums and soothing vocals twist and wind around you like a vine from a village hidden in time. This piece brings to mind the elegant ladies of medieval days and Renaissance fairs. 

“Nocturne” is the final track on the album and features classical pianist Michael Lewin. Kej, Kellerman and Lewin have quite the reenactment of Chopin’s composition. There is a fusion here of flute and piano with vocals drifting in and out like cloud formations. Emotionally infused, this piece will take you back in time to memories of things loved and lost and found again. It is simply breathtaking.

Winds of Samsara is a breathtaking effort by hundreds of artists and it stands out in a crowd. In many New Age albums, one track leads into another without much to distinguish between the pieces. This is not the case here. Each composition stands for something and is audibly different. From a tribute to Nelson Mandela to a resurgence of Chopin’s magnificence, this album captures classic sound and infuses it with Indian influences; World Music, unique instruments and vocals that will make your heart sing or weep as the emotion takes you. I have listened to it for over a week and have not gotten tired of it once. Let this album wake you up in the morning and tuck you in at night. It is a soothing cup of tea for the soul and I highly recommend it.

5/5 Stars

Key Tracks: Heaven is Here, Remembrance, Nocturne

Tracks:
 01. Mahatma (Ricky Kej and Wouter Kellerman)
02. New Earth Calling (Ricky Kej and Wouter Kellerman)
03. Crystal Moon (Ricky Kej and Wouter Kellerman)
04. Madiba (Ricky Kej and Wouter Kellerman)
05. Longing (Ricky Kej and Wouter Kellerman)
06. Heaven Is Here (Ricky Kej and Wouter Kellerman)
07. River of Time (Ricky Kej and Wouter Kellerman)
08. Eyes of Wonder (Ricky Kej and Wouter Kellerman)
09. Remembrance (Greensleeves) (Ricky Kej and Wouter Kellerman)
10. Journey to Higher Grounds (Ricky Kej and Wouter Kellerman)
11. Mountain Solitude (Ricky Kej and Wouter Kellerman)
12. Desert Wind (Ricky Kej and Wouter Kellerman)
13. Grace (Ricky Kej and Wouter Kellerman featuring Fiona Joy)
14. Nocturne (Ricky Kej and Wouter Kellerman featuring Michael Lewin)

 
Dana Wright, Sr. Staff Writer

July 10, 2014

Review Provided By New Age Music Reviews

From Where The Artist Sits: Creating A Music Video

Russ Suereth

There are a lot of processes and a lot of steps to creating a video. 

I just finished a new music video for my song, Portraits from Living. This week’s article is about the process I went through to create that video, how I did it, and why I did it that way. So let’s start.

First, I determined what type of music video I wanted to create. There are all types of music videos out there today. My budget is on the low side. Accordingly I decided to do something minimal like the recent videos from a variety of remix channels. A great example is the Majestic Casual channel on YouTube. These videos simply have a still photograph, the words “Majestic Casual,” and their logo.

I’ve have liked that minimal style lately because those single images are usually better than the moving images I see in music videos. I also think that the minimal style helps me pay attention to the music.

So I took that idea and embellished it. I got a single image and added some minor movement effects to it. Then I added my name, the title, and my logo over the top.

What did I use to make this music video? Here’s a list of the hardware and software I used.
·         Computer:  iMac i5
·         Video Software: Final Cut Pro X
·         Video Software Plugin: PRO16MM from Pixel Film Studios
·         Graphic Software: Adobe Illustrator

And that’s it.

I use Illustrator for the title, my name, and my logo on the video, but you can use the text capabilities within Final Cut Pro to do that instead. Also you can use the effects that come with Final Cut Pro instead of the plugin. Or you could use any tool like iMovie or Adobe After Effects instead of Final Cut Pro.

Here are all the steps I took to complete my video project:

Step 1. Find a photograph, painting, or graphic design that you like. Try to find an image that can somehow connect to the music. Take a picture of a river, or a friend. Or pick something from the many stock photo sites on the internet. Make sure that you have the proper copyright capabilities with any photo you purchase. Just because you purchase an image doesn’t mean you can use that image for your video. Check the small print available on the stock photo web site.

Step 2.  Find a font to use for your name and the title.  The software you use will have many fonts to choose from.  Or you can buy a font that may be a little more unique to your video.

Step 3.  Add some effects to your image. Video software usually comes with a library of effects to enhance the colors and the image. You can go from subtle to aggressive on the effects. Regardless of your choice, I really think you should add some degree of effects to give the video your own personal touch.

Step 4.  Add your name and title to the effected image.  I like adding the text on top of the image and effects, so that the text stands out.

Step 6.  Whether you have a complete movie, a single-image that moves, or a still photo you’ll need to save that in a format that YouTube can handle.  This YouTube link discusses the proper formats and how different formats can be converted.

Step 7.  Upload the video to YouTube.  I normally use Final Cut Pro X to do many of the steps listed above.  Final Cut Pro, as well as other video software programs, enables you to share your video to YouTube by making a few clicks.  Alternatively here’s another link from YouTube about uploading your video.

Step 8. Once your video is on YouTube, go to your Video Manager and choose the thumbnail that people will see before they click your video. Then provide an interesting description of the video. And don’t forget to promote yourself!

Music Distribution: A Look From The Inside Through The Eyes of An Artist

By Russ Suereth

This week’s article is a discussion about online music distribution.

There are dozens of ways to distribute your music online.  The tough part is figuring out which is the best one for you.

Your music can be sold online a number of ways including your own website, Facebook, online radio, satellite radio, terrestrial radio, and online stores like iTunes, Amazon, or CD Baby.

Two of the main companies out there for music distribution are TuneCore and CD Baby.  These two basically have the same features. The main difference seems to be that TuneCore has a yearly fee, and CD Baby takes a small percentage of your sales. Some people will argue that they are very different but I don’t see that.

I used TuneCore on my first EP, and now I’m using CD Baby on my new CD.  I changed just to try out CD Baby, and they both seem the same to me.  Although I do like the CD Baby player that I can put on my web site, I would definitely recommend either one of these two distributors.

I’ve also had my music played on college radio stations, though I never really felt that it allows me to establish a connection with my listeners.  I always felt that my music went into a black void.

I also have used Radio Airplay quite a bit, but I don’t any longer.  I started using it because it looked like I could connect to listeners who liked my music.  Radio Airplay does allow you to know who liked your songs.  But your communication back to them, even something simple like, “Thanks for listening,” goes to an area of Airplay that users never pay attention to.

So that takes me to my website, where at least I can set up a newsletter or some form of communication with listeners who want to provide their email address.  And that’s a topic for another day.  Actually it’s several topics because there’s a lot to discuss.