Showing posts with label Acoustic Instrumental Reviews. Show all posts
Showing posts with label Acoustic Instrumental Reviews. Show all posts

Acoustic Instrumental/New Age Review: Carlos Dengler - Private Earth

Release Date: June 2, 2023

Label: Independent

Website


Carlos Dengler's Private Earth is your seat to appreciating our planet and all its wonders. Carlos has personally tapped into the transformative powers of music, and you will realize that within minutes once you listen.

"Violet Night" enters most beautifully and gently after the introduction of "Desert Flora" to set the mood and proper thought process for what this is all about. The acoustic guitar, flute, and keyboards mold into your private magic carpet ride around the beauty of Mother Earth. The music seeks to take you into the place where we all should be, in total respect and awe of our planet. It is an impactful way to catch the listener's ear and maintain interest. It's like heaven in your backyard with a precise, crisp recording mix and birds chirping happily. Just wait there is more.

 

Each track is an extensive and immersive experience of nature that is ours to enjoy. This music prompts awareness and appreciation differently than you may be accustomed to. The shortest track is "Rising Mountain" at 7:02, and the longest is "Ancient Lake" at 9:31. The artist ensures the experience is long enough on each track to leave a mark on your consciousness and perhaps a different way of thinking about our environment.

 

When "Golden Dawn" begins to play, you can feel the atmosphere and ambiance of the music sweeping you away. The acoustic guitar has a nice rhythm and consistency; all the other elements combine to build the song into something you will remember. The music is transient and prolific in that you begin to think about the cycles of nature, the seasons, and all the beauty it beholds for us. Every living thing is here for a reason and purpose, and we quickly forget that going about our daily lives. Music on this track puts things into a different perspective and sheds light on the truth of who we are and the importance of our connection to our planet. From the earth, we originated, and from the land, we shall return. 

 

I am only two tracks in, and I am thinking about all of these points and facts about our humanity and the inhumanity of our lives on this planet. We are destroying the earth for progress and the almighty dollar. We should have a universal wake-up call before it's too late. 

 

Think for a moment about the title "Ancient Lake" and how long it has been in existence and all the creatures and vegetation and insects that have kept it alive, not to mention the people that may have used it for survival for water, a source for food and many other things. The strong connection between that source of nature and all the living things that depended upon it is sacred. Native Americans lived by it, respecting all the earth and its creatures and what they provided. While the music plays, I am in a mode of reflection on all of this and enjoying taking in all the beautiful sounds Carlos has produced to initiate all those thoughts. The gentleness of the piano, guitar, and ambient sounds intermingle, bringing a rainforest of sound to your senses. It is refreshing and spiritual. 

 

Many people understand the delicate balance of the rainforest, which is another way to look at the big picture. The sound of water hitting the shoreline at the end of the track is the final element that hits home and cements those thoughts in your mind.

 

"Solemn Cavern" and "Rising Mountain" continue the path of reflection to engage the listener and to give reason for thought and consideration. As with previous tracks, the music gently invites you into that mindset. 

 

Soft, beautiful, and inviting, Carlos Dengler gives you your Private Earth. You can use the music to reflect and think about the message, meditate, or both. Whatever you seek, the music will allow you to go there if you can give pause to your life and absorb all the sounds. I felt moved by the music in many ways and expressed that to interested listeners and those concerned about the life of our planet and all its inhabitants. It's time to listen and receive the message. 

 

Keith “MuzikMan” Hannaleck-NAMR Founder

September 29, 2023

Tracks:

1.  Desert Flora 

2.  Violet Night

3.  Golden Dawn

4.  Ancient Lake

5.  Solemn Cavern

6.  Rising Mountain



Acoustic Instrumental New Age Review: Shambhu-Acoustic Oasis

Release Date: October 6, 2023

Label: Sacred Love Music

Website

Shambhu’s Acoustic Oasis is produced, composed, arranged, and performed by Shambhu on acoustic guitars, bass, and keyboard. Mixed and mastered in Dolby Atmos sound, it will be a treat for the ears.

 

Shambhu Commented: These are short songs recorded over a weekend that embody heart and hope, songs we can turn to for calm and focus when needed.

 

Based on his words, you count on a beautiful and relaxing listen. My experience over the years has always been pleasing to the senses, which is what I would have expected from this new release.

 

“Lumina” starts the recording off, and it’s very serene and rhythmic with the acoustic guitar. I wondered what would happen next since that is the featured instrument throughout this recording.

 

“Lazy Afternoon” is very descriptive as the artist pauses between notes and continues gracefully and elegantly. His playing is fluid and purposeful by design.

 

“Shades of Light” has some fast picking on the outskirts of flamenco at times. His shades vary within the track; it has a pleasant feeling of comfort and happiness.

 

Pathway” has a very soft keyboard for the guitar’s notes to float on. It creates a pleasurable ambiance.

 

“Sunscape” sounds like the brightness and energy of the sun, mainly when it is coming up in the morning while the morning dew awaits its rays to dry out the grass and flowers. Being one of the longer tracks makes it even more eventful.

 

“Inner Light” is something we all have. And at times, we need some help to make it shine through the complexities of the day. It invites you in and lets it happen with a smile.


A “Winding Road” can be extended; by coincidence, this is the longest track at 4:33. Some very soft keys come in for background support. His playing is excellent, with depth, rhythm, and precision. It is picturesque, with the strumming and picking intersecting. It does create the road winding in your mind’s eye.

 

“Afternoon Rye” follows the previous track well, with the different layers of the acoustic guitar providing the listener with some depth and intricacies that he knows how to present so well. Then it fades away nicely to introduce the next track.

 

“Love Garden” is the first time I could hear Shambhu’s fingers sliding on the strings. How he managed not to do that now is beyond my comprehension. Again, the multiple layers sound like two or three people are playing, which is done during production. However, the artist creates a lot of imagery and sound with just one acoustic guitar. 

 

“Angel Blue” closes out the recording nicely. The easygoing nature of the instrumentation holds. His playing is inviting, and the mix is perfect on the closer and throughout this entire album.


What I find remarkable is that Shambhu cut this recording over a weekend. It is a difficult task to have an acoustic guitar and some sprinkling of keyboards over ten tracks and keep your audience interested. He does so with flying colors again, and I sincerely appreciate his talents and commitment to offering us time to relax and enjoy the peaceful sounds coming from his six strings.

Keith “MuzikMan” Hannaleck-NAMR Founder

September 23, 2023

Tracks:

01.Lumina 2:35

02. Lazy Afternoon 2:56

03. Shades of Light 2:38

04. Pathway 2:38

05. Sunscape 3:52

06. Inner Light 3:01

07. Winding Road 4:33

08. Afternoon Rye 3:15

09. Love Garden 3:45

10. Angel Blue 3:48


Acoustic Instrumental Review:New Latitude-Wood, Steel, and Grace

Release Date: January 20, 2020
Label: New Latitude Music


Dave Erickson (acoustic guitar), Jim Carr (acoustic guitar), Deon Kuhl (drums & percussion) and Rick Brough (upright bass) are New Latitude. The former bass player Bob Strickland played on 5 tracks. Their latest release is Wood, Steel, and Grace.

This would serve as my introduction and a new discovery, so that starts things off with a lot of anticipation. After reading some history of the band I could tell it was going to be something I would enjoy.

The cover of the album is wood with various colorings, just like the music you will hear on this recording It is acoustic instrumental with a melting pot of styles and genres offered on the nine tracks. New Age, Jazz, and Latin flavored tracks flow effortlessly through their instruments.

I have a kinship for Latin music and “Días Calientes” was a quick favorite. There is that irresistible and colorful rhythm that runs through the song along with some very fast acoustic guitar playing. If they could have picked one spotlight track for the album this would be it. The musical gusto of each member of the band is quite impressive and when all of their talents come together it is like a musical carnival of sounds. 

“Open Road” is a jazz track, the embodiment of the “quiet storm” label minus the R&B reference. 
It is a distinct sub-genre of that particular kind of music. The transition from the previous track is perfectly executed and a reminder that the genres are close cousins in the diverse genre that jazz can give a listener.

“A Serious Man” is a fast-moving track featuring uplifting nimble-fingered guitar interplay. It is a wonderful listen that also spotlights the unmistakable standup bass with well-placed percussion. The choice for bass is excellent for this type of acoustic instrumental presentation, it complements the guitar playing and is the driving wheel of each track.

“Old Friends” was more of New Age style, it reminded me of some of the Windham Hill releases that came out when Will Ackerman was signing on artists to his label and getting this kind of music a world stage. Now the stage is infinite because of the internet and streaming, which is a good thing for any artist looking for exposure. The title of the track was perfect, it was like seeing an “Old Friend.”

The curtain closer “Prismatic Sky,” which also had a New Age sound and atmosphere and consequently was an easy choice to add to my New Age Music Reviews Spotify Playlist. It was a great way to end the album.

The range of musical style and expertise on display throughout the nine tracks is superb and I would most definitely appreciate another helping of this at any time. This is music for any time of day or night, or if you happen to be looking for something that will put a smile on your face and in your heart, then I would recommend listening to Wood, Steel, and Grace.

Keith “MuzikMan” Hannaleck
February 1, 2020

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
1. Alpine Bliss (3:10)
2. Cruising Altitude (3:42)
3. Días Calientes (4:31)
4. Open Road (3:40)
5. Alpenglow (3:37)
6. A Serious Man (3:58)
7. Windmills (3:19)
8. Old Friends (3:12)
9. Prismatic Sky (3:03)
 

Acoustic Instrumental Review: David Lindsay-Last Passing of Summer


Release Date: October 10, 2018
Label: Fallingfoot Records

It has been two years since the music of David Lindsay came back into my world. My first taste was Nightbound. With the Last Passing of Summer David went into Will Ackerman’s Imaginary Road Studios to create some more magic. The consequences of going into that studio are nothing short of magnificent for any artist. On hand were several talented artists besides Ackerman and multi-instrumentalist and co-producer/engineer Tom Eaton.

The woodwinds of Jill Halley, cello of Eugene Friesen, the violin of Charlie Bisharat, the percussion of Jeff Haynes, vocals of Noah Wilding, and the electric guitar, cymbals, keyboards, piano of Tom Eaton are major contributors to the overall sound and textures of the music. All of the musicianship is outstanding on this recording, so expect a quality listen.

Once again as it was two years ago, simplicity is the concept here. David’s guitar is gentle yet inspiring. The music will resonate with you if you afford it a bit of introspection into the cover art and the track titles. Nature is an ever-changing occurrence and with that thought, the guitar playing can ebb and flow in the same way. If you listen to Last Passing of Summer you find that to be very true.

“Through The Fields” is one of the more rhythmic tracks and it serves as the quintessential acoustic guitar track. David’s guitar continually builds in the track and gets stronger with each change of pace. I found that my senses were aroused by this music. Most of the tracks are very relaxing and hold their own however this is the one track that really stood out for me.

“Sorrows of the Moon” was special because Will Ackerman played lead guitar. It reminded of the Windham Hill days and the music that influenced my tastes in music so much. “Chandos Lake” was another track with an upbeat feel to it and well played. 

So, what you get is the simplicity and beauty of the acoustic guitar that is accentuated with numerous other instruments that create a blanket of sound that the main instrument float over nicely. And yes, that explanation is as nice as it all sounds folks.

As another season is ushered in, David Lindsay gives us the colors and sounds to match the season on the Last Passing of Summer.  Acoustic instrumental music does not get any better and this album is highly recommended.

Keith “MuzikMan” Hannaleck
October 17, 2018
 
Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. For Joni
02. Blue Skies
03. To The Sun
04. Look To The Sky
05. Through The Fields
06. Reverie
07. Last Passing of Summer
08. Sorrows of the Moon
09. Chandos Lake
10. Still Point
11. Night Vision
12. The Wind Shapes the Pines